Archive for the ‘History’ Category

The Scientific Method

May 3, 2022

(except from my next volume)

I had spent most of my childhood making observations that I had to verify, by testing if it was reality or some sort of an illusion, where most children do not remember having to apply their mind to the task as this is a natural process in all human beings. Where as I remembered a simplified version of this methodology and applied it to numerous optical and scientific illusions intuitively before I could even codify the process in writing as an adult. Much of what I had learned about what the Scientific Method is, was gleaned from extensive reading of countless journals, books and encyclopedia as I was growing up in my childhood, I cannot quote a professor or institute, only Sir Francis Bacon and my own personal life experience.

Historically Sir Francis Bacon(1561-1626) was the man who had codified the Scientific Method which was known in his time as the Baconian Method. Briefly the Scientific Method are steps that help scientists conduct understanding and clarity in the use of dynamic technology and material sciences, which is made up of seven main steps:

1 – State the problem,
2 – Research the problem.
3 – State your hypothesis,
4 – Do an experiment,
5 – Analyze data,
6 – Conclude the results,
7 – Form a conclusion.

Bacon also had devised what he called the idols of the mind, that could be called delusions or as he describes as false images. These four obstructions must be overcome to have a clear path of correct scientific reasoning. I have added a fifth as my way of addressing the intellectual dishonesty that has been foisted on our education system by the use of symbols.

Idols of the Tribe (Idola tribus)
This is humans’ tendency to perceive more order and regularity in systems than truly exists, and is due to people following their preconceived ideas about things.

Idols of the Cave (Idola specus)
This is due to individuals’ personal weaknesses in reasoning due to particular personalities, likes and dislikes.

Idols of the Marketplace (Idola fori)
This is due to confusion in the use of language and taking some words in science to have a different meaning than their common usage.

Idols of the Theater (Idola theatri)
This is the following of uncorrected dogma and not asking questions about the world.

Idols of the Symbol (Idola signo)
This is the misunderstanding of visual mnemonics due to uncorrected use of symbols, conflating the symbol with a preconceived negative or positive outcome.

After a lot of thought of Bacon’s ideas, they revealed to me another view of our problematic interaction with our observations and rational framework. There is a way of seeing our limitations of reasoning and finding that they hold our life in a type of prison built from our needs or ideas within our existence.

Prisons of the Mind (Carcer Cogitatio)
The imagined truth being our only limitations in our mind.

Prisons of Ideas (Carcer Notio)
The ill defined and illogical ideas limiting our perceptions of reality.

Prisons of the Emotions (Carcer Motus)
The uncontrolled reflexes within our emotive being.

Prisons of Sustenance (Carcer Victus)
The essential and incessant need to maintain regulated nourishment.

Prisons of the Environment (Carcer Ambitu)
The real need to have levels of protection from all forms of physical damage.

These prisons I have listed are very real to most people, they are just not aware they are inside them, while we can all agree that Sustenance and Environment are two that we are very intimately connected with but the others are no so obvious. The Mind Prison is simple to understand if you believe the Earth is flat, a limitation that is built from a lack of understanding and verifiable information. The Ideas Prison, is more related to our notions of politics, philosophy and poetry, where ideas have consequences to the passage of life, like the 120 million crucified in the 20th century for the flawed Marxist doctrines. The Emotions Prison, is by no means an easy hurdle to leap over as each one of us has either unfulfilled, exasperated or subjugated emotional issues to some degree, these we will render a mental cage to keep those feelings from destroying our lives.

The following definitions of the Scientific Method can be compared to text book versions and should be much simpler and clearer than most.

I have separated it into nine distinct headings, each can be considered recursive until it satisfies its criteria of application. These are my own versions, in the nine steps of the artists natural scientific method go something like this:

1 Observation of Interest
Make an single observation or many observations.

2 Facets of Observation
Ask questions about the observations and gather information.

3 Hypothesis
Form a hypothesis, a tentative description of what has been observed, and formulate predictions based on that hypothesis.

4 Prediction
Build the hypothesis with the predictions into an experiment that can be reproduced. Building a theory.

5 Analysis
Analyse the data and draw conclusions; accept or reject the hypothesis or modify the hypothesis if necessary. Adjust theory to fit facts.

6 Experiment
Physically reproduce the experiment until there are no discrepancies between observations and theory. Design for Replication of methods and results.

7 Variables
Dependent and independent variables are brought to a reduced set and general formula are created. Simplification of formula and universality is the prime reasoning.

8 Conclusion
Does it conform to the real world? Does it operate in a different environment or frame of reference?

9 Reality
This is now a law of nature as described by man, simplified to its primal state and understood intrinsically by man in all frames of reference. The extended boundary of theory has been overcome, it is considered a fact.

This brings me the words and meanings of “Science”? Science is not a category of study, it is a process of inquiry with deductions. Science is a method not a vocation. When something is Scientific it means it can have the Scientific Method applied to it without difficulty and its conclusions adhere to its methodology.
A Scientist is someone who apples the Scientific Method to an observation. A Professor of Science is someone who can apply the Scientific Method with expertise.

The implications of a “Theory”, firstly it must have self consistency, agreement with observations and have universal usefulness, alas, as it is only a theory as it only conforms to the first four of the steps required in the Scientific Method. Much of modern science is now “Theoretical”, they are trapped in the fifth stage and are given special compensation for digging up new “Theories”, creating a branch called “Theoretical Physics”. These are now a protected class defined by Cultural Marxism, as the real scientists who follow the Scientific truth and its complete Scientific Method are under the mercy of authoritarian political correctness and a false religion of “Scientism”.

Now and Then, When I Knew Tomorrow

December 8, 2021

Hi to all my readers,

As of the year 2021 , we are all a witness to the living totalitarian nightmare, one that had haunted my dreams and visions since the early 70’s, most of my friends thought, that much of what I have said back then, to be conspiratorial and fanciful, I assured them, that history has been rewritten, to what end I didn’t know, I suspected it was nefarious, possibly to create a War that would destroy countless millions of lives. I was the outlier who read a lot of books mainly very old books in the library after school and what I didn’t read I borrowed and read over the next few nights, I did wonder why the encyclopedias were up dated every 10 years or so, as the information was the same, so I assumed it was the new data they added, only to find out they deleted and reedited many events and solid data, to be rewritten to imply a different narrative and point of view, a slow brainwashing. TV was not a good source of real information either, it never seem to align with history as was written, it always had twists and turns that never occurred, they called it artistic licence, later without edits to be taken as fact, especially surrounding WWII, the 1918 Spanish Flu and anything about the forming of the United Nation and the US Federal Reserve. In a summary of this type of editing, the Cultural Marxists in bureaucracy edited to their hearts content, filling nuances with political double speak and removing figures and deeds that goes against the main Marxist narrative. For an example, Merriam Webster online dictionary edits the meaning of words regularly, they changed the meaning of Vaccine recently, we know it’s the Cabal who wants to own the words, so who owns the dictionary. (OWN = NWO, mirror word)

I wrote a poem in High School (1969), “A War That Should Never Be”, it was a prophetic vision of things I glimpsed at in a dark future, not something I wished and hoped we would ever go to, especially after reading Brave New World, 1984 and other Science Fiction stories. After leaving school I worked in News Ltd as a copy-boy, I was curious how the News cycle was implemented and wanted to learn more, mainly after reading a lot about the history of the publishing industry, especially its machinery, inventors and such. The political alignment of the News Corporations was not in my sights or my concern, as a young Artist it did not matter, people were people, at the time I did’t realise the collapse of the Arts occurred a long time ago.

After working there, I became equated with Paul Rigby and Bruce Petty, the two Artist that drew the page three cartoons, much was newly understood and as a young mind I vacuumed every tid-bit. I did learn one thing that changed my ideas about the world, the top down approach was in full swing in the early 70’s much like it has been in the last 100 years, Reuters was owned by the Rothschild’s at the time and this I gathered was why the news I read from copy became propaganda with a object to either ridicule the subject or twist the narrative to conform to a hidden script, being too young to understand what I was looking at, I decided that this industry was not my cup of tea, Fake News was a well oiled machine and I didn’t want to be part of it, the discovery of facts and truth was far removed from the modern journalists vocation, it only lived in my own version of an ethical and unsullied journalists philosophy. Meeting Rupert Murdoch was possibly a notable event for a 16 year old, it impressed upon me the power one man could yield if they control the flow of information, he encouraged my pursuits in the art department and wished me success, this seems like the devil was giving me encouragement.

