Multiplexer Menagerie and the Ternary Photo-MOS

September 27, 2022

To be clear the multitude of Ternary 2 input gates is a gift to the creative mind, I have written a program that enumerates all 19683 and deemed all of them useful. An example of this is gate 2272 (TAB-index), which is “Tautology” or all “+1”, so any inputs at A and B results in +1 on the output. You might say what is the point of that? Only now it acts like a buffer or a line driver, so it serves a “function” in a ternary circuit or a re-encoder in a more complex circuit. After deciding what is needed to develop a Ternary computer, I first looked to the 27 Unary gates and the all gates that are commonly used in binary circuits, like AND, OR, NAND, NOR etc…which there are a total of 16 and which 6 are deemed the most useful.

Here is the complete set of Binary Relay Logic

Exploring the Trinary logic opens a whole new way of seeing and thinking about computer architecture. For example a multiplexer is a most versatile device when designing circuits so I chose to explore this device to see what can be learnt from applying ternary logic to its internals. In a previous post ( I showed my crafted and workable TD2-9 (2 input to 9 output) decoder. this will be the starting point of some new discoveries.

First lets go back to the simplest version the TD1-3 decoder:

I chose this one mainly due to the fact it can be used to decode Ternary to Binary, so one input from a Trinary based system can produce 3 signals to control a Binary based chip. So a mixture of Binary and Trinary is not difficult to attain.

Here is an example of one of my Binary to Ternary Interfaces based on a Analog Devices chip.

I have used a spread sheet to design the small Unary modules and 2 input Ternary Gate modules to develop these designs, they were based on the Ternary Relay designs I have outlined in my previous work.

The spread sheet model has helped me in developing combinatoric circuits and ensure consistent logical flow, as this is a new technological playground and has some crude pointers and intellectual fences to overcome. As the diagram of the 2 circuits show, we can decode with positive or negative numbers without the binary load that is usually a constrictive affair and become overly complex.

After much mind bending Ternary Logic visual calculations and pattern recognition, here is the First Ternary Multiplexer, TM3-1 with a future TM9-2, TM27-3 and TM81-4 as simple extensions. Where as the Binary can only achieve 2-1, 4-2, 8-3 and 16-4, so imagine how versatile these gates can be.

With this TM3-1 you could create a Ternary to binary converter, by using two of these

A Binary to Ternary converter is also possible:

They can also be usable as a 2-2 Encoder in binary:

Also by cascading the TM3-1 you can create the TM9-2.

Choice of Unary Operators

Using the binary combination of AND plus OR gates, I first applied the binary equivalents of the Ternary gates to create the Multiplexer but found the Ternary logic would not cooperate as easily as binary. This is when I realised that the ternary system would have a simpler gate choice to achieve the same result. Instead of TAND I used SAND, which has a simpler matrix, while the DNOR is similar to the TNOR gate. This gave me the start, which later I found that VAND and LAND gates also work.

Ternary 2 input Gates

Ternary Converter

During these discoveries, I realised a ternary converter would be useful by itself. The numbering system describes the 3 gates and the 2 input equivalent.


TLC = Ternary Logic Converter
1-3 = 1 input 3 output
13.15.23 = Unary gates used 13, 15 and 23
10148 = The 2 input gate number equivalent 1 to 19686

Hardware Versions

After many attempts to make these circuits simple and easy to follow, I decided to concentrate on the relay versions but started using Photo-MOS Relays instead. This I found to be advantageous as the noise was eliminated and the current consumption decreased with the bonus of high speed. I would like to see a Photo-mos version of Programmable Logic, this would create a whole new industry, as the Photo-mos relays are already a mature technology today.

There are many manufacturers of Photo relays, lets look at the IXYS lettering, this will simplify your creative pallet. NO = Normally Open, NC = Normally Closed.


LAA 2 in NO + NO 2 out 8 pin Dip

LBA 2 in NO + NC 2 out 8 Pin Dip

LBB 2 in NC + NC 2 out 8 Pin Dip

LCA 1 in NO 1 out 6 Pin Dip

LCB 1 in NC 1 out 6 Pin Dip

LCC 1 in NC + NO 2 out 8 Pin Dip

I opted to use the DIP 4 as well, as this would give me a more flexible layout and get different brand parts sourced and tested.

These designs cover the scope of mechanical relays, where you can configure SPST, SPDT, DTSP, DTDP different combinations, you can also have the current flow in either direction or as in neutral where there is no action to trigger the relayed combination.

The Spreadsheet Logic Code

This code is Located at E2

=IF(A110+A3=11,B1) + IF(A110+A3=10,C1) + IF(A110+A3=9,D1) +IF(A110+A3=1,B1) + IF(A110+A3=0,C1) + IF(A110+A3=-1,D1) + IF(A110+A3=-9,B1) + IF(A110+A3=-10,C1)+ IF(A1*10+A3=-11,D1)

Lets break this down:

The first part of the code

in long hand:
If A1 x 10 + A3 =11 then E2 Display Value = B1

Where you would normally write

If A1 = 1 and A3 = 1 then E2 Display Value = B1
By multiplying A1 by 10 then I can add the two the values without an a “AND” logical statement while keep track if it is true or not.

Example of A3 = 1
Say if A1 = 1 then A1 x 10 + A3 = 11
A1 = 0 = 1
A1 = -1 = -9

Also if A3 = 0
Say if A1 = 1 then A1 x 10 + A3 = 10
A1 = 0 = 0
A1 = -1 = -10

And finally if A3 = -1
Say if A1 = 1 then A1 x 10 + A3 = 9
A1 = 0 = -1
A1 = -1 = -11

So you can see that the “+” in the code means “OR” , so now you have a truth table with 9 unique values. -11 -10 -9 -1 0 1 9 10 11 .The pointers are the input at A1 and A3 which define the value at E3 , altogether these are the general Logic Inputs of A B result in C.

The code for the Unary input was much simpler.

= IF(A2=1,B1) + IF(A2=0,B2) + IF(A2=-1,B3)

As you can see it is vital that your two input gates are in the correct order where as the binary version does not have that problem. Your A and B inputs and the coding of your ternary signals have a specific order which is determined by the original Truth table orientation. The convention I call “Natural” (T1) is “+ 0 -” and the Truth table is “A” rows top to bottom and “B” columns is left to right. The other options, which I have found among other ternary researchers are listed here:

By this table you can see how this effects the look of the Truth Table. So as in human relations we also have different languages in communicating, translating will not be difficult as these ideas are universal. The Non-Balanced (0 1 2) might not be as easy, as these now become arbitrary according to the designer, they might consider the “switched P” (0 + -) used as “0 1 2”, where as the “Natural” being “+ 0 -” and the equivalent would be “1 0 2”, a very confusing translation would make it difficult. This ordering is related to the voltage levels from 0 volts to 1 volt to 2 volts, this would be articulated in hardware making it incomparable with the Natural order and only interfaced through a translator. The Natural system also easily accommodates the AC wave and can be used as a clock without much difficulty.

A Unary Gate Chip

The idea was to make a 12 pin bread board ready plug component that could be used to create gate combinations and test the results. Here is the UGC-V2 and a plug in header to change the Unary gate number as required. The plug-in header sits on top of the the J4 to J9 pins, it allows you to use all 27 gates. The unit is 20mm x 43mm and the plug is 20mm x 20mm.

Unary Gate Chip

I hope this spurs some interesting Ternary work and we might see a bright future in using “LIGHT” as the interface between the old Binary Paradigm to the new Trinary way of doing things. Regards Arto.

