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The Scientific Method

May 3, 2022

(except from my next volume)

I had spent most of my childhood making observations that I had to verify, by testing if it was reality or some sort of an illusion, where most children do not remember having to apply their mind to the task as this is a natural process in all human beings. Where as I remembered a simplified version of this methodology and applied it to numerous optical and scientific illusions intuitively before I could even codify the process in writing as an adult. Much of what I had learned about what the Scientific Method is, was gleaned from extensive reading of countless journals, books and encyclopedia as I was growing up in my childhood, I cannot quote a professor or institute, only Sir Francis Bacon and my own personal life experience.

Historically Sir Francis Bacon(1561-1626) was the man who had codified the Scientific Method which was known in his time as the Baconian Method. Briefly the Scientific Method are steps that help scientists conduct understanding and clarity in the use of dynamic technology and material sciences, which is made up of seven main steps:

1 – State the problem,
2 – Research the problem.
3 – State your hypothesis,
4 – Do an experiment,
5 – Analyze data,
6 – Conclude the results,
7 – Form a conclusion.

Bacon also had devised what he called the idols of the mind, that could be called delusions or as he describes as false images. These four obstructions must be overcome to have a clear path of correct scientific reasoning. I have added a fifth as my way of addressing the intellectual dishonesty that has been foisted on our education system by the use of symbols.

Idols of the Tribe (Idola tribus)
This is humans’ tendency to perceive more order and regularity in systems than truly exists, and is due to people following their preconceived ideas about things.

Idols of the Cave (Idola specus)
This is due to individuals’ personal weaknesses in reasoning due to particular personalities, likes and dislikes.

Idols of the Marketplace (Idola fori)
This is due to confusion in the use of language and taking some words in science to have a different meaning than their common usage.

Idols of the Theater (Idola theatri)
This is the following of uncorrected dogma and not asking questions about the world.

Idols of the Symbol (Idola signo)
This is the misunderstanding of visual mnemonics due to uncorrected use of symbols, conflating the symbol with a preconceived negative or positive outcome.

After a lot of thought of Bacon’s ideas, they revealed to me another view of our problematic interaction with our observations and rational framework. There is a way of seeing our limitations of reasoning and finding that they hold our life in a type of prison built from our needs or ideas within our existence.

Prisons of the Mind (Carcer Cogitatio)
The imagined truth being our only limitations in our mind.

Prisons of Ideas (Carcer Notio)
The ill defined and illogical ideas limiting our perceptions of reality.

Prisons of the Emotions (Carcer Motus)
The uncontrolled reflexes within our emotive being.

Prisons of Sustenance (Carcer Victus)
The essential and incessant need to maintain regulated nourishment.

Prisons of the Environment (Carcer Ambitu)
The real need to have levels of protection from all forms of physical damage.

These prisons I have listed are very real to most people, they are just not aware they are inside them, while we can all agree that Sustenance and Environment are two that we are very intimately connected with but the others are no so obvious. The Mind Prison is simple to understand if you believe the Earth is flat, a limitation that is built from a lack of understanding and verifiable information. The Ideas Prison, is more related to our notions of politics, philosophy and poetry, where ideas have consequences to the passage of life, like the 120 million crucified in the 20th century for the flawed Marxist doctrines. The Emotions Prison, is by no means an easy hurdle to leap over as each one of us has either unfulfilled, exasperated or subjugated emotional issues to some degree, these we will render a mental cage to keep those feelings from destroying our lives.

The following definitions of the Scientific Method can be compared to text book versions and should be much simpler and clearer than most.

I have separated it into nine distinct headings, each can be considered recursive until it satisfies its criteria of application. These are my own versions, in the nine steps of the artists natural scientific method go something like this:

1 Observation of Interest
Make an single observation or many observations.

2 Facets of Observation
Ask questions about the observations and gather information.

3 Hypothesis
Form a hypothesis, a tentative description of what has been observed, and formulate predictions based on that hypothesis.

4 Prediction
Build the hypothesis with the predictions into an experiment that can be reproduced. Building a theory.

5 Analysis
Analyse the data and draw conclusions; accept or reject the hypothesis or modify the hypothesis if necessary. Adjust theory to fit facts.

6 Experiment
Physically reproduce the experiment until there are no discrepancies between observations and theory. Design for Replication of methods and results.

7 Variables
Dependent and independent variables are brought to a reduced set and general formula are created. Simplification of formula and universality is the prime reasoning.

8 Conclusion
Does it conform to the real world? Does it operate in a different environment or frame of reference?

9 Reality
This is now a law of nature as described by man, simplified to its primal state and understood intrinsically by man in all frames of reference. The extended boundary of theory has been overcome, it is considered a fact.

This brings me the words and meanings of “Science”? Science is not a category of study, it is a process of inquiry with deductions. Science is a method not a vocation. When something is Scientific it means it can have the Scientific Method applied to it without difficulty and its conclusions adhere to its methodology.
A Scientist is someone who apples the Scientific Method to an observation. A Professor of Science is someone who can apply the Scientific Method with expertise.