I watched the Vietnam War in the 60’s, with it ending there was a mass dispersal of Vietnamese refugees world wide, it did not make sense, why would you send people out of the country when you needed them to rebuild it? I guessed that the UN had some sort of agenda. After much thought and clear facts of history that it was clear that mass migration was one of the tools to destroy Nations, for both host and donor nations. My family migrated from Finland in 1959, I was aware of the whole problem, as a child I asked my dad, “why did we come here (Australia), this is not as nice as home?”, my dads reply was straight forward and without candy, “After the war, we had to pay half our salary as reparations for losing the war against USSR, this means working 16 hour days, Australia offered a nice immigration plan so we can start again.”. I discovered later that my dad was right, the average Finnish man died in his 50’s due to this massive burden, sadly my father died at 55 here in Australia from much of what happened in the war, it was a pity that we never returned to Finland even though the debt was paid, but the people never completely recovered from the burden of sustained excess work load.

Here is a list of manufactures items, that should give you an idea how much the Finnish men had to toil after the war in which they suffered to support, feed a family and work ridiculous hours to comply with the USSR demands. Remember this was a country of only 4 million people. Here are some of the deliveries made:

52,500 electric engines
1,140 transformational stations
30 mills with power stations
525 narrow gauge locomotives
76 units of modified Railway engines to 750mm gauge
619 vessels
7 ice breakers
91 of 300 tonne schooners
37208 railway wagons of wooden house materials
520 complete wooden houses

So many years have passed since my youth and many struggles to understand our world lay before me, never knowing why the goal posts of a great and enlightened society kept moving further away. I was born with gifts that obliged me to pursue my artistic goals, singing, drawing, painting and poetry were activities that I was exemplary in, so this was the direction I focused upon. Science, Mathematics, Geology, Astronomy and Engineering was essential to my understanding of the world and the artistic goals that was driven by my psych, where all the great Artists from history of mankind was my measure. At this point I realised that parts of the Sciences was being misdirected by a cabal of dis-informants bent on destroying our civilisation. As I later discovered it has already been partially destroyed by the Universities and Colleges a long time ago, there was only outliers who knew the full truth, this revelation was not known by me until I was in Art school and met the Marxist indoctrinators in person and how they operated, still in hindsight, it seemed America had many who knew the hidden agenda, as I had been an avid reader of the underground fanzines and rare tabloids.

This was a defining period where my suspicions were being confirmed as to the motives of a hidden cabal that I knew very little of. I chose not to enter the system of lies and misinformation, as my instincts told me it was a poison that I could not recover from, Art was not meant to perpetuate lies and incorporate a destructive ideology that would surely destroy many lives and the true history. Art has always been historically a vocation to reveal the truth and the show the understanding of the universe. This impasse was to make me rediscover the past and try to rebuild an ancient knowledge long forgotten that had sustained many civilisations for millennia, a world of new discovery lay before me, I only needed to redefine a mental filter that would allow me to see past all the deceptions the cabal had built into the multiple “systems” and bureaucratic layers of our society. I now walked in a mine field, full of distractions, detractors, indoctrinators and the disbelievers of the hidden agenda that was trying to destroy a dream of a common sense, healthy and fulfilling way of life. Pointing out the totalitarian defects of the UN world system of governance to others, was met with me being labelled as a “conspiracy theorist” or I was “out there”, so I held that as a badge of honour, as they could see nothing and they never questioned anything, how the tide has turned, all those detractors are living in a Fear induced psychosis.

First I had to rediscover my own time line, where I stood in the moulding of culture that had been taking place in my lifetime and in my generation. I thank my primary school teacher for encouraging me to express much of my innate artistic nature, this is where I rediscovered the Art and Architecture of Gothic and the Renaissance, which owes its heritage to ancient Greece and Rome, which intern owes it to the remnants of Ancient Egyptians and the Temples and Vedics of India, while the ancient Europeans seemed to have been lost somewhere in a deluge. The timelines of history did not give a clear path of our past, it seemed the older the Civilisation, the greater the accomplishments. I was at this juncture that I realised we had spiritually, mentally and intellectually fallen somewhere in the past (500BC) to very low barbaric times we call the “Dark Ages”, while subject to a form of global amnesia and was slowly regaining many technologies to create a more functional society over the centuries.

At this point I could see the cyclic nature of Civilisations, not as the history books codify as a slow progress from the caveman to agriculture then villages then nations or the three stages of civilisation before its downfall, as in the written version of the fall of the Roman Empire and others. The complete cycle was a long 25000 years and simply followed the Zodiac in its ages and character of their times, research the “Yuga Cycle” to clarify what I am indicating. The Egyptian history itself defied many typical historic narratives, showing clearly that the older the artefacts and buildings the greater the precision and technology, something did not fit. The multitude of Ancient Indian Temples, Meso-American buildings also show this same pattern, this was to finally make all the history books become so much wasted paper, full of assumptions, lies and founded in a poorly scripted narrative. Much fantasy that appealed to many doubters, such as Aliens, time portals and many other stories would be exploited by Hollywood, Comics and tabloids, again to keep the truth seekers from uncovering how our society has been misdirected to push us into the occult New World Order, now openly admitted in public discourse, as it is no longer a “Conspiracy Theory”, it is an open conspiracy and we all know the facts, less is hidden every year.

So what does one say to his friends and family about the world you have discovered many years ago that they are not aware of, “not much”, as I found out by trying to explain to others the complex web of lies that are wound on almost every historic, scientific and cultural event. So I decided to create Memes and Cartoons that expressed much of what I know in a simplified way. The role of the classical Artist would be to create large artworks with historical figures, showing symbolic gestures, symbolism, dramatic poses and scenery that show a complex orchestration of thematic material and show the state of the world and it conflicts, This genre is still open to me and I will proceed with such a work in the future when my living conditions are right, at present the battle is still in progress and the demarcations lines of dramatic revelations have not been drawn as yet. This is called the “Historic” genre and is much more complex now than anytime in recent history.

The cartoon series I started called “Where Now?” was a small attempt to recover what page three Artists did for the last 100 years, excluding the last 20 years were it has been scrubbed, due to its revealing nature, creating a problem for the New World Order dictated press. I then drew, usually in one sitting and generally without any sketches and directly with ink. So I continued with it adding a few of my artistic ideas, like “Mic Oligar”, “Random Choices”, “Statistical Reality”, “Counter Actions”, “Apathy”, “The Scammer”, “The Odd Ball Inventor”, “Synthonyms”, also creating “Memes” and rebuilding comic, newspaper and magazine covers with new insightful messages. So much fruitful resources I could gather from the bread crumbs of the Psychopaths that were trying to reshape the world. I stopped my cartooning in 2017 as I realised that the Big Tech platforms and the Deep State were trying to destroy many voices that were waking up the public to the many lies, imminent dangers and false narratives in our society.

They have declared War on the public mind by criminal lies printed as truth in the main stream media, I was not going to be silenced because I was prodding the NWO Hydra, so I took another path, much more suited to my talents, to unwrap the history and technology of the Ancient past. Speculation on the past was not so offensive to those who already have dismissed you as a outsider. My contributions to the counter narrative has been to clarify some solutions and open a door to creative expression, by adding a few vernaculars to the mix such as “Demonrat”, “Conspiracy No More” , “Illusion of Democracy”, “6uild 6ack 6etter”, and many more, now used to describe complex memetic ideas. This unravelling of the ancient past was to establish a direction we could reformulate to build a system that could not be corrupted by psychopaths or those with dark and unsavoury influence that corrupt society, like Soros.

If you want a Tshirt from Red Bubble that show you the three state NWO hazard proof click here.

I would rather paint, draw and sculpt than engage in Memes, Satire and critiques of modern society, it is just they have left me no choice, the Cabals outreach had destroyed our Art institutions and replaced them with degenerate Marxist trash. It sure sounds harsh, but it is the softly softly approach that causes the most damage to the minds of the youth, by filling them with unrealistic promises that only lead to self destruction. Giving them praise in matters when they have truly failed, encouraging training and rote learning over understanding and no self criticism or reflections on any mistakes, these are recipes for a society of ineptitude and weak moral fibre. We are not perfect, this is a truism, regardless we still should strive for proficiency, mental finesse and holistic understanding of our chosen vocation. Four years of Medical School might make you a Doctor in Certification but does it render your heart and soul to a Qualification that only the spirit of honesty and true empathy can tender. A Technician in not an Engineer, the Technician applies rule based algorithms while the Engineer applies deep understood principals of Science, Technology and life experience. Does this also apply to Politicians? What qualifies a Politician to be able to apply policies that the majority of people demand? Is it his ability to use words and organise the resources for the benefit of the people, yes, this is their imperative but is it what they all actually do in real life? How can a politician become very wealthy if they are on a government salary, they cannot use their influence to dabble in stocks or property to benefit their financial position, this is immoral behaviour and is surely illegal but that is what they do, in cloak of darkness and by proxy.