The Scientific Method

May 3, 2022

(except from my next volume)

I had spent most of my childhood making observations that I had to verify, by testing if it was reality or some sort of an illusion, where most children do not remember having to apply their mind to the task as this is a natural process in all human beings. Where as I remembered a simplified version of this methodology and applied it to numerous optical and scientific illusions intuitively before I could even codify the process in writing as an adult. Much of what I had learned about what the Scientific Method is, was gleaned from extensive reading of countless journals, books and encyclopedia as I was growing up in my childhood, I cannot quote a professor or institute, only Sir Francis Bacon and my own personal life experience.

Historically Sir Francis Bacon(1561-1626) was the man who had codified the Scientific Method which was known in his time as the Baconian Method. Briefly the Scientific Method are steps that help scientists conduct understanding and clarity in the use of dynamic technology and material sciences, which is made up of seven main steps:

1 – State the problem,
2 – Research the problem.
3 – State your hypothesis,
4 – Do an experiment,
5 – Analyze data,
6 – Conclude the results,
7 – Form a conclusion.

Bacon also had devised what he called the idols of the mind, that could be called delusions or as he describes as false images. These four obstructions must be overcome to have a clear path of correct scientific reasoning. I have added a fifth as my way of addressing the intellectual dishonesty that has been foisted on our education system by the use of symbols.

Idols of the Tribe (Idola tribus)
This is humans’ tendency to perceive more order and regularity in systems than truly exists, and is due to people following their preconceived ideas about things.

Idols of the Cave (Idola specus)
This is due to individuals’ personal weaknesses in reasoning due to particular personalities, likes and dislikes.

Idols of the Marketplace (Idola fori)
This is due to confusion in the use of language and taking some words in science to have a different meaning than their common usage.

Idols of the Theater (Idola theatri)
This is the following of uncorrected dogma and not asking questions about the world.

Idols of the Symbol (Idola signo)
This is the misunderstanding of visual mnemonics due to uncorrected use of symbols, conflating the symbol with a preconceived negative or positive outcome.

After a lot of thought of Bacon’s ideas, they revealed to me another view of our problematic interaction with our observations and rational framework. There is a way of seeing our limitations of reasoning and finding that they hold our life in a type of prison built from our needs or ideas within our existence.

Prisons of the Mind (Carcer Cogitatio)
The imagined truth being our only limitations in our mind.

Prisons of Ideas (Carcer Notio)
The ill defined and illogical ideas limiting our perceptions of reality.

Prisons of the Emotions (Carcer Motus)
The uncontrolled reflexes within our emotive being.

Prisons of Sustenance (Carcer Victus)
The essential and incessant need to maintain regulated nourishment.

Prisons of the Environment (Carcer Ambitu)
The real need to have levels of protection from all forms of physical damage.

These prisons I have listed are very real to most people, they are just not aware they are inside them, while we can all agree that Sustenance and Environment are two that we are very intimately connected with but the others are no so obvious. The Mind Prison is simple to understand if you believe the Earth is flat, a limitation that is built from a lack of understanding and verifiable information. The Ideas Prison, is more related to our notions of politics, philosophy and poetry, where ideas have consequences to the passage of life, like the 120 million crucified in the 20th century for the flawed Marxist doctrines. The Emotions Prison, is by no means an easy hurdle to leap over as each one of us has either unfulfilled, exasperated or subjugated emotional issues to some degree, these we will render a mental cage to keep those feelings from destroying our lives.

The following definitions of the Scientific Method can be compared to text book versions and should be much simpler and clearer than most.

I have separated it into nine distinct headings, each can be considered recursive until it satisfies its criteria of application. These are my own versions, in the nine steps of the artists natural scientific method go something like this:

1 Observation of Interest
Make an single observation or many observations.

2 Facets of Observation
Ask questions about the observations and gather information.

3 Hypothesis
Form a hypothesis, a tentative description of what has been observed, and formulate predictions based on that hypothesis.

4 Prediction
Build the hypothesis with the predictions into an experiment that can be reproduced. Building a theory.

5 Analysis
Analyse the data and draw conclusions; accept or reject the hypothesis or modify the hypothesis if necessary. Adjust theory to fit facts.

6 Experiment
Physically reproduce the experiment until there are no discrepancies between observations and theory. Design for Replication of methods and results.

7 Variables
Dependent and independent variables are brought to a reduced set and general formula are created. Simplification of formula and universality is the prime reasoning.

8 Conclusion
Does it conform to the real world? Does it operate in a different environment or frame of reference?

9 Reality
This is now a law of nature as described by man, simplified to its primal state and understood intrinsically by man in all frames of reference. The extended boundary of theory has been overcome, it is considered a fact.

This brings me the words and meanings of “Science”? Science is not a category of study, it is a process of inquiry with deductions. Science is a method not a vocation. When something is Scientific it means it can have the Scientific Method applied to it without difficulty and its conclusions adhere to its methodology.
A Scientist is someone who apples the Scientific Method to an observation. A Professor of Science is someone who can apply the Scientific Method with expertise.

The implications of a “Theory”, firstly it must have self consistency, agreement with observations and have universal usefulness, alas, as it is only a theory as it only conforms to the first four of the steps required in the Scientific Method. Much of modern science is now “Theoretical”, they are trapped in the fifth stage and are given special compensation for digging up new “Theories”, creating a branch called “Theoretical Physics”. These are now a protected class defined by Cultural Marxism, as the real scientists who follow the Scientific truth and its complete Scientific Method are under the mercy of authoritarian political correctness and a false religion of “Scientism”.

Now and Then, When I Knew Tomorrow

December 8, 2021

Hi to all my readers,

As of the year 2021 , we are all a witness to the living totalitarian nightmare, one that had haunted my dreams and visions since the early 70’s, most of my friends thought, that much of what I have said back then, to be conspiratorial and fanciful, I assured them, that history has been rewritten, to what end I didn’t know, I suspected it was nefarious, possibly to create a War that would destroy countless millions of lives. I was the outlier who read a lot of books mainly very old books in the library after school and what I didn’t read I borrowed and read over the next few nights, I did wonder why the encyclopedias were up dated every 10 years or so, as the information was the same, so I assumed it was the new data they added, only to find out they deleted and reedited many events and solid data, to be rewritten to imply a different narrative and point of view, a slow brainwashing. TV was not a good source of real information either, it never seem to align with history as was written, it always had twists and turns that never occurred, they called it artistic licence, later without edits to be taken as fact, especially surrounding WWII, the 1918 Spanish Flu and anything about the forming of the United Nation and the US Federal Reserve. In a summary of this type of editing, the Cultural Marxists in bureaucracy edited to their hearts content, filling nuances with political double speak and removing figures and deeds that goes against the main Marxist narrative. For an example, Merriam Webster online dictionary edits the meaning of words regularly, they changed the meaning of Vaccine recently, we know it’s the Cabal who wants to own the words, so who owns the dictionary. (OWN = NWO, mirror word)

I wrote a poem in High School (1969), “A War That Should Never Be”, it was a prophetic vision of things I glimpsed at in a dark future, not something I wished and hoped we would ever go to, especially after reading Brave New World, 1984 and other Science Fiction stories. After leaving school I worked in News Ltd as a copy-boy, I was curious how the News cycle was implemented and wanted to learn more, mainly after reading a lot about the history of the publishing industry, especially its machinery, inventors and such. The political alignment of the News Corporations was not in my sights or my concern, as a young Artist it did not matter, people were people, at the time I did’t realise the collapse of the Arts occurred a long time ago.