The implications of a “Theory”, firstly it must have self consistency, agreement with observations and have universal usefulness, alas, as it is only a theory as it only conforms to the first four of the steps required in the Scientific Method. Much of modern science is now “Theoretical”, they are trapped in the fifth stage and are given special compensation for digging up new “Theories”, creating a branch called “Theoretical Physics”. These are now a protected class defined by Cultural Marxism, as the real scientists who follow the Scientific truth and its complete Scientific Method are under the mercy of authoritarian political correctness and a false religion of “Scientism”.

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A Quantum Ellipse of the Old Kingdom

November 2, 2021

This Post is short, though I spend quite a lot of time working out this artefact. Please note the two triangles I have outlined in the diagram, one has an angle of 51.913 and the other 42.374, these are significant as they correlates closely to the Great Pyramid and the Senusret II Pyramid, these were the on the opposite sides of the pyramid field in my previous posts. Regards Arto

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Pyramid Sonic Transceiver Technology – Part 5

October 29, 2021

As we can see by the many pictorial representations of the Dynastic Egyptian ruling class of their jewellery and the articles they adorn, is represented as their innate culture. For example the Uraeus represents the conscious frontal lobe and its functions of awareness and decision, where the Eye of Horus is the centre of the physical brain and where the pituitary gland, hypothalamus and pineal gland reside, while the vulture represents the subconscious and its dark and powerful presence, where its physical appearance and its function are aligned. The trinary mind is easily understood when seen this way and shows that mankind has lost the connection to many of these symbols that the Ancient Egyptians took as a given and well known among its intellectuals, artisans and officials. The scarab represents the brain both as the physical understanding of the skull and as a symbol of good fortune. When the scarab unfolds its wing caps and prepares to fly, it creates a frequency of sound that becomes flight, just like our brain when we unfold ideas, buzzing and with lots of activity, beside these ideas, the sound it creates indicates an acoustic element ignored by archaeologists.

These symbolic functionaries were not just an understanding of our mind but a slightly degraded version of an earlier technological connections with how sound was a vital part of our physical and psychic health. The understanding of illness and disease was also a holistic concern for all the ruling class as that was part and parcel of the knowledge that was passed on by heritage and learning. The great artworks created by the ancient Egyptians also recorded the rituals, procedures and psychological adoptions of their mannerisms, habits, priories and also any profound knowledge they utilised in their civilisation. For instance the 42 commandments that they followed was a great model for pious, virtuous, a well balanced way of life and personal being. These were artefacts from a previous civilisation that predated Dynastic Egypt, the legacy to help continue a way of life that was productive, organised and high cultured Kemetian history, now forgotten but partially understood by the Dynastic Egyptians.

All these symbols, writing, art and even games help reinforce the spiritual and psyhic health, where psychopathic, parasitical and criminal behaviour were easily filtered out and dealt with. The Kemetians knew the pitfalls of mankind’s behaviour as the degradation of mans fall from the Golden age, to the Silver, Bronze and the lowest Iron age (500 AD). It followed the precession of the equinox, which is the great Year cycle (25000 yrs) and was encoded into most of the structures and mythology so the torch of understanding could be awaken in the new upward cycle.

So many layers of knowledge was re-wrapped into mystery as the Dynasties time line grew, where their consistency of natural order was kept alive by the priests, the knowledge bearers and the families of the Pharaohs and leaders of Egypt. They codified, kept records and repaired the legacies from the past, until they lost much of the skill sets required to build and maintain the great Pyramid machines.

With the advent of rediscovery of the those great monuments of the past in the 16th century and onward, the early archaeologists were at a loss to explain its history, meanings and building techniques. They created scenarios, dates and interpreted much as mere ritual, superstition, death cults and fanatic multi God worship. They were reading the remnants of the Kemetian super culture that was decimated by catastrophe and rehabilitated by the Dynastic Egyptians who only decorated the structures built by their ancestors. All of the pyramids were built prior to the many catastrophes that Ancient Egypt endured, a great flood being the most pronounced, while much evidence for plasma storms also exist.

I can see by the ritual outfits that their were many forms of technology attached to them, long misunderstood intentions that became mere decorations. Without specifics I must agree that some of the technology was still functioning in early Dynastic times, the false door, the acoustic crowns and the many hand held articles seem to have a function attached, not just pure symbolic.

The Dynastic Egyptians even stated that much of the older writing was called the Sacred text and much of it was only reinterpreted into other forms as they could not even read it. The Narmar Pallet has no hieroglyphs as we know them in the later Dynasties. The Archaeologist believe this was a more primitive time, before the proper formulation of writing, where as we can clearly see much of the older text was already carved deeply and permanently into many pillars and monuments that already existed in the Dynastic period. This is why they adopted painting and plaster over the blank walls that were left by the Kemetians. Any sacred text was merely copied and adopted to the whims of Pharaohs and officials.