The term “Red Pill” as a wake up call for conscious return to reality was taken from the movie “The Matrix”, the title was a synonym for the Cabal or the Deep State. The “Blue Pill” was “woke” version of reality, a zone of phantom racism, rampant misogyny, open borders, gender fluidity, no police, free everything and nobody has to work, as this is the weak low expectation philosophical fantasy world they are told exists if we choose it, first get the jab. As history will show the first openly subversive organisation to pose as a surrogate of the Cabal was “The League of Nations” back in 1920. The LON had a charter and demanded a solidarity of Nations to act against other Nations that did not comply with its tenets, this was written into the charter, hiding with words of good intentions was a totalitarian authority called the “New World Order”, which now has become the United Nations, united against those who do not agree with their ideas.

My Poem and Short Story

In 1983 I wrote a short science fiction story, here is the synopsis:

“A space craft lands on a new planet, they find no inhabitants with many empty cities and lots of undergrowth, maybe centuries of neglect. The space fairer’s search the ruins to find many rooms with special seating and what looks like headgear and a console. After some investigation, they jack into a central hub computer and find that a simulation was running for around 10 years, the people no longer lived normal lives, they were fed intravenously and robotics looked after the infrastructure. A power failure caused catastrophic damage and could not be repaired, after much robotic patching and rigging to sustain the 3d simulation, it also failed, people woke up and died almost immediately, due to the massive cognitive dissonance on entering the true reality not the simulation. Despair and loss of skills, atrophy of physical mobility and starvation destroyed the rest.”

We are in 2021 and the sad sack Zuckerberg has instigated “META”, this a the 3D simulation that will destroy the minds, hearts and the will of the countless victims of this leftist progressive life altering hoax.

I wrote this poem in May 2021, to condemn those who are foolish and blind enough to align themselves with wokeness:

They Have Forgotten by Arto Juhani Heino (c) 2021

They look out the window of the glaziers art while framed in the carpenters skill.
They stand on floors of the builders planks and the tree loppers handy work.
They stand in the house by the drafts-man, the architects dream and the miners steel.
They stand digesting the farmers produce and the work of the cookwares smith.
They stand in the room made warm by the coal diggers toil and an engineers whim.
They stand on the hallowed ground made free by the soldiers sacrifice and patriots will.
They stand there wearing garments made by the sheep herder, cotton farmer and the spinner.
They stand there warm and safe in a large world with small minds that see a single frame.
They stand there raising their fist in anger to the all those that gave you life, liberty and freedom.
They stand there never knowing humanity and its work is but a puff in a dandelion field.
Such is the troubling times of the ignorant, the coerced, the indoctrinated and slave of a hidden cabal.

The Big Money Scammers

We know his name as the “Gate” keeper, he directed Microsoft to be an insecure and bug ridden operating system, easily to disable and infiltrate, allowing outside hackers to steal and damage your computer. Who are these hackers, a small percentage are hard core criminals, where the large proportion are really the Cabal itself hiring actors and proxies to do their will, dirty Soros money plays an indirect role here. The University trained Marxists have computer skills, they watch Dystopian movies and read Dystopian Comics, the “Woke” clothing companies created clothing fashion to coincide with this vision, to add to the mix, “Zombies” became the thematic material for pop culture for the last 10 years. The Cultural Marxists took over the Arts long ago, it was not as blatant in its opposition to Family and Nationhood as it has been now when we can easily see when “Woke” is written into the script, Ad or Comic. The Cabal decided that poisoning the public in multiple ways was just what they need to do, in out tastes, smells, thinking, movies, books, art, music, medicine and food, so chaos rules our lives.

So we can see the “Smirk” written on Bills G’s face, he is hiding a false reality that he help nurture, we all think a “Virus” is a thing that enter into your software via your hardware connection and starts to destroy it, so we buy “Virus Scanners” for this purpose. With the help of many Woke Professors and Gates himself, they equated Hardware with the brain and Software with the mind, the next step, with the help of Bill again was to equate Hardware as your body and Software as your DNA inside the cell, which was done successfully by a fraudulent science call “Virology”, promoted strongly by his partner in this criminal enterprise, Mr Fauci. The so called “Virus” would enter your body via touch, mouth and breathing and destroy your cells by entering it, causing disease and you would die, this is the discredited “Germ Theory”, your body would have to deal with it, so a Vax would be like a “Virus Scanner” that would help fight it and destroy it. They even said they added extra “Stuff” to it to make it even better, an “Upgrade” on the standard model, they would upgrade your DNA, using mRNA technology, a distraction as Graphene Oxide is the main killer, it acts like nano sized razor blades inside your blood system. The idea of prevention and health safety is the mental rubbish they filled the leftist “Woke” minds, while destroying any critical thinking skills along the way, still, they usually wake up from the psychosis after they are in hospital suffering from thrombosis.

We need to celebrate Poland, as they have begun the Nuremberg Trials 2.0, against all those who are creating such chaos, murder and suffering in the lives of humanity. At the same time the EU are trying to nullify and cancel the “Nuremberg Code”, the same code they wrote to vilify Germany after they lost the war, on perceived and imagined crimes, now it is coming back to destroy them.

Just so my reader understands, this criminal cabal was clearly understood in my ode from a previous post in 2014.

I thank my readers for their support, regards Arto.


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A Quantum Ellipse of the Old Kingdom

November 2, 2021

This Post is short, though I spend quite a lot of time working out this artefact. Please note the two triangles I have outlined in the diagram, one has an angle of 51.913 and the other 42.374, these are significant as they correlates closely to the Great Pyramid and the Senusret II Pyramid, these were the on the opposite sides of the pyramid field in my previous posts. Regards Arto

Pyramid Sonic Transceiver Technology – Part 5

October 29, 2021

As we can see by the many pictorial representations of the Dynastic Egyptian ruling class of their jewellery and the articles they adorn, is represented as their innate culture. For example the Uraeus represents the conscious frontal lobe and its functions of awareness and decision, where the Eye of Horus is the centre of the physical brain and where the pituitary gland, hypothalamus and pineal gland reside, while the vulture represents the subconscious and its dark and powerful presence, where its physical appearance and its function are aligned. The trinary mind is easily understood when seen this way and shows that mankind has lost the connection to many of these symbols that the Ancient Egyptians took as a given and well known among its intellectuals, artisans and officials. The scarab represents the brain both as the physical understanding of the skull and as a symbol of good fortune. When the scarab unfolds its wing caps and prepares to fly, it creates a frequency of sound that becomes flight, just like our brain when we unfold ideas, buzzing and with lots of activity, beside these ideas, the sound it creates indicates an acoustic element ignored by archaeologists.

These symbolic functionaries were not just an understanding of our mind but a slightly degraded version of an earlier technological connections with how sound was a vital part of our physical and psychic health. The understanding of illness and disease was also a holistic concern for all the ruling class as that was part and parcel of the knowledge that was passed on by heritage and learning. The great artworks created by the ancient Egyptians also recorded the rituals, procedures and psychological adoptions of their mannerisms, habits, priories and also any profound knowledge they utilised in their civilisation. For instance the 42 commandments that they followed was a great model for pious, virtuous, a well balanced way of life and personal being. These were artefacts from a previous civilisation that predated Dynastic Egypt, the legacy to help continue a way of life that was productive, organised and high cultured Kemetian history, now forgotten but partially understood by the Dynastic Egyptians.

All these symbols, writing, art and even games help reinforce the spiritual and psyhic health, where psychopathic, parasitical and criminal behaviour were easily filtered out and dealt with. The Kemetians knew the pitfalls of mankind’s behaviour as the degradation of mans fall from the Golden age, to the Silver, Bronze and the lowest Iron age (500 AD). It followed the precession of the equinox, which is the great Year cycle (25000 yrs) and was encoded into most of the structures and mythology so the torch of understanding could be awaken in the new upward cycle.

So many layers of knowledge was re-wrapped into mystery as the Dynasties time line grew, where their consistency of natural order was kept alive by the priests, the knowledge bearers and the families of the Pharaohs and leaders of Egypt. They codified, kept records and repaired the legacies from the past, until they lost much of the skill sets required to build and maintain the great Pyramid machines.