After working there, I became equated with Paul Rigby and Bruce Petty, the two Artist that drew the page three cartoons, much was newly understood and as a young mind I vacuumed every tid-bit. I did learn one thing that changed my ideas about the world, the top down approach was in full swing in the early 70’s much like it has been in the last 100 years, Reuters was owned by the Rothschild’s at the time and this I gathered was why the news I read from copy became propaganda with a object to either ridicule the subject or twist the narrative to conform to a hidden script, being too young to understand what I was looking at, I decided that this industry was not my cup of tea, Fake News was a well oiled machine and I didn’t want to be part of it, the discovery of facts and truth was far removed from the modern journalists vocation, it only lived in my own version of an ethical and unsullied journalists philosophy. Meeting Rupert Murdoch was possibly a notable event for a 16 year old, it impressed upon me the power one man could yield if they control the flow of information, he encouraged my pursuits in the art department and wished me success, this seems like the devil was giving me encouragement.

I watched the Vietnam War in the 60’s, with it ending there was a mass dispersal of Vietnamese refugees world wide, it did not make sense, why would you send people out of the country when you needed them to rebuild it? I guessed that the UN had some sort of agenda. After much thought and clear facts of history that it was clear that mass migration was one of the tools to destroy Nations, for both host and donor nations. My family migrated from Finland in 1959, I was aware of the whole problem, as a child I asked my dad, “why did we come here (Australia), this is not as nice as home?”, my dads reply was straight forward and without candy, “After the war, we had to pay half our salary as reparations for losing the war against USSR, this means working 16 hour days, Australia offered a nice immigration plan so we can start again.”. I discovered later that my dad was right, the average Finnish man died in his 50’s due to this massive burden, sadly my father died at 55 here in Australia from much of what happened in the war, it was a pity that we never returned to Finland even though the debt was paid, but the people never completely recovered from the burden of sustained excess work load.

Here is a list of manufactures items, that should give you an idea how much the Finnish men had to toil after the war in which they suffered to support, feed a family and work ridiculous hours to comply with the USSR demands. Remember this was a country of only 4 million people. Here are some of the deliveries made:

52,500 electric engines
1,140 transformational stations
30 mills with power stations
525 narrow gauge locomotives
76 units of modified Railway engines to 750mm gauge
619 vessels
7 ice breakers
91 of 300 tonne schooners
37208 railway wagons of wooden house materials
520 complete wooden houses

So many years have passed since my youth and many struggles to understand our world lay before me, never knowing why the goal posts of a great and enlightened society kept moving further away. I was born with gifts that obliged me to pursue my artistic goals, singing, drawing, painting and poetry were activities that I was exemplary in, so this was the direction I focused upon. Science, Mathematics, Geology, Astronomy and Engineering was essential to my understanding of the world and the artistic goals that was driven by my psych, where all the great Artists from history of mankind was my measure. At this point I realised that parts of the Sciences was being misdirected by a cabal of dis-informants bent on destroying our civilisation. As I later discovered it has already been partially destroyed by the Universities and Colleges a long time ago, there was only outliers who knew the full truth, this revelation was not known by me until I was in Art school and met the Marxist indoctrinators in person and how they operated, still in hindsight, it seemed America had many who knew the hidden agenda, as I had been an avid reader of the underground fanzines and rare tabloids.

This was a defining period where my suspicions were being confirmed as to the motives of a hidden cabal that I knew very little of. I chose not to enter the system of lies and misinformation, as my instincts told me it was a poison that I could not recover from, Art was not meant to perpetuate lies and incorporate a destructive ideology that would surely destroy many lives and the true history. Art has always been historically a vocation to reveal the truth and the show the understanding of the universe. This impasse was to make me rediscover the past and try to rebuild an ancient knowledge long forgotten that had sustained many civilisations for millennia, a world of new discovery lay before me, I only needed to redefine a mental filter that would allow me to see past all the deceptions the cabal had built into the multiple “systems” and bureaucratic layers of our society. I now walked in a mine field, full of distractions, detractors, indoctrinators and the disbelievers of the hidden agenda that was trying to destroy a dream of a common sense, healthy and fulfilling way of life. Pointing out the totalitarian defects of the UN world system of governance to others, was met with me being labelled as a “conspiracy theorist” or I was “out there”, so I held that as a badge of honour, as they could see nothing and they never questioned anything, how the tide has turned, all those detractors are living in a Fear induced psychosis.

First I had to rediscover my own time line, where I stood in the moulding of culture that had been taking place in my lifetime and in my generation. I thank my primary school teacher for encouraging me to express much of my innate artistic nature, this is where I rediscovered the Art and Architecture of Gothic and the Renaissance, which owes its heritage to ancient Greece and Rome, which intern owes it to the remnants of Ancient Egyptians and the Temples and Vedics of India, while the ancient Europeans seemed to have been lost somewhere in a deluge. The timelines of history did not give a clear path of our past, it seemed the older the Civilisation, the greater the accomplishments. I was at this juncture that I realised we had spiritually, mentally and intellectually fallen somewhere in the past (500BC) to very low barbaric times we call the “Dark Ages”, while subject to a form of global amnesia and was slowly regaining many technologies to create a more functional society over the centuries.

At this point I could see the cyclic nature of Civilisations, not as the history books codify as a slow progress from the caveman to agriculture then villages then nations or the three stages of civilisation before its downfall, as in the written version of the fall of the Roman Empire and others. The complete cycle was a long 25000 years and simply followed the Zodiac in its ages and character of their times, research the “Yuga Cycle” to clarify what I am indicating. The Egyptian history itself defied many typical historic narratives, showing clearly that the older the artefacts and buildings the greater the precision and technology, something did not fit. The multitude of Ancient Indian Temples, Meso-American buildings also show this same pattern, this was to finally make all the history books become so much wasted paper, full of assumptions, lies and founded in a poorly scripted narrative. Much fantasy that appealed to many doubters, such as Aliens, time portals and many other stories would be exploited by Hollywood, Comics and tabloids, again to keep the truth seekers from uncovering how our society has been misdirected to push us into the occult New World Order, now openly admitted in public discourse, as it is no longer a “Conspiracy Theory”, it is an open conspiracy and we all know the facts, less is hidden every year.

So what does one say to his friends and family about the world you have discovered many years ago that they are not aware of, “not much”, as I found out by trying to explain to others the complex web of lies that are wound on almost every historic, scientific and cultural event. So I decided to create Memes and Cartoons that expressed much of what I know in a simplified way. The role of the classical Artist would be to create large artworks with historical figures, showing symbolic gestures, symbolism, dramatic poses and scenery that show a complex orchestration of thematic material and show the state of the world and it conflicts, This genre is still open to me and I will proceed with such a work in the future when my living conditions are right, at present the battle is still in progress and the demarcations lines of dramatic revelations have not been drawn as yet. This is called the “Historic” genre and is much more complex now than anytime in recent history.

The cartoon series I started called “Where Now?” was a small attempt to recover what page three Artists did for the last 100 years, excluding the last 20 years were it has been scrubbed, due to its revealing nature, creating a problem for the New World Order dictated press. I then drew, usually in one sitting and generally without any sketches and directly with ink. So I continued with it adding a few of my artistic ideas, like “Mic Oligar”, “Random Choices”, “Statistical Reality”, “Counter Actions”, “Apathy”, “The Scammer”, “The Odd Ball Inventor”, “Synthonyms”, also creating “Memes” and rebuilding comic, newspaper and magazine covers with new insightful messages. So much fruitful resources I could gather from the bread crumbs of the Psychopaths that were trying to reshape the world. I stopped my cartooning in 2017 as I realised that the Big Tech platforms and the Deep State were trying to destroy many voices that were waking up the public to the many lies, imminent dangers and false narratives in our society.