With the advent of rediscovery of the those great monuments of the past in the 16th century and onward, the early archaeologists were at a loss to explain its history, meanings and building techniques. They created scenarios, dates and interpreted much as mere ritual, superstition, death cults and fanatic multi God worship. They were reading the remnants of the Kemetian super culture that was decimated by catastrophe and rehabilitated by the Dynastic Egyptians who only decorated the structures built by their ancestors. All of the pyramids were built prior to the many catastrophes that Ancient Egypt endured, a great flood being the most pronounced, while much evidence for plasma storms also exist.

I can see by the ritual outfits that their were many forms of technology attached to them, long misunderstood intentions that became mere decorations. Without specifics I must agree that some of the technology was still functioning in early Dynastic times, the false door, the acoustic crowns and the many hand held articles seem to have a function attached, not just pure symbolic.

The Dynastic Egyptians even stated that much of the older writing was called the Sacred text and much of it was only reinterpreted into other forms as they could not even read it. The Narmar Pallet has no hieroglyphs as we know them in the later Dynasties. The Archaeologist believe this was a more primitive time, before the proper formulation of writing, where as we can clearly see much of the older text was already carved deeply and permanently into many pillars and monuments that already existed in the Dynastic period. This is why they adopted painting and plaster over the blank walls that were left by the Kemetians. Any sacred text was merely copied and adopted to the whims of Pharaohs and officials.

The funerary texts were written as a half forgotten parable of the technology I have uncovered. The deep caverns of the underworld were the stratified layers of different rocks and the densities, giving transmission times and quality of reception as this dark misunderstood place. The few remaining sites that were still functioning became centres of worship and ritual. When the last of the pyramid machines stopped, all was now a worship of the dead as the rituals no longer bore fruit. The times of reception and the cannons of codes now were mere decorations and in reality the Egyptians lost connections to the past not long after, possibly around 1500 BC.

I needed to update the last post as a few errors crept in, here a diagram of the upper portion of the Pyramid field and also a few more ideas about the different functions of each pyramid. I see the whole as a set of communication exchanges, with generators, amplifiers and redirection of the sonic pulses, much like a Telephone System but with the bedrock as the wires and the false doors as booths and the multiple tombs as frequency shifters, multipliers, multiplexers encoders and decoders. An ancient audio sonic technology that we can easily rebuild as we already use these techniques in audio engineering, ground radar , speaker and microphone technology. No need for laying down pipes, cables or wires, an endurable system that can function without maintenance for centuries, as for mobile communications, many monuments have direct connections to the bedrock, so a stone pillar with a portable Ank, a Sistrum and a suitable Hat/Crown can be used to communicate.

I hope these pages will go beyond the Ancient Egyptian technology and you can find the similarities in the Vedic Indians, Mayans and Olmecs and their head gear and Pyramids. Sound is the key to a clean and sustainable future where music is part of what we know about the nature of Mankind inner soul, physical being and creativity. Regards Arto.

Pyramid Sonic Transceiver Technology – Part 4

October 16, 2021

Here is the data for the Sonic Pyramid Field, the first graphic reveals the structure for the first section. The other table is the measure in Ancient Egyptian measure, note the Conversion to meters is 1 RC = 0.5232365464746810 Mtrs. These are my first data sets, excuse any errors, Regards Arto.

Pyramid Sonic Transceiver Technology – Part 3

October 15, 2021

The Resonant Crowns of Khemet

Looking at the White Crown of Upper Egypt (Hedjet, hdt) indicates a technological reasoning behind it design, yes I do not think they just randomly invented it without simple reasoning and logical inclusion. As with the other crowns they all served a similar function, one of communication through logical utility and natural means. “Per Neter”, “House of Nature”, the nature of sound, light and vibrations of communion to each other and other living beings. This is understood as the longitudinal vibrations of sound and of light, each only being a multiple octave distant from each other, one medium is the Ether the other is Matter (Air, Water, Earth).

The messenger of our time who understood this “Neter” was Nikola Tesla, in the past Christiaan Huygens was a proponent of it in his time and Roger Boscovich in his time as well. Fortunately you cannot fudge the longitudinal “neter” of sound, it is all around us and our ears and voices are organs we are closely connected to. On the other hand the fake Scientism movement which began in the early part of the 20th Century, which hijacked the symbols and contorted the mathematics to be some surreal multidimensional occult scheme. We are lucky that we have had some great minds and logical thinkers who knew the false paradigm was being perpetrated onto our scientific community.

As a Musician, I could recognise the acoustic volumetric of the crown almost immediately, that being in a vocal range. After taking great care to find the measure of what constituted the Resonator, I quickly found the design concepts that was used by the Khemtians. The next step was to look if there were schematics in any wall art, as possible translations of vibrations of sound to electricity and back to sound was taking place.

The fundamental wave length came from a careful measure using Google Earth was to reveal the base wave frequency that I should look at. After reading many volumes of Geological data regarding the Density, Bulk Modulus and Sonic Velocity of rocks of different genre, local to Egypt and other ancient sites, I can estimate the bedrock sonic velocity is usually around 5979.85 m/s, the Density about 3000 kg/vol and the Modulus is 10.7 Gpa, when translated to the Ancient measures, we have a Velocity of 80000 P per sec, a Density of about 2 Q/vol and the Modulus of about 1500. The distance from Senusret II Pyramid to The Great Pyramid is exactly 160000 Royal Cubits, simple calculations reveal that 14 seconds will transpire before your signal will be received and 28 seconds for the return signal, this could be considered a Time standard.

The Resonant frequency of the source to and from the destination = 0.0714285714 Hz

The Vocal Chord Range

= 65.714 – 4600 hz Wide Band
= 131.43 – 2044.44 hz Medium Band
= 262.857 – 920 hz Narrow Band

Male Speaking Vocal Range        = 85 – 155 hz
Female Speaking Vocal Range     = 165 – 255 hz
Children’s Speaking Vocal Range = 180 – 360 hz

The Crowns and head gear Range = 36 – 440 hz

The Wave Lengths
WB = 343.841/65.714 = 5.232365 mtrs = 10 RC = 280 F
= 343.841/4600 = 0.074748 mtrs = 1 P = 4 F

MB = 343.841/131.43 = 2.616194 mtrs = 5 RC = 140 F
= 343.841/2044.44 = 0.168183 mtrs = 1 SH = 9 F

NB = 343.841/262.857 = 1.308091 mtrs = 5 LS = 70 F
= 343.841/920 = 0.373740 mtrs = 1 D = 16 F

The design of the Hedjet Crown was a well drawn out study, I referred to many icons that show clear pictures, the first being the Narma Palette and many beautiful sculptures and large statues. It seems to have a slightly different size depending on the region and the Dynasty that had created the artwork. So instead of slavishly copying something that we had no sample of, with only diagrams or sculptured versions, I went with the most direct method, think like an Ancient and design like an artist of the time and build like an engineer of Khemet. As the Royal Cubit was the fundamental rule that all these ancient wonders that were created, I used my perfected measure of 1 RC (523.2365mm) as the foundation of design and engineering, also being 28 fingers (18.687mm), where I could use the finger as the smallest measure.

The large curvature of the circle D3 of the Hedjet is 4 RC, I could have chose 3 RC but the cavity would have been too small and the curve too tight, also if it was 5 RC the crown would have been to tall, 4 RC was the best fit that also matched the edge of D4, which is 12 F or 1 Small Span. The A1 dimension of 2 F was not a hard choice, it lined up to most crowns and was easy to pick, whereas the body had to be dissected to cylinders to get an approximate volume, using a basic form of calculus and the Egyptian measure I achieved a simple design tool that could be used on many semi-organic designs. The inside of the Hedjet could be two chambers or more, in line with the design of the cochlea, when unwound has two basic chambers, this could indicate a slightly modified version of my interpretation, which I will express in another design.

My intuition told me that I would arrive at a tonal resonance around the vocal region, being 95 Hz it was just about right for the low end of a set of large male vocal chords. The measure was the key, whole numbers of Fingers is the how we can design natural machines, like a resonator. The DNA understands these forms, your ears and your vocal chords are the result of this understanding, how can we imagine these were randomly adapted, they were designed by a master architect of the universe, we can only imitate its great design.

Here is is short list of Gems used by the Ancient Egyptians (PZ is the preferred piezo ):

Tourmaline Blue PZ
Amethyst Purple PZ
Sapphire PZ
Emerald PZ
Ruby PZ
Diamond PZ
Garnet Red
Lapis Lazuli Blue
Obsidian grey
Carnelian Orange
Jasper Orange
Turquoise Blue

All the crowns have the basic form of an acoustic device of some sort, this was their unique mastery of this most ancient technology and science, Tourmaline was the first choice for the Piezo crystal, this was one of the regular stones used in Egyptian jewellery and art.

Sound Refraction

The focal length of a spherical lens (measured from the surface of the lens to the focal point) is given by focal length sphere where r is the radius of the sphere, m1 is index of refraction of the surrounding medium and m2 is the index of refraction of the lens material.

r = Radius of Sphere
m1 = Index of refraction of surrounding medium
m2 = Index of refraction of the lens material
v1 = Velocity of Sound of surrounding medium
v2 = Velocity of sound of the lens material
f = Focal length from the surface of sphere to the Focal point

f = r*(2-m2/m1)/2*(m2/m2-1)
f = r*(2-v1/v2)/2*(v1/v2-1)

If the lens material has a greater velocity then it becomes a convergent lens and if it is less that it is a divergent lens.

Zp = Acoustic Impedance Piezo Electric Material
Zl = Acoustic Impedance of Loading Material
Wm = Matching Material Layer Wavelength

Best impedance match:

Wm/4 = Zm

Impedance of matching layer material is:

Zm = (Zp x Zl)^(1/2)

Wide band acoustic impedance:

Zm = (Zp x Zl^2)^(1/3)

Improving acoustic matching:

Zm1 = (Zp^4 x Zl^3)^(1/3)
Zm2 = (Zp x Zl^6)*(1/7)

Mixing powdered piezo materials with hard resins and creating a polymer is one way of fabricating matching layers.

Hedjet Crown

This was the first I had seen that would work acoustically, using the Helmholtz resonator as the basic design to follow. The volumes are best approximated as the chambers are narrow band devices and not just singular tone, The narrow band fits the voice well, my criteria was to use it like a musical instrument, where pure tones resonate distinctly, a vibration from an external source being simple not highly modulated, one from the vibrations of a staff or device that has a limited tonal range. The connections to the circuit and ears are not included, these would be more decorative and need to be adjusted for the head of the user. The main chamber could be split in two, as per the uncoiled cochlea. I chose the size in accordance to the Royal Cubit as the standard, by it having direction relationship to the Longitudinal velocity of light. The original crown was worn by Narmer and he was a giant, so I figured this was the most suitable size, as I noticed the Hedjet sometimes seemed over size when the king was not as big in many wall carving. Later Hedjets could have been smaller, making the frequencies much higher than 95Hz.


Deshret Crown

This one was simple once I found the first crowns acoustic design logic. The spiral piece could be a hollow chamber as well, making it look like the cochlea, where adjustments to the tone and frequency could be made or even a direct contact to another acoustic vessel. The Green outlined section is the simplified version of the crown volumes that makes the mathematics much simpler. Tr1 is a golden triangle that was found after I had almost drawn the whole unit, it points to the heart, the size is 471/18 x 818/18 fingers = 488,977mm x 849.221mm. The Uraeus I put on the crown is mainly to show its location and design elements, the scale is not correct, it would be at least 1/2 to 3/4 of the size I have drawn.


Hathors Head Gear

This was a simple progression, now using the symbolic shapes of the sun disk and horns to create the necessary configurations. The C2 chamber in green is an approximation of the neck of the horn resonators. The P5, P6 and P7 are other positions the Piezo crystal could be placed and change how the horn chambers worked harmonically. The P6 is also connected to the main chamber, so a feedback will occur. The P7 connection is used when you use both horns, what you will get is one horn in compression while the other horn is in expansion, as opposite phases. P5 will drive the side horn but will also have a short wave of 1/7nth the of the wave length of the horn, thus giving you a complex sound wave. Tr2 is another golden triangle that I discovered after drawing most of the head gear, it points to the mouth, the size is 18.2 x 28 Fingers(1 RC).


Other Crowns and Head Gear

After intuitive generating these designs, I could see every crown and head gear designs were connected to the cochlea and other sound chambers. The feathered version of the Hedjet called the Atef Crown makes me consider that the internals as two chambers and the feathers as ticklers for a variety of harmonics. Amun crown has two distinct chambers, and it’s appearance is significantly like a straightened out cochlea. The Shuti Crown has spiral chambers(rams horns) which would be a shorter version than long straight chambers. The blue Khepresh Crown is much shorter and has a chamber as well, while the Cap crown has even a smaller chamber,

Each crown or head gear or combinations seems to indicate a narrow band of frequencies and could possibly be that each has a function of communication at those frequencies, where the deployment of signals were directed to those who wore a specific crowns or hats in a region. What I could gather by the wonderful hieroglyphs is that stock holdings were relayed among the Khemtian empire using false doors as exchanges with a schedule using specific times by officials with certain hats, which were regulated in a religious fashion to keep the communication channels linked up. The pyramids served to create, amplify and relay the complete network of acoustic signals around the empire.

The transmission of signals via a sonic device inside the sarcophagus like I have previously described would be linked to the regular acoustic carrier pyramid frequencies, with the use of a Sistrum as the calling ring when pressed against the walls in certain locations, like the false doors, when done at regular intervals to indicate a transmission signal.


The Uraeus is a 1 1/2 or 3/2 wave system, the locations of the Piezo crystal help with feedback tuning and aerial reception of Sonic frequencies, these would be coupled to the main acoustic chamber and also act like the diode mixer in radio when separating frequencies to be decoded. By the design it looks like a single balanced mixer, where the RF (Radio frequencies) is the Sonic wave and the LO (Low frequencies) is the voice and the IF (intermediate frequencies) are the carrier frequencies.

As this is still a working document, excuse any errors or omissions, but if you found this work of value please donate to keep this and other projects alive. regards Arto


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Narmer Palette The Other Side

June 14, 2021

Back in 2008 I was studying many types of ancient artefacts and the relevance to star charts that do not appear on the walls or objects from ancient Egypt and was intrigued to find very little to say the least. After much research I later wrote an article “The Hidden Star Charts of the Ancients”, where I found the Narmer palette and some Sumerian seals had hidden star maps within the graphic design, I included it in my last Volume but left out the other side of the Narmer palette.

Here is the file that I didn’t include, I have also included a simple composite of the first side as well, which I had elucidated with much more details in my first volume. The details included the pictorial relevance to actual stars, galaxies and nebulae as they visually appear by modern powerful telescopes, an amazing revelation of this work. Regards Arto.

Below is the original side I studied.

Below is the Other Side.

If you want to read my original documents from 2011, Scribed has a copy you can down load, I have updated in 2013, here is the earlier version here:

Modern Art as a Failure of Reason, Progress and Creativity

June 14, 2016

Modern Art as a Failure of Reason, Progress and Creativity.

By Arto Juhani Heino (c) 2016

Cubist Guitar by Arto Juhani Heino, 1982.

Cubist Guitar by Arto Juhani Heino, 1982.

     I will start this essay with a simple acknowledgement that it is not the artists personal outlooks that strike me with offense but their lack of sympathy with their audience, where sympathy should be the hallmark of great artistic achievement. Rather these artists revel in their ability to aggravate, distort, bamboozle, shock and show disdain to their audience , a gift to offend is held up like some great virtue of genius. It does not take a great mind to be a callus communicator, rather it takes a special type of cruelty to consider the ideas by Art Historians as a deep and meaningful dialogue with the viewer, this being said, it actually describes a Hegelian dialect with our society.

      To summarize the Hegelian Dialect as comprising three dialectical stages of development: a thesis, giving rise to its reaction, an antithesis, which contradicts or negates the thesis, and the tension between the two being resolved by means of a synthesis. The abstraction being the thesis, its reaction to the viewer being the antithesis, and the resulting fallout being the synthesis. All three have been predetermined and the results have been noted and used to push all and any agenda deemed useful in the arts to the benefits of others that have been predetermined.

Soto Portego by Mark Rothko

Soto Portego by Mark Rothko

     It seems to me that Rothko, Man Ray and his fellow art conspirators were some of the weaponized human chattel to begin a metaphysical world view called “modern art” in Europe, America and the rest of the international connections. They and many others helped to facilitate a vague minded elitist take over of the artistic academia, teaching students to go beyond the representational and focus on the abstract concerns, as all those who paint and draw, you are already mechanically and methodologically driven by abstractions involving color, line, direction, shape, execution and physical expressions. They simply hitched the reigns onto this existing fact and drove it as far as could be taken, using every verbal assault that could be mustered from Marxist Psychology, its progenitors and a new list of word salad that have been introduced and is still with us today.

Photography as Art by Man Ray

Photography as Art by Man Ray

     So the abstractionist from the beginning of the twentieth century were basically taking a normal well rounded artist, versed in their mediums, visual skills and hand crafts then placing an opaque lens to one of their basic tenets, the visual explanation of their abstracted physicality. So being handicapped in such a manner, they can no longer spell out the meaning in their work to the audience, they now must make it totally incomprehensible, by using the characteristics of artistic communication and purposely misspelling and randomizing so as to confound the observer and misdirect the true intentions to form a metaphysical assault to the viewer. A form of intentional lying with all the misleading dialogue built into the forms within the artwork.