They have declared War on the public mind by criminal lies printed as truth in the main stream media, I was not going to be silenced because I was prodding the NWO Hydra, so I took another path, much more suited to my talents, to unwrap the history and technology of the Ancient past. Speculation on the past was not so offensive to those who already have dismissed you as a outsider. My contributions to the counter narrative has been to clarify some solutions and open a door to creative expression, by adding a few vernaculars to the mix such as “Demonrat”, “Conspiracy No More” , “Illusion of Democracy”, “6uild 6ack 6etter”, and many more, now used to describe complex memetic ideas. This unravelling of the ancient past was to establish a direction we could reformulate to build a system that could not be corrupted by psychopaths or those with dark and unsavoury influence that corrupt society, like Soros.

If you want a Tshirt from Red Bubble that show you the three state NWO hazard proof click here.

I would rather paint, draw and sculpt than engage in Memes, Satire and critiques of modern society, it is just they have left me no choice, the Cabals outreach had destroyed our Art institutions and replaced them with degenerate Marxist trash. It sure sounds harsh, but it is the softly softly approach that causes the most damage to the minds of the youth, by filling them with unrealistic promises that only lead to self destruction. Giving them praise in matters when they have truly failed, encouraging training and rote learning over understanding and no self criticism or reflections on any mistakes, these are recipes for a society of ineptitude and weak moral fibre. We are not perfect, this is a truism, regardless we still should strive for proficiency, mental finesse and holistic understanding of our chosen vocation. Four years of Medical School might make you a Doctor in Certification but does it render your heart and soul to a Qualification that only the spirit of honesty and true empathy can tender. A Technician in not an Engineer, the Technician applies rule based algorithms while the Engineer applies deep understood principals of Science, Technology and life experience. Does this also apply to Politicians? What qualifies a Politician to be able to apply policies that the majority of people demand? Is it his ability to use words and organise the resources for the benefit of the people, yes, this is their imperative but is it what they all actually do in real life? How can a politician become very wealthy if they are on a government salary, they cannot use their influence to dabble in stocks or property to benefit their financial position, this is immoral behaviour and is surely illegal but that is what they do, in cloak of darkness and by proxy.

The term “Red Pill” as a wake up call for conscious return to reality was taken from the movie “The Matrix”, the title was a synonym for the Cabal or the Deep State. The “Blue Pill” was “woke” version of reality, a zone of phantom racism, rampant misogyny, open borders, gender fluidity, no police, free everything and nobody has to work, as this is the weak low expectation philosophical fantasy world they are told exists if we choose it, first get the jab. As history will show the first openly subversive organisation to pose as a surrogate of the Cabal was “The League of Nations” back in 1920. The LON had a charter and demanded a solidarity of Nations to act against other Nations that did not comply with its tenets, this was written into the charter, hiding with words of good intentions was a totalitarian authority called the “New World Order”, which now has become the United Nations, united against those who do not agree with their ideas.

My Poem and Short Story

In 1983 I wrote a short science fiction story, here is the synopsis:

“A space craft lands on a new planet, they find no inhabitants with many empty cities and lots of undergrowth, maybe centuries of neglect. The space fairer’s search the ruins to find many rooms with special seating and what looks like headgear and a console. After some investigation, they jack into a central hub computer and find that a simulation was running for around 10 years, the people no longer lived normal lives, they were fed intravenously and robotics looked after the infrastructure. A power failure caused catastrophic damage and could not be repaired, after much robotic patching and rigging to sustain the 3d simulation, it also failed, people woke up and died almost immediately, due to the massive cognitive dissonance on entering the true reality not the simulation. Despair and loss of skills, atrophy of physical mobility and starvation destroyed the rest.”

We are in 2021 and the sad sack Zuckerberg has instigated “META”, this a the 3D simulation that will destroy the minds, hearts and the will of the countless victims of this leftist progressive life altering hoax.

I wrote this poem in May 2021, to condemn those who are foolish and blind enough to align themselves with wokeness:

They Have Forgotten by Arto Juhani Heino (c) 2021

They look out the window of the glaziers art while framed in the carpenters skill.
They stand on floors of the builders planks and the tree loppers handy work.
They stand in the house by the drafts-man, the architects dream and the miners steel.
They stand digesting the farmers produce and the work of the cookwares smith.
They stand in the room made warm by the coal diggers toil and an engineers whim.
They stand on the hallowed ground made free by the soldiers sacrifice and patriots will.
They stand there wearing garments made by the sheep herder, cotton farmer and the spinner.
They stand there warm and safe in a large world with small minds that see a single frame.
They stand there raising their fist in anger to the all those that gave you life, liberty and freedom.
They stand there never knowing humanity and its work is but a puff in a dandelion field.
Such is the troubling times of the ignorant, the coerced, the indoctrinated and slave of a hidden cabal.

The Big Money Scammers

We know his name as the “Gate” keeper, he directed Microsoft to be an insecure and bug ridden operating system, easily to disable and infiltrate, allowing outside hackers to steal and damage your computer. Who are these hackers, a small percentage are hard core criminals, where the large proportion are really the Cabal itself hiring actors and proxies to do their will, dirty Soros money plays an indirect role here. The University trained Marxists have computer skills, they watch Dystopian movies and read Dystopian Comics, the “Woke” clothing companies created clothing fashion to coincide with this vision, to add to the mix, “Zombies” became the thematic material for pop culture for the last 10 years. The Cultural Marxists took over the Arts long ago, it was not as blatant in its opposition to Family and Nationhood as it has been now when we can easily see when “Woke” is written into the script, Ad or Comic. The Cabal decided that poisoning the public in multiple ways was just what they need to do, in out tastes, smells, thinking, movies, books, art, music, medicine and food, so chaos rules our lives.

So we can see the “Smirk” written on Bills G’s face, he is hiding a false reality that he help nurture, we all think a “Virus” is a thing that enter into your software via your hardware connection and starts to destroy it, so we buy “Virus Scanners” for this purpose. With the help of many Woke Professors and Gates himself, they equated Hardware with the brain and Software with the mind, the next step, with the help of Bill again was to equate Hardware as your body and Software as your DNA inside the cell, which was done successfully by a fraudulent science call “Virology”, promoted strongly by his partner in this criminal enterprise, Mr Fauci. The so called “Virus” would enter your body via touch, mouth and breathing and destroy your cells by entering it, causing disease and you would die, this is the discredited “Germ Theory”, your body would have to deal with it, so a Vax would be like a “Virus Scanner” that would help fight it and destroy it. They even said they added extra “Stuff” to it to make it even better, an “Upgrade” on the standard model, they would upgrade your DNA, using mRNA technology, a distraction as Graphene Oxide is the main killer, it acts like nano sized razor blades inside your blood system. The idea of prevention and health safety is the mental rubbish they filled the leftist “Woke” minds, while destroying any critical thinking skills along the way, still, they usually wake up from the psychosis after they are in hospital suffering from thrombosis.

We need to celebrate Poland, as they have begun the Nuremberg Trials 2.0, against all those who are creating such chaos, murder and suffering in the lives of humanity. At the same time the EU are trying to nullify and cancel the “Nuremberg Code”, the same code they wrote to vilify Germany after they lost the war, on perceived and imagined crimes, now it is coming back to destroy them.

Just so my reader understands, this criminal cabal was clearly understood in my ode from a previous post in 2014.

I thank my readers for their support, regards Arto.