      This has been a successful method to discredit artists from being connected to the audience, where now you must be “educated” to understand. The methods used in Art Schools have been a form of cultural Marxism and has served as a rich pallet where freedom of personal expression, without conscience, has been placed as a virtue beyond approach. Any non representational art has been elevated and considered worthy of public display. Semi-Abstracted works that have a particular stylist flare, has now taken the stage, where the infantile mentality is displayed without a murmur of dissent from critics, they have been trained well in this dialogue from the doctrine masters.

Mangalated by Arto Juhani Heino 2009

Mangalated by Arto Juhani Heino 2009

      Comic book art has also taken this and other fantasies and made a complete imaginary world where generations of children follow the physiological mapping that is truly devoid of any real history or science, where the metaphysical has almost a tangible reality, de-connecting any life enhancing observations to be replaced by a magical reasoning that captivates and entrances the young readers. The complete brain training of young minds has its highest expression in comic book art, one of the greatest successes besides the films of Hollywood.

      This cultural subversion has been completed by all the major art institutes, where the nihilistic qualities rain supreme and irrational dialogue between the observer and artist is a requirement, otherwise the labeling of representational art is considered quaint, parochial or just plain derivative of inane craft-work, devoid of profound understanding or perception, that is, according to the standards written into the doctrines of modern art institutions, which were written to exclude those who would like to start the true narrative of our current society. As modernism is not a cultural movement so much it is a false premise made for its own demise, purely a means to an end, a destruction and deconstruction of our reason.

      Looking earlier to an earlier art movement of Impressionism, it was never a revolt against the traditions of the art salons, it was the simple expressions of artists notations taken during the changing light and color of day, a quick shorthand to capture those fleeting moments. This art-form was never new, as all artist for thousands of years employs its techniques when painting from a live scene, the rendering can be then taken further as required. The much used method of studies, drawing, planning and draftsmanship is the other way to approach a subject, this methodology had also been swallowed by the modern academics and replaced with fanciful “isms”, where the representation of geometry was now akin to a religious experience.

     Pablo Picasso was a prime example of the self proclaiming that was very much of the tradition of the invading subversives and political revolutionaries at the time, he was encouraged to reflect the cacophony of a degrading society and a cultural war created by the bankers and by his portraits of mankind. This was not an art movement but a careful and deliberate assault on every aspect of visual notation and a way to annihilate any aesthetic progress by destroying the essentials of the artistic traditions and the observational histrionics. His work was enthusiastically promoted as a new outsider art that was actually insider art masquerading as such. The redefinition of art history was left to the the “Cultural Marxists”** to define and elaborate for the next 100 years.

Portrait of Dora Maar by Pablo Picasso

Portrait of Dora Maar by Pablo Picasso

     It has become a morass of symbology describing a degraded world without virtues but only shapes that define a metaphysical construction, built to delude you from questioning its authenticity, and only question the interpretation of the narrative. Where traditional art needed no such acclimatizing and re-education, as all is revealed in simple allegory obvious symbols and masterful light and shade, where rendering was the physical craft of expression, not the expression as a philosophical tenure.

Quoting George Braque (1882-1963)- “Truth exists. Only falsehood has to be invented.”

      Here is a classic example of explaining clearly what the great cubists had invented for public consumption, they already knew when the story of modern art was to be written, that it would find a completely invented form with its shallow vestiges and all its circular arguments made by those abstract pioneers.

Quoting Pablo Picasso (1881-1973), “Nature and art, being two different things, cannot be the same thing. Through art we express our conception of what nature is not.”

     Here is another gem for the grist, where the reality that nature and art are actually the same thing, only the physical representation is not the physical nature, but the nature of the materials and the nature of the human who wields them are very much the same thing. His last sentence explains nothing, as it is self contradictory, “through art we express”, expressing is human nature at its most profound, where “conception” now becomes an abstract that has been invented to explain away the two dimensional description of a visual scene or an idea from the mind.

     Where in reality painting has never been any more than a descriptive language used by artists to convey a meaningful dialogue with the viewer, it is in the nature of the artist that he be as truthful to his intention as possible, otherwise he cannot be an artist, only a charlatan, masquerading as a gifted craftsman, while just being a well versed house painter.

Modern Life by Arto Juhani Heino 1986, Gouache on Board

Modern Life by Arto Juhani Heino 1986, Gouache on Board

Wireless Power 1917

November 11, 2015

This article is from Popular Science Monthly, what a great read, and a very concise look at what the current developments were at the time, be it the theories or practical applications this article will be most interesting.

Popular Science

Popular Science Monthly
JULY 1917

Wireless Power——The Next Great Invention

Electrical Experts, in Amazing Experiments, Reveal How Radio Beams Soon May Light and Heat Our Homes


In a New York lecture hall a few nights ago. a group of engineers watched a scientist raise in his hand an electric light bulb. To it was attached a four-foot copper rod. A short distance away a radio vacuum tube was turned on—-and instantly the bulb glowed brilliantly!

This was “radio power,” dream of scientists. On a laboratory scale, Dr. Phillips Thomas, research engineer of the Westinghouse Electric and Manufacturing Company, had demonstrated before the New York Electrical Society how near scientists had come to the transmission of energy without wires between cities and across country.

Tomorrow, radio beams of power may light and heat your home. Electric waves surging without wires through the earth and the ether may drive airplanes, automobiles and trains. Instead of the present uneconomical use of coal in small power plants scattered through every country, a few monster central stations may generate all of the world’s power, which may he tapped by an aerial or a grounded wire at any point on the earth’s surface. Isolated homes as well as the factories of a metropolis will share equally in the wealth of available power by wireless. Such a prophecy for the future is well within the limits of possibility, in this wonder age of science. A few months ago. no one dreamed that soon you would be able to see by radio—-yet now we have television! Will radio power be the next great invention? Many scientists are at work on it today—and at any moment it may he realized on a practical scale. The idea of transmitting power with out wires is not new. Heinrich Hertz, discoverer of radio waves. tested its possibility and found it feasible. Nikola Tesla, celebrated inventor. Who devised a system of wired power to transmit alternating electric currents, now in use throughout the world, has experimented in the field for years. Even now he is designing an amazing wireless power plant to he erected at Niagara Falls. Dr. Charles Steinmetz. one of the greatest electricians the world has known, was a firm believer in future wireless  power and suggested a method by which it might be achieved. Senator Marconi, father of radio communication adds his expert opinion that power by radio is near.

Only recently Marconi told the Institution of Civil Engineers in London that the transmission of power by electrical waves awaited only the perfection of devices for projecting the waves in parallel beams in such a manner as to minimize dispersion and diffusion of the energy into space.

The ordinary broadcasting station projects random waves in all directions that follow outward paths like the spokes of a cartwheel. A few miles away, you could not collect power enough to run your watch. But Marconi has invented a radio reflector that concentrates the waves in one direction, bunching them all together, as between two adjacent spokes of the wheel. In his system a number of short “aerials” are arranged in a curved row at the back of the main broadcasting antenna to reflect the waves it emits in a beam with parallel or at most slightly fan-shaped edges. Between London and Canada, and elsewhere. this type of “beam radio” has produced strong signals for radio telegraphy at a distance where ordinary signals would be weak and inaudible.

A “magnifying transmitter,” that hurls electric currents at millions of volts into the earth, to be recovered as power at any point on its surface, is the invention of Nikola Tesla. “The transmission of power without wires is not a theory or a mere possibility.” this wizard of electricity told me recently. “It is a fact which I myself have demonstrated in numerous practical experiments, conducted on a large scale with a generator of 1500 kilowatts capacity. As long ago as 1899 I found that the current from my magnifying transmitter traverses the globe and returns to its origin with undiminished strength. This at forded evidence that there was virtually no loss in the transmission through the earth: and that by a properly organized apparatus at the sending and receiving stations, power in industrial amounts could be transmitted with an efficiency as high as ninety-nine and a half percent.”

To TRANSMIT power through the earth, Dr. Tesla said, he plans to erect at Niagara a huge tower similar to the one he had partially completed on Long Island N. Y., when it was destroyed at the outbreak of the European war. Contrary to popular opinion, neither that nor the improved structure he proposes is a radio tower. Like some gigantic pile driver, it will jar the earth, not the air, with artificial thunderbolts manufactured in its mushroom like dome.

In the sky, as well as the earth, may lie the secret of wireless power. A study of huge sparks, some of them 400 feet long, that Tesla has produced in his laboratory, has shown that in the rarefied upper atmosphere electricity could travel with surprising ease, though at ground level it takes thousands of volts to produce a spark a few inches long.

Other experiments have shown that the levels at which such a low of electric power could be produced are within a reasonable distance of the earth,—say 30.000 feet above sea level. This has led Hugh Pollard, a British engineer, to suggest monster towers reaching into the clouds and topped by captive balloons, to feed power at millions of volts into the vast conducting layer of the upper air. At other points on the earth’s surface, such as Mount McKinley with its 20,000 foot peak in Alaska. Mount Whitney in California, and Mont Blane in France, similar towers would withdraw the power for distribution.

At the poles. Pollard points out, this conducting layer of air is probably much nearer, perhaps only a mile high, because here the rotating force of the whirling earth is little felt. and does not pull the atmosphere away from the surface, as it does at the equator. A polar power plant might therefore feed power more easily into the aerial electric reservoir. Moreover, the exploring parties of Vilhjalmur Stefansson and of Capt. Donald MacMillan in the Far North, and of Sir Ernest Shackleton, Roald Amundsen, and Capt. Robert F. Scott in Antarctic regions have reported that vast stores of coal, and occasionally oil, exist near the poles. There would be no lack of fuel, then, to run the plants—fuel that now lies unused simply because the cost of transporting it to civilization would be too great.

HOW well the theory of a low conducting air level at the poles agrees with fact is likely soon to be known. Arctic explorers invariably return with accounts of strange displays of northern lights—a weirdly beautiful electric phenomenon still not fully understood, but known to have a definite connection with the electrified upper air. The most recent polar expeditions have collected masses of scientific data taken from auroral observations, which may confirm the existence of such a low-hanging layer. The amazing system of wireless power proposed by Dr. Steinmetz, the exact opposite of Tesla’s “earth power,” was to girdle the earth with power from the outside instead of from within. A broadcasting station, he said, might emit a wave of tremendous strength—millions of horsepower—that would circle the earth and return to its starting point. If the wave length were properly chosen, such a wave would have lost only a small part of its power by the time it completed its journey, and would continue its circuit many times. The broadcasting station would time its successive waves so accurately that the first one  returned at the exact moment that a similar one was being sent out. The only additional power required. then, to keep the waves going would be to make up the slight loss in transmission, as long as no power was being withdrawn. When some receiving station “tuned-in” to withdraw the wireless power, it would “leave a hole in the wave” that the broadcasting station would make up by supplying an additional amount. Many stations scattered over the world could feed power into the wave, each one carefully timed to emit its waves just as the main wave passed by.

“Radio power” of another sort was used by Dr. Harvey C. Rentschler, like Dr. Thomas a Westinghouse research engineer, to perform a feat that had baffled chemists for years. He demonstrated his apparatus on the same night that Dr. Thomas disclosed his method of transmitting power without wires. In a new type of “radio furnace“ that melts metals in a vacuum. Dr. Rentschler succeeded in obtaining the rare metal uranium in a solid mass for the first time. The device that accomplished this remarkable result and thereby inaugurated a new science- “radio-chemistry ”—was designed to focus a large quantity of radio power in a small space, rather than transmit it to a distance.

When Dr. Rentschler threw a switch that turned on the current, radio waves from a powerful electric coil pierced the emptiness of the vacuum to generate a terrific electric current in a small capsule of impure powder containing uranium. There was a flash, and incandescent metal swelled to a molten mass. When it cooled, Dr. Rentschler was the first man in the world to see what this extremely heavy metal looked like. Much like iron in its grayish appearance, it was far more precious than platinum.

Other rare metals of like properties yielded their secrets to Dr. Rentschler when placed in the vacuum and heated by radio waves. The new furnace is of inestimable value to chemists, who can now watch reactions they could never see before that can take place only at high temperatures, in a vacuum.

With radio power in a test tube already achieved, will the next step be radio power in your home? Very likely, Dr. Thomas told the scientists who witnessed his demonstrations of lamp-lighting by radio.

Already he can transmit power without wires over a short distance. With improved vacuum tubes and electric circuits, he said, he hoped to improve his power transmission until he produced a type of wireless wave that would yield a space-annihilating beam over which huge quantities of power might be sent.

Short radio waves, ten thousand times shorter than those used in broadcasting, are the means Dr. Thomas will use. His goal is a “beam radio”—but a beam unlike any that has ever been produced. If he can make his radio waves short enough and powerful enough—he will focus them to a narrow, four-inch ray by means of a curved metal mirror!

Then he will project his beam, like a searchlight, to its destination. Such rays would criss-cross a city, and wires would become obsolete. Each home would have its own “rod receiver,” a short copper wire, resembling the one Dr. Thomas used in his demonstration, with which you could tap the power flowing through the ether just as you now listen-in to music with your radio set.

The idea of reflecting radio waves with mirrors may seem a little startling, but your own experience will yield the evidence in its favor. The silvered reflector of your car’s headlight concentrates its rays in a parallel beam. Light waves and radio waves are closely related to each other, differing only in their length; the waves of light are much shorter. Could radio waves, like light, be focused?

In between light and radio are heat waves—of medium length. Like light waves. they too can be obtained of short wave and maximum power. The radio wave that furnished the wireless current supply was only two and four-tenths meters—about eight feet long; yet through it he was able to “broadcast” thirty watts, about a twentieth of a horsepower. He can produce a wave of half that length, though his power is also cut in half.

To try out his scheme of reflecting a beam with a metal mirror, Dr. Thomas awaits the shorter-wave, higher-power beam he hopes to obtain. In his demonstration he allowed his radio waves to scatter at random through the surrounding air, and his feat of transmitting an appreciable amount of power was therefore the more remarkable.

DR THOMAS is not the first scientist to light lamps by radio; his simplified apparatus, rather than the demonstration of wireless light, is his greatest accomplishment. Nearly four years ago, Dr. Willis R. Whitney, of the General Electric Company, demonstrated before the American Association for the Advancement of Science at Cincinnati what he then characterized as an advance “as near to the wireless transmission of power as we have yet seen.” Standing a foot away from a powerful electric coil through which alternating current was pulsing at high frequency he held up a lamp bulb like those in your home and caused it to glow by wireless power. This experiment follows the same principle as Dr. Rentschler’s radio furnace, instead of Dr. Thomas’ method of using radio waves at a distance.

More than twenty years before, Nikola Tesla first lit a lamp by radio. He used a wave of a size that required a huge receiving coil of wire attached to the lamp. The other end of the coil was grounded, and the length of the wire was so chosen as to be exactly “in tune” with the broadcasting station hundreds of feet away.

What Dr. Thomas has done is to substitute for complicated receivers an ordinary piece of straight wire, made possible by the short wave he has produced. To pick up power from any radio wave, the rod, Dr. Thomas found, must be exactly half as long as the wave itself. Collecting current from a broadcasting wave would therefore require a rod of unwieldy length. With Dr. Thomas’ eight-foot wave, it need be only four feet long—a handy little rod to keep in your home!

The way that Dr. Thomas‘ “half-wave receiver,” as he calls it, picks up power from the air might be illustrated by placing a hollow tube half an “ocean wave length” long in the breakers at the seashore, pointing out to sea. One end of the tube would lie in the crest of an incoming wave. the other in the trough of the preceding one, and water would surge through it in one direction. A moment later, the crest would have reached the other end. the first end would be in a trough, and water would rush through it the other way. In the same manner an alternating surge of current runs back and forth along the metal rod from the radio waves in the air.

This much science already knows about the mechanics of generating and handling the radio power beam. But there will be more to learn— for the ray that Dr. Thomas seeks in his East Pittsburgh, laboratory, is a dangerous subject for experiment before scientists learn to control it. No one knows what might happen if such a beam were turned loose!

It might render the air through which it passed a conductor of electricity, much as does a bolt of lightning temporarily—and turn a shaft of air into an “electric wire” along which you could send an ordinary electric current. The radio beam, then, need not itself conduct the power, but serve simply as a channel for electricity.

For instance, an isolated mining camp in the face of an inaccessible mountain might receive electric power to run the mining machinery from a beam shot through the air from the base of the mountain.

One thing, Dr. Thomas says, is certain— with half the power of a modern broadcasting station behind it, a short-wave radio ray focused in a narrow beam of concentrated power would kill anyone who stepped in its way. Stray electric currents which it would induce in a man’s body would instantly burn him up. Here, then, is it veritable “death ray”—not a fantastic dream, Dr. Thomas points out, but like radio power a sober scientific possibility. In time of war, this ray would prove a terrible and awe-inspiring weapon. Radio rays of overwhelming power turned upon an enemy army would cause it to disappear in smoke. Along the radio beam might course powerful electric currents to complete the destruction.