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A Quantum Ellipse of the Old Kingdom

November 2, 2021

This Post is short, though I spend quite a lot of time working out this artefact. Please note the two triangles I have outlined in the diagram, one has an angle of 51.913 and the other 42.374, these are significant as they correlates closely to the Great Pyramid and the Senusret II Pyramid, these were the on the opposite sides of the pyramid field in my previous posts. Regards Arto

Pyramid Sonic Transceiver Technology – Part 5

October 29, 2021

As we can see by the many pictorial representations of the Dynastic Egyptian ruling class of their jewellery and the articles they adorn, is represented as their innate culture. For example the Uraeus represents the conscious frontal lobe and its functions of awareness and decision, where the Eye of Horus is the centre of the physical brain and where the pituitary gland, hypothalamus and pineal gland reside, while the vulture represents the subconscious and its dark and powerful presence, where its physical appearance and its function are aligned. The trinary mind is easily understood when seen this way and shows that mankind has lost the connection to many of these symbols that the Ancient Egyptians took as a given and well known among its intellectuals, artisans and officials. The scarab represents the brain both as the physical understanding of the skull and as a symbol of good fortune. When the scarab unfolds its wing caps and prepares to fly, it creates a frequency of sound that becomes flight, just like our brain when we unfold ideas, buzzing and with lots of activity, beside these ideas, the sound it creates indicates an acoustic element ignored by archaeologists.

These symbolic functionaries were not just an understanding of our mind but a slightly degraded version of an earlier technological connections with how sound was a vital part of our physical and psychic health. The understanding of illness and disease was also a holistic concern for all the ruling class as that was part and parcel of the knowledge that was passed on by heritage and learning. The great artworks created by the ancient Egyptians also recorded the rituals, procedures and psychological adoptions of their mannerisms, habits, priories and also any profound knowledge they utilised in their civilisation. For instance the 42 commandments that they followed was a great model for pious, virtuous, a well balanced way of life and personal being. These were artefacts from a previous civilisation that predated Dynastic Egypt, the legacy to help continue a way of life that was productive, organised and high cultured Kemetian history, now forgotten but partially understood by the Dynastic Egyptians.

All these symbols, writing, art and even games help reinforce the spiritual and psyhic health, where psychopathic, parasitical and criminal behaviour were easily filtered out and dealt with. The Kemetians knew the pitfalls of mankind’s behaviour as the degradation of mans fall from the Golden age, to the Silver, Bronze and the lowest Iron age (500 AD). It followed the precession of the equinox, which is the great Year cycle (25000 yrs) and was encoded into most of the structures and mythology so the torch of understanding could be awaken in the new upward cycle.

So many layers of knowledge was re-wrapped into mystery as the Dynasties time line grew, where their consistency of natural order was kept alive by the priests, the knowledge bearers and the families of the Pharaohs and leaders of Egypt. They codified, kept records and repaired the legacies from the past, until they lost much of the skill sets required to build and maintain the great Pyramid machines.

With the advent of rediscovery of the those great monuments of the past in the 16th century and onward, the early archaeologists were at a loss to explain its history, meanings and building techniques. They created scenarios, dates and interpreted much as mere ritual, superstition, death cults and fanatic multi God worship. They were reading the remnants of the Kemetian super culture that was decimated by catastrophe and rehabilitated by the Dynastic Egyptians who only decorated the structures built by their ancestors. All of the pyramids were built prior to the many catastrophes that Ancient Egypt endured, a great flood being the most pronounced, while much evidence for plasma storms also exist.

I can see by the ritual outfits that their were many forms of technology attached to them, long misunderstood intentions that became mere decorations. Without specifics I must agree that some of the technology was still functioning in early Dynastic times, the false door, the acoustic crowns and the many hand held articles seem to have a function attached, not just pure symbolic.

The Dynastic Egyptians even stated that much of the older writing was called the Sacred text and much of it was only reinterpreted into other forms as they could not even read it. The Narmar Pallet has no hieroglyphs as we know them in the later Dynasties. The Archaeologist believe this was a more primitive time, before the proper formulation of writing, where as we can clearly see much of the older text was already carved deeply and permanently into many pillars and monuments that already existed in the Dynastic period. This is why they adopted painting and plaster over the blank walls that were left by the Kemetians. Any sacred text was merely copied and adopted to the whims of Pharaohs and officials.

The funerary texts were written as a half forgotten parable of the technology I have uncovered. The deep caverns of the underworld were the stratified layers of different rocks and the densities, giving transmission times and quality of reception as this dark misunderstood place. The few remaining sites that were still functioning became centres of worship and ritual. When the last of the pyramid machines stopped, all was now a worship of the dead as the rituals no longer bore fruit. The times of reception and the cannons of codes now were mere decorations and in reality the Egyptians lost connections to the past not long after, possibly around 1500 BC.

I needed to update the last post as a few errors crept in, here a diagram of the upper portion of the Pyramid field and also a few more ideas about the different functions of each pyramid. I see the whole as a set of communication exchanges, with generators, amplifiers and redirection of the sonic pulses, much like a Telephone System but with the bedrock as the wires and the false doors as booths and the multiple tombs as frequency shifters, multipliers, multiplexers encoders and decoders. An ancient audio sonic technology that we can easily rebuild as we already use these techniques in audio engineering, ground radar , speaker and microphone technology. No need for laying down pipes, cables or wires, an endurable system that can function without maintenance for centuries, as for mobile communications, many monuments have direct connections to the bedrock, so a stone pillar with a portable Ank, a Sistrum and a suitable Hat/Crown can be used to communicate.

I hope these pages will go beyond the Ancient Egyptian technology and you can find the similarities in the Vedic Indians, Mayans and Olmecs and their head gear and Pyramids. Sound is the key to a clean and sustainable future where music is part of what we know about the nature of Mankind inner soul, physical being and creativity. Regards Arto.

Pyramid Sonic Transceiver Technology – Part 4

October 16, 2021

Here is the data for the Sonic Pyramid Field, the first graphic reveals the structure for the first section. The other table is the measure in Ancient Egyptian measure, note the Conversion to meters is 1 RC = 0.5232365464746810 Mtrs. These are my first data sets, excuse any errors, Regards Arto.

Pyramid Sonic Transceiver Technology – Part 3

October 15, 2021

The Resonant Crowns of Khemet

Looking at the White Crown of Upper Egypt (Hedjet, hdt) indicates a technological reasoning behind it design, yes I do not think they just randomly invented it without simple reasoning and logical inclusion. As with the other crowns they all served a similar function, one of communication through logical utility and natural means. “Per Neter”, “House of Nature”, the nature of sound, light and vibrations of communion to each other and other living beings. This is understood as the longitudinal vibrations of sound and of light, each only being a multiple octave distant from each other, one medium is the Ether the other is Matter (Air, Water, Earth).

The messenger of our time who understood this “Neter” was Nikola Tesla, in the past Christiaan Huygens was a proponent of it in his time and Roger Boscovich in his time as well. Fortunately you cannot fudge the longitudinal “neter” of sound, it is all around us and our ears and voices are organs we are closely connected to. On the other hand the fake Scientism movement which began in the early part of the 20th Century, which hijacked the symbols and contorted the mathematics to be some surreal multidimensional occult scheme. We are lucky that we have had some great minds and logical thinkers who knew the false paradigm was being perpetrated onto our scientific community.

As a Musician, I could recognise the acoustic volumetric of the crown almost immediately, that being in a vocal range. After taking great care to find the measure of what constituted the Resonator, I quickly found the design concepts that was used by the Khemtians. The next step was to look if there were schematics in any wall art, as possible translations of vibrations of sound to electricity and back to sound was taking place.

The fundamental wave length came from a careful measure using Google Earth was to reveal the base wave frequency that I should look at. After reading many volumes of Geological data regarding the Density, Bulk Modulus and Sonic Velocity of rocks of different genre, local to Egypt and other ancient sites, I can estimate the bedrock sonic velocity is usually around 5979.85 m/s, the Density about 3000 kg/vol and the Modulus is 10.7 Gpa, when translated to the Ancient measures, we have a Velocity of 80000 P per sec, a Density of about 2 Q/vol and the Modulus of about 1500. The distance from Senusret II Pyramid to The Great Pyramid is exactly 160000 Royal Cubits, simple calculations reveal that 14 seconds will transpire before your signal will be received and 28 seconds for the return signal, this could be considered a Time standard.

The Resonant frequency of the source to and from the destination = 0.0714285714 Hz

The Vocal Chord Range

= 65.714 – 4600 hz Wide Band
= 131.43 – 2044.44 hz Medium Band
= 262.857 – 920 hz Narrow Band

Male Speaking Vocal Range        = 85 – 155 hz
Female Speaking Vocal Range     = 165 – 255 hz
Children’s Speaking Vocal Range = 180 – 360 hz

The Crowns and head gear Range = 36 – 440 hz

The Wave Lengths
WB = 343.841/65.714 = 5.232365 mtrs = 10 RC = 280 F
= 343.841/4600 = 0.074748 mtrs = 1 P = 4 F

MB = 343.841/131.43 = 2.616194 mtrs = 5 RC = 140 F
= 343.841/2044.44 = 0.168183 mtrs = 1 SH = 9 F

NB = 343.841/262.857 = 1.308091 mtrs = 5 LS = 70 F
= 343.841/920 = 0.373740 mtrs = 1 D = 16 F

The design of the Hedjet Crown was a well drawn out study, I referred to many icons that show clear pictures, the first being the Narma Palette and many beautiful sculptures and large statues. It seems to have a slightly different size depending on the region and the Dynasty that had created the artwork. So instead of slavishly copying something that we had no sample of, with only diagrams or sculptured versions, I went with the most direct method, think like an Ancient and design like an artist of the time and build like an engineer of Khemet. As the Royal Cubit was the fundamental rule that all these ancient wonders that were created, I used my perfected measure of 1 RC (523.2365mm) as the foundation of design and engineering, also being 28 fingers (18.687mm), where I could use the finger as the smallest measure.

The large curvature of the circle D3 of the Hedjet is 4 RC, I could have chose 3 RC but the cavity would have been too small and the curve too tight, also if it was 5 RC the crown would have been to tall, 4 RC was the best fit that also matched the edge of D4, which is 12 F or 1 Small Span. The A1 dimension of 2 F was not a hard choice, it lined up to most crowns and was easy to pick, whereas the body had to be dissected to cylinders to get an approximate volume, using a basic form of calculus and the Egyptian measure I achieved a simple design tool that could be used on many semi-organic designs. The inside of the Hedjet could be two chambers or more, in line with the design of the cochlea, when unwound has two basic chambers, this could indicate a slightly modified version of my interpretation, which I will express in another design.

My intuition told me that I would arrive at a tonal resonance around the vocal region, being 95 Hz it was just about right for the low end of a set of large male vocal chords. The measure was the key, whole numbers of Fingers is the how we can design natural machines, like a resonator. The DNA understands these forms, your ears and your vocal chords are the result of this understanding, how can we imagine these were randomly adapted, they were designed by a master architect of the universe, we can only imitate its great design.

Here is is short list of Gems used by the Ancient Egyptians (PZ is the preferred piezo ):

Tourmaline Blue PZ
Amethyst Purple PZ
Sapphire PZ
Emerald PZ
Ruby PZ
Diamond PZ
Garnet Red
Lapis Lazuli Blue
Obsidian grey
Carnelian Orange
Jasper Orange
Turquoise Blue

All the crowns have the basic form of an acoustic device of some sort, this was their unique mastery of this most ancient technology and science, Tourmaline was the first choice for the Piezo crystal, this was one of the regular stones used in Egyptian jewellery and art.

Sound Refraction

The focal length of a spherical lens (measured from the surface of the lens to the focal point) is given by focal length sphere where r is the radius of the sphere, m1 is index of refraction of the surrounding medium and m2 is the index of refraction of the lens material.

r = Radius of Sphere
m1 = Index of refraction of surrounding medium
m2 = Index of refraction of the lens material
v1 = Velocity of Sound of surrounding medium
v2 = Velocity of sound of the lens material
f = Focal length from the surface of sphere to the Focal point

f = r*(2-m2/m1)/2*(m2/m2-1)
f = r*(2-v1/v2)/2*(v1/v2-1)

If the lens material has a greater velocity then it becomes a convergent lens and if it is less that it is a divergent lens.

Zp = Acoustic Impedance Piezo Electric Material
Zl = Acoustic Impedance of Loading Material
Wm = Matching Material Layer Wavelength

Best impedance match:

Wm/4 = Zm

Impedance of matching layer material is:

Zm = (Zp x Zl)^(1/2)

Wide band acoustic impedance:

Zm = (Zp x Zl^2)^(1/3)

Improving acoustic matching:

Zm1 = (Zp^4 x Zl^3)^(1/3)
Zm2 = (Zp x Zl^6)*(1/7)

Mixing powdered piezo materials with hard resins and creating a polymer is one way of fabricating matching layers.

Hedjet Crown

This was the first I had seen that would work acoustically, using the Helmholtz resonator as the basic design to follow. The volumes are best approximated as the chambers are narrow band devices and not just singular tone, The narrow band fits the voice well, my criteria was to use it like a musical instrument, where pure tones resonate distinctly, a vibration from an external source being simple not highly modulated, one from the vibrations of a staff or device that has a limited tonal range. The connections to the circuit and ears are not included, these would be more decorative and need to be adjusted for the head of the user. The main chamber could be split in two, as per the uncoiled cochlea. I chose the size in accordance to the Royal Cubit as the standard, by it having direction relationship to the Longitudinal velocity of light. The original crown was worn by Narmer and he was a giant, so I figured this was the most suitable size, as I noticed the Hedjet sometimes seemed over size when the king was not as big in many wall carving. Later Hedjets could have been smaller, making the frequencies much higher than 95Hz.


Deshret Crown

This one was simple once I found the first crowns acoustic design logic. The spiral piece could be a hollow chamber as well, making it look like the cochlea, where adjustments to the tone and frequency could be made or even a direct contact to another acoustic vessel. The Green outlined section is the simplified version of the crown volumes that makes the mathematics much simpler. Tr1 is a golden triangle that was found after I had almost drawn the whole unit, it points to the heart, the size is 471/18 x 818/18 fingers = 488,977mm x 849.221mm. The Uraeus I put on the crown is mainly to show its location and design elements, the scale is not correct, it would be at least 1/2 to 3/4 of the size I have drawn.


Hathors Head Gear

This was a simple progression, now using the symbolic shapes of the sun disk and horns to create the necessary configurations. The C2 chamber in green is an approximation of the neck of the horn resonators. The P5, P6 and P7 are other positions the Piezo crystal could be placed and change how the horn chambers worked harmonically. The P6 is also connected to the main chamber, so a feedback will occur. The P7 connection is used when you use both horns, what you will get is one horn in compression while the other horn is in expansion, as opposite phases. P5 will drive the side horn but will also have a short wave of 1/7nth the of the wave length of the horn, thus giving you a complex sound wave. Tr2 is another golden triangle that I discovered after drawing most of the head gear, it points to the mouth, the size is 18.2 x 28 Fingers(1 RC).