BUT in its peacetime uses it would be of greatest service to man. High towers could be used to keep the deadly beam where it could do no harm as it transmitted vast quantities of power across the earth. At night a bluish glow would surround the transmitting tower from leakage of the high-tension current, and perhaps even the beam would glow like a searchlight piercing faint mist.

Smaller beams, less dangerous to man, might distribute the power at the receiving station. This would correspond roughly to the present system of using transformers to change the dangerous high-tension electric current used in wired power transmission into low pressure current safe for home use.

Into your home, perhaps straight through the wall, the ray would enter, while the “half-wave receiver” would absorb power to light your lamps—not ordinary lamps, but a special type of electric light built like a radio vacuum tube—and run your washing machine and electric toaster.

Can it be done? The “ifs” are merely matters of figures now. Scientists have taken away the mystery that cloaks radio power, and have shown how it is to be attained. Each by his own method, they are drawing nearer and nearer to its useful realization. With all the resources of great laboratories at their command, they are working out the last practical details. Any day, now, they may announce to a waiting world that at last the goal has been achieved.

Dr Phillip ThomasCourtesy of New York Electrical Society

Wireless light and power already have been achieved in the laboratory. Here Dr. Phillips Thomas, research engineer of the Westinghouse Electric and Manufacturing Company, is using radio impulse from the vacuum tube at left to light a small electric lamp attached to a copper “aerial” rod

P2-PowerAir1How radio eventually may supply our homes and industries with light, heat and power. Our artist pictures here his conception of a wonderful power transmission system of the future, based on present laboratory experiments. High power beams of short radio waves, projected for long distances by means of huge reflectors, would be tapped by receiving apparatus, much as we now tap broadcast radio programs.

P3-TeslaTow1The famous power tower at Shoreham, Long island designed by Nikola Tesla to transmit thousands of horsepower through the earth. It was dismantled at the outbreak of the European war. The inventor now plans to construct a similar tower at Niagara Falls.


Dr Harvey C RentschlerCourtesy New York Electrical Society

A remarkable concentration of radio power. Dr. Harvey C. Rentschler, Westinghouse research engineer, demonstrates his new type of “radio furnace” which melts metals in a vacuum. Powerful radio waves from the electric coil above Doctor Rentschler’s hand penetrate the adjacent vacuum tube and generate a terrific current in the metal within.

* END *

Here are the original pages.






Tesla Newspaper Articles V

April 30, 2014

Here is a another Tesla articles I came across by accident, thanks to the Library of Congress, regards Arto.


Nikola Tesla and His Perpetual Motion Machine

New York June 25 -The strangest man in this city is unquestionably Nikola Tesla. Within the past fortnight he has astounded scientists the world over by his announcement that he had perfected his wireless telegraphy – in other words that he had sent and received communications between distant points without the use of wires and simply employing the natural energy the earth. Nature, he says, teems with power and motion.

Tesla is a young man. He has just past his fortieth birthday. If he lives 20 years or more and retains his faculties the world will be a different place to live in compared with today. His ideas and projects are so big that it takes time to grasp their real import. He talks as calmly of producing a flash of lightning a mile long as the ordinary man speaks of telegraphing to Chicago. Not long ago in his laboratory he said: ”I expect to live to be able to set a machine in the middle of this room and move it by the energy of no other agency than the medium in motion around us.”

This sounds like the vaporings of a dreamer. It means a perpetual motion machine, and that, in itself, is enough to stamp Tesla, in the minds of ordinary men as a full-fledged visionary.

But Tesla is the very acme of practicality in all things except money making. If he wished he could be a millionaire five times over. As it is, there are dozens of ordinary mechanics within a mile of his laboratory who could buy and sell him six times over. “If every man.” said Tesla, “who uses my machine in electro-terafy alone would give me a quarter of a dollar, I would be very wealthy. I have never received a dollar for it, and there is no way in which I could.

Tesla is I strange in all things. He will talk willingly about electrical inventions of the past, present and future, but it is like drawing teeth to him to say a word about himself. He has a genuine distaste for notoriety when Tesla, the man, is concerned, and politely asks to be let alone.

He ts a Montenegran by birth. His father was a man of unusual mental attainments, and his mother had the inventive genius to a considerable degree. “I am not much of a linguist,” says Tesla. “I speak but six or seven or eight languages. My father spoke 18, and, besides, he was a remarkable mathematician.”

Tesla is tall, thin and lanky, but quick and impulsive in manner and earnest in speech. He is not much of a talker, but every word he utters means something. His head is big and bony and his ears stick out. He is not a handsome man, by any means, but he is impressive. His hair is as black as hair can be, and is coarse and rumpled.

Physically he does not appear to he robust, but he says his constitution is rugged and he can stand almost any strain. In his youth he was a famous wrestler. He went in for all kinds of sport. The Montenegrans are rare gamblers, and Tesla inherited the national love of excitement over the card table. More than once in those days he went through single sittings of 48 hours at a stretch, and then only stopped because the other players had succumbed.

“I know the fascination of play,” he said, “but all the allurements of the game are insipid to me compared with the overmastering excitement of life in the laboratory. No thrill can go through the human frame like that felt by the Inventor as he sees the creation of his brain unfolding to success after months and years of waiting and hoping.” So Tesla does not gamble now, at least, not over the card table. His laboratory supplies all the excitement that his emotion can stand.

Tesla’s father was a clergyman of the Greek church, and it was intended that the son should fit himself for the same life. The idea of entering the ministry was opposed by the boy with such pertinacity that at last his father compromised by agreeing that he should become a professor or mathematics and physics. With that end in view Tesla was sent to the Polytechnic institute at Gratz, and there, in operation, was a gramme dynamo. That simple electrical instrument, the first that he had seen, settled the future calling of Tesla.

Prior to entering the Polytechnic at Gratz he had first attended a public school at Gospich, and later spent three years at the high school in Carstatt, Croatia. It was while he was here that he saw his first steam engine.

Immediately on entering the Polytechnic he began experimenting with electricity, and when his father heard of it there was a stiff family row, but the son came off victor, and instead of taking the course that would have fitted him for a college professorship of mathematics, he studied engineering. The gramme dynamo became his great pet, and while working about it he got the notion that it could be operated without commutator or brushes. This idea he labored over and experimented upon and finally after many years, it resulted in one of his greatest inventions, a rotating field motor.

The world owes a debt of gratitude to the little gramme dynamo, as it instigated the fundamental idea which subsequent elaborations and perfections by Tesla made possible several of the grandest mechanical feats that the world has ever known. When Tesla first came to this country, little I was known of the alternating current, and electrical energy was delivered almost entirely by the continuous current system. This is a successful method for short line work, but where the power is to be transmitted to a considerable distance it is impracticable.

One of Tesla’s inventions, based upon his first idea, was an alternating current motor that permitted the transmission of energy long distances at high pressure over the wires. This invention made possible the bridling of the power in Niagara, and natural forces by its use can be harnessed everywhere. Originally it was thought necessary to employ two wires for the transmission of power – one to convey it and the other to return it. Tesla proved that the second wire was a needless expense and that the energy could be transmitted with one wire with smaller waste than with two.

The bulk of Tesla’s income is derived from his invention in the rotating field, and it is not a large income either. He also receives a small sum from his fathers estate, and these are the sum total of his pecuniary resources. Nine-tenths of this money goes into his laboratory work. He spends next to nothing on himself. He is unmarried. He says an inventor has no business marrying, as the necessary home life would surely interfere with the prosecution of his labors.

From 12 to 18 hours a day he spends in his laboratory. He has no social life. He attended a reception once, was lionized by his hostess and the guests and spent the most unhappy hour of his life. Since then he has avoided social functions with assiduous care.

After leaving the school at Gratz Tesla went to Paris, but he attracted little attention, because his Ideas were then in their infancy and were of such magnificent calibre that the mere mention of them made the leading French electricians regard their originator as a fanciful dreamer. Some friend advised him to come to America. This he did, and, hunting up Thomas A. Edison soon convinced that genius that he was a valuable man to employ.

Tesla’s stay with Edison was brief. He had his own ideas, and, it is believed, they clashed with Edison’s. Tesla has never said much about this. Right here it should be mentioned that the Montenegrans has not the jealousy common among inventors. He never belittles the work of any man, and he has done more for young electricians Just starting out than any other dozen men of his profession.