Other Crowns and Head Gear

After intuitive generating these designs, I could see every crown and head gear designs were connected to the cochlea and other sound chambers. The feathered version of the Hedjet called the Atef Crown makes me consider that the internals as two chambers and the feathers as ticklers for a variety of harmonics. Amun crown has two distinct chambers, and it’s appearance is significantly like a straightened out cochlea. The Shuti Crown has spiral chambers(rams horns) which would be a shorter version than long straight chambers. The blue Khepresh Crown is much shorter and has a chamber as well, while the Cap crown has even a smaller chamber,

Each crown or head gear or combinations seems to indicate a narrow band of frequencies and could possibly be that each has a function of communication at those frequencies, where the deployment of signals were directed to those who wore a specific crowns or hats in a region. What I could gather by the wonderful hieroglyphs is that stock holdings were relayed among the Khemtian empire using false doors as exchanges with a schedule using specific times by officials with certain hats, which were regulated in a religious fashion to keep the communication channels linked up. The pyramids served to create, amplify and relay the complete network of acoustic signals around the empire.

The transmission of signals via a sonic device inside the sarcophagus like I have previously described would be linked to the regular acoustic carrier pyramid frequencies, with the use of a Sistrum as the calling ring when pressed against the walls in certain locations, like the false doors, when done at regular intervals to indicate a transmission signal.


The Uraeus is a 1 1/2 or 3/2 wave system, the locations of the Piezo crystal help with feedback tuning and aerial reception of Sonic frequencies, these would be coupled to the main acoustic chamber and also act like the diode mixer in radio when separating frequencies to be decoded. By the design it looks like a single balanced mixer, where the RF (Radio frequencies) is the Sonic wave and the LO (Low frequencies) is the voice and the IF (intermediate frequencies) are the carrier frequencies.

As this is still a working document, excuse any errors or omissions, but if you found this work of value please donate to keep this and other projects alive. regards Arto


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The Pyramid Sonic Transceiver Technology – Part 2

October 1, 2021

This blog will be short, I will upload this picture file only, the transcript will be in part 3.

Thank you for being patient and if you would like to help with all my research endeavours, please donate, regards Arto.


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The Pyramid Sonic Transceiver Technology

September 18, 2021

Ancient Royal Cubit and How a Pyramid Works

(This is a draft of part of the Archaeology chapter, so please excuse incomplete data and any errors)

When studied and looked at from one view of the ancient Egyptian measure, it has so many variants, that it makes you wonder, what was reasoning behind the differences? The main stream Archaeologists never delved into any logic or reason and discounted it as just poor standards that had no relevance to an exact science, while only being a measure of ones arm, hand or finger.

After many years of thought I concluded, that the original pyramids and the many fine stone objects inside them were the remnants of the true science of the Kemetians but not fully understood by the Dynastic Egyptians, they seem to have forgotten some parts of the ancient technology, it became a ritual, the remaining shell of its true intentions, it was stylised. In my last volume I elucidated the Royal Cubit as the unit for the measure of the Longitudinal velocity of Light.

This was the start, as we now had a clean beginning with a absolute measure of 900000000 Royal Cubits. As you can see by the diagram, the number of waves are always the same, the type of medium is what causes the measure to change. This methodology can account for the variant sizes, the Illhan sarcophagus measure shows that Ozone was the medium inside the pyramid, as this is the dielectric that will give you the correct Royal Cubit measure for the internals.

The Pyramid complex is a machine that uses stone both as a dielectric in the higher frequencies and as an audio conduit in the mid frequencies through the stone with coupling with the lower Earth frequencies in the cavities filled with a gaseous or liquid medium. The contents of the sarcophagus should be filled with structures that emit frequencies that resonate with the structure , these are materials that could be radiation emitters. Most gem stones are emitters of radiation, with elements like cobalt, boron, uranium, potassium, much of these are in a natural state all around us, these appear as the offerings required to keep the machine running, it was ritualised over time. The atmosphere inside the sarcophagus and the tombs will become ionised, thus changing the permittivity of the gas, also allowing the conductivity to increase, this will drive a differential heat engine, that have audio and plasma acoustics to have two nodes, each will be charged with different polarities , hot = +, cold = -, as per an electrical generator. This now becomes a natural electrical charge accumulator, that drives a cavity shock wave generator that creates a current of electricity. The pyramids cavities reveal a Thermo-Acoustic plasma engine. The mud-brick layer on many Pyramids acted like an energy reservoir and a acoustic baffle, Pyramids acted like motors, generators and accumulators, where some were passive in their functions.

The addition of frequencies inside the sonic wave, due to each material being of different permittivity, permeability, EM refractive index and mass density, impedance to electricity and to the acoustic properties will give you the velocity of energy transfer in, on and through the material. This velocity can be used to dissipate the heat loss through the crystal lattice as you lower the frequency by the impedance, both electrically and with sonics. This will give you a differential of temperature at either extreme interface, thus the sonic created and maintained by heat, can be recoverable back to electricity by a engineered Peltier layer of materials or other means. No moving parts, the initial impulse is an amplified Earth sonic that is always present as 8 hz in the atmosphere and 12 hz in the Earth and its low sub harmonics.

A pyramid is the earth frequency reflector to a focal point, the many rooms and corridors are carefully designed, as a acoustic receiver, in the lower frequencies. The reason they are so big, is that the sound it captures is directed at the correct angle to the acoustic antenna system, where the acoustic channel drive a sound in high resonance and activates the differential heat engine.

The sarcophagus can now be the focal area of transmission or/and reception, as this diagram(next blog) shows the different sound modes inside the sarcophagus. You can articulate these by frequency adjustment by an acoustic lens and other means inside the box, which is inside the tomb and inside the pyramids sub structure. This type of pyramid is of interest as it is easier to understand, we must walk before we run. Pyramids as functioning machines, is not a common subject in any library, so we will start here.

The scheme of measure used by the engineers of Kemet was Royal Cubits, Standard Cubits, Hands. Palms and Fingers. The use of these divisions of metrology will be clear when you work out the sonic of materials and how they work together. The scheme of layout and cross sectional designs were purely a work of the ancient genius that understood vibrational technology and the natural environment. The machines were built from stone connected to the bedrock and only had the smallest components crafted from metals and dielectrics.

Let us look at a few simple but hidden knowledge of the the measures used by the Kemets.

Longitudinal Velocity of Light( light x pi/2) =9000000000 Royal Cubits per Second

470912789.827213 / 9000000000 = 0.523236546474681 meters

This will give you the Length of a Royal Cubit = 1 Royal Cubit

1 Palm = Royal Cubit / 7 = 4 F = 0.0747480780678116 mtrs

1 Hand = Royal Cubit / 5.6 = 5 F = 0.0934350975847645 mtrs

1 Finger = Royal Cubit / 28 = 0.0186870195169529 mtrs


Using C = 299301329.866211 ms as Light Velocity(per Illhan)

The velocity of Sound in Air (344 m/s velocity at 22 deg C)

344.40553733326 / 0.0748707073333 =4600 Palms per second


Using C = 299792458 ms as Light Velocity

The velocity of Sound in Air (343.843 m/s velocity at 21.075 deg C)

343.84342857142 / 0.0747485714285 =4600 Palms per second

The velocity of Sound in the Bedrock (5989.6586 m/s velocity)(Illhan)

5989.658666666 / 0.0748707073333 =80000 Palms per second


The Wavelength of Hydrogen (EMF from the Universe= 1420405751.768 hz)

Meters = 0.211061140538923

Royal Cubit used = 0.527652851347307

Velocity profile of RC used = 297283280.062913 mtrs/sec

Royal Cubit/ 2.5 = 0.4 RC = 0.211061140538923 mtrs

2.8 Hands = 11.2 Fingers = 1 Elbow to Wrist (EW)


The Density of a Stone used in a design

2452.02927295 = Mass / Volume = Kilogram/Mtr3

1/1.715 CF = 0.58309038 = Volume of 1 Qedet in Cubic Fingers

1.715 Qedets = 1 Cubic Fingers x Density

1 / (1/1.715) = 1.715 = Density in Q/CF

49320584224.971 = Modulus Of the stone in SI units


The Modulus in Qedets and Palms per second

600000 PS = 4484.8846840687 mtrs per sec Velocity of Stone

1.715 x 600000^2 = Density x Velocity^2 in Qedets and Palms per sec

6174000000 QPS2 = 6174000000 / 9000000 = 686 M *

So we have the velocity, density, mass, volume and modulus of the stone that we need to use to build or to transmit and receive vibrations. We can use geometry to adjust all the parameters to create acoustic lenses or direct the vibrations to a focus point for interpretation using some form of acoustic technology.

1 Palm = 0.074748078068 mtrs

1 Cubic Finger = 0.0000065255950149 cubic mtrs

1 Qedet = 0.00933 kg (Flinders Petrie)

Density = Mass / Volume

Mass = Density x Volume

Volume = Mass / Density

How I derived some of these values, it will be easier to understand as I show you the data I have accumulated by the study of all the pyramids.

So how do we start to form a communication channels and power generation from geometry, stone, acoustics, plasma and resonant heat channels. We must start with the geometric means, where the stone amplifiers with stone antennas must be built into the bedrock, where sonic vibrations can activate.

There are a few equations that will help in this design process, let us inspect the communication between two pyramids. I discovered the the distance between Senurset II (sewaset)and Giza to be is exactly 160000 royal cubits. This was one of the clues that has led me to this clear knowledge.

Distance = 160000 Royal Cubits = 1120000 Palms

Velocity of Sound in Bedrock = 80000 Palms per second

Time =D / v = 112000/80000 = 14 seconds

Frequency = 1/ time = F = 0.0714285714 hz = D (A= 438.36184192 hz)

Lowest Piano D = F *1024 = 73.142857138 Hz

The wave length inside the tomb = 4 Royal Cubits = 28 palms

So it looks like we could use octaves of “D” to make a communication channel between Senurset II and Giza.

Test case #1

Velocity profile of Limestone 0% porosity = 6813.236733 mtrs per sec

As Royal cubits = 13000 RC per sec

Velocity profile of Limestone 10% porosity = 5109.92755 mtrs per sec

As Royal cubits = 9750 RC per sec

Velocity profile of Limestone 20% porosity = 4087.94204 mtrs per sec

As Royal Cubits = 7800 RC per sec

Velocity profile of Limestone 30% porosity = 3406.61836 mtrs per sec

As Royal Cubits = 6500 RC per sec

In a Test Case above we have 4 different Velocity profiles, this seems innocuous, until you compare it to the 0% porosity, here are the figures:

13000/13000 = 1 = 0 % porosity

13000/9750 = 1 1/3 = 10 % porosity

13000/7800 = 1 2/3 = 20 % porosity

13000/6500 = 2 = 30 % porosity

These are musical and concordant frequencies. When the whole gamut of limestone, red granite and many other stones are put into the correct context, lined up with density, velocity, modulus, porosity, dielectric, permeability and impedance are factored and aligned to resonances with harmonic content, you will not see the true nature of the Pyramids.

This understanding is clear that their intentions was to resonate stone and air, creating communications and energy transfer, this is of a past technology that lay hidden in the Kemetian engineering. When you look at the all the concordant data you will see the science of ancient Egypt, they had a science not just a geomatra of holy numbers , worship of idols and Gods.

The Dynastic Egyptians had lost much of the ancient knowledge after the flood destroyed most of the Ancient world, many of the machines stopped functioning, maybe Giza was still running, it was after all the main trigger for all network of ground longitudinal waves, both electrical and acoustic between all the pyramids. The survivors may have had some technology left, but the link to the priests of that knowledge were gone, they developed a philosophy aligned to the downward spiral of mankind, just as the Yuga cycle was nearing it nadir, all the knowledge to read the language vanished. The Egyptians called it the underworld, the lost dark chasms of mankind, where memory of our past gets destroyed, misaligned and lost.

Measure and Metrology

We need to try and recover what was lost in the engineering of the pyramids, by means of the actual objects and structures left behind. Much of what I have looked at was already found by Petries and he did a wonderful job of recording his findings. I will list my own interpretations along side the what has been found and measured. I will start with the Royal Cubit, as the standard, it this seems to be the most scientifically defined unit that I have been able to decipher, in all of Egypt. Do not forget that this is the unperturbed unit, not the regular measure as noted by my earlier iterations regarding the dielectric as the change in length. So here are the first list to define the length to meters, so we can relate it to modern understanding.

* New Names and Lengths based on conjecture.

So the base length by historic discovery is the Finger, this makes the building of a Metrology system easier. Here are the divisions of lengths according to written and measured discovery, with a few added “ * ” to indicate new sizes. The requirements of building is the volume standard, then the mass and the density considerations. This list is based on 1 Cubic Finger as the smallest usable unit.

Now that we have established a system based of 16 different unit measures, we must now move to weights, mass and density to complete our approach to the transmission and building process.

These volumetrics are already useful in liquid measurement, such as the equivalent in litres or gallons. This will not enough to create a technology, the Density of the materials plays a major role, this can be done with a set of scales and a ruler.

The Qedet is a weight that was used in much of ancient Egypt, this was a found by Petrie to be about 9.33 grams, a size of it was also noted. I simplified the size and cubed the sides to arrive at 1.715 Qedets = 1 Cubic Finger with a Density of about 2452.03 which can be found by making a standard that it can be checked against. Other densities can be found by comparing volumes against the mass using a scale.

Now that we have some clue on how to proceed, I have found many interesting unit values that pop out when crossing over to the ancient units.

Here is a quad set of figures that show some very musical values, when you add a suitable length to create the required fundamental tone in the material.

In Ancient units:

Name – Material – Density – Velocity – Modulus

Set – Stone – Q/CF – P per sec -Den x Vel^2/9000000

Set A – Sand – 1 – 30000 -100

Set B – Granite -1 143/200 – 57000 – 686

Set C – Dolerite – 2 – 60000 – 722

Set D – Basalt – 2 34/343 – 80000 – 1492 244/343


Now in SI units:

Name – Material – Density – Velocity – Modulus

Set – Stone -Kg/m3 – mtr per sec – Den x Vel^2

Set A – Sands -1429.754678 – 2242.442 – 7189589537.171

Set B – Granite – 2452.03 – 4484.884 – 49320584224.971

Set C – Dolomite – 2859.509 – 4260.64 – 51908836458.377

Set D – Basalt – 3001.2343 – 5979.846 – 107319820496.616

As you can see the ancient units are much more unified and much easier to remember and calculate with.

The rest of the unfinished chapter will include the acoustic map of all the pyramid sonic fields, with frequencies and the inclusion of some of the devices inside the sarcophagus and sonic translator devices. I had to reinvent all the parts from some of the artefacts I have seen in the museums. I will add some schematics of these machines in the next blog, if all goes well I will be able to test these in a small scale, if resources are available. Regards Arto


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William Skinner and his Gravity Device

June 15, 2021

Hi fellow researchers, this is just a small compilation of designs from my next volume about William F. Skinner and his Gravity assisted torque amplifier. I hope you find it illuminating, regards Arto.

The last drawing before I stopped investigating.