The funerary texts were written as a half forgotten parable of the technology I have uncovered. The deep caverns of the underworld were the stratified layers of different rocks and the densities, giving transmission times and quality of reception as this dark misunderstood place. The few remaining sites that were still functioning became centres of worship and ritual. When the last of the pyramid machines stopped, all was now a worship of the dead as the rituals no longer bore fruit. The times of reception and the cannons of codes now were mere decorations and in reality the Egyptians lost connections to the past not long after, possibly around 1500 BC.

I needed to update the last post as a few errors crept in, here a diagram of the upper portion of the Pyramid field and also a few more ideas about the different functions of each pyramid. I see the whole as a set of communication exchanges, with generators, amplifiers and redirection of the sonic pulses, much like a Telephone System but with the bedrock as the wires and the false doors as booths and the multiple tombs as frequency shifters, multipliers, multiplexers encoders and decoders. An ancient audio sonic technology that we can easily rebuild as we already use these techniques in audio engineering, ground radar , speaker and microphone technology. No need for laying down pipes, cables or wires, an endurable system that can function without maintenance for centuries, as for mobile communications, many monuments have direct connections to the bedrock, so a stone pillar with a portable Ank, a Sistrum and a suitable Hat/Crown can be used to communicate.

I hope these pages will go beyond the Ancient Egyptian technology and you can find the similarities in the Vedic Indians, Mayans and Olmecs and their head gear and Pyramids. Sound is the key to a clean and sustainable future where music is part of what we know about the nature of Mankind inner soul, physical being and creativity. Regards Arto.

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Pyramid Sonic Transceiver Technology – Part 4

October 16, 2021

Here is the data for the Sonic Pyramid Field, the first graphic reveals the structure for the first section. The other table is the measure in Ancient Egyptian measure, note the Conversion to meters is 1 RC = 0.5232365464746810 Mtrs. These are my first data sets, excuse any errors, Regards Arto.

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Pyramid Sonic Transceiver Technology – Part 3

October 15, 2021

The Resonant Crowns of Khemet

Looking at the White Crown of Upper Egypt (Hedjet, hdt) indicates a technological reasoning behind it design, yes I do not think they just randomly invented it without simple reasoning and logical inclusion. As with the other crowns they all served a similar function, one of communication through logical utility and natural means. “Per Neter”, “House of Nature”, the nature of sound, light and vibrations of communion to each other and other living beings. This is understood as the longitudinal vibrations of sound and of light, each only being a multiple octave distant from each other, one medium is the Ether the other is Matter (Air, Water, Earth).

The messenger of our time who understood this “Neter” was Nikola Tesla, in the past Christiaan Huygens was a proponent of it in his time and Roger Boscovich in his time as well. Fortunately you cannot fudge the longitudinal “neter” of sound, it is all around us and our ears and voices are organs we are closely connected to. On the other hand the fake Scientism movement which began in the early part of the 20th Century, which hijacked the symbols and contorted the mathematics to be some surreal multidimensional occult scheme. We are lucky that we have had some great minds and logical thinkers who knew the false paradigm was being perpetrated onto our scientific community.

As a Musician, I could recognise the acoustic volumetric of the crown almost immediately, that being in a vocal range. After taking great care to find the measure of what constituted the Resonator, I quickly found the design concepts that was used by the Khemtians. The next step was to look if there were schematics in any wall art, as possible translations of vibrations of sound to electricity and back to sound was taking place.

The fundamental wave length came from a careful measure using Google Earth was to reveal the base wave frequency that I should look at. After reading many volumes of Geological data regarding the Density, Bulk Modulus and Sonic Velocity of rocks of different genre, local to Egypt and other ancient sites, I can estimate the bedrock sonic velocity is usually around 5979.85 m/s, the Density about 3000 kg/vol and the Modulus is 10.7 Gpa, when translated to the Ancient measures, we have a Velocity of 80000 P per sec, a Density of about 2 Q/vol and the Modulus of about 1500. The distance from Senusret II Pyramid to The Great Pyramid is exactly 160000 Royal Cubits, simple calculations reveal that 14 seconds will transpire before your signal will be received and 28 seconds for the return signal, this could be considered a Time standard.

The Resonant frequency of the source to and from the destination = 0.0714285714 Hz

The Vocal Chord Range

= 65.714 – 4600 hz Wide Band
= 131.43 – 2044.44 hz Medium Band
= 262.857 – 920 hz Narrow Band

Male Speaking Vocal Range        = 85 – 155 hz
Female Speaking Vocal Range     = 165 – 255 hz
Children’s Speaking Vocal Range = 180 – 360 hz

The Crowns and head gear Range = 36 – 440 hz

The Wave Lengths
WB = 343.841/65.714 = 5.232365 mtrs = 10 RC = 280 F
= 343.841/4600 = 0.074748 mtrs = 1 P = 4 F

MB = 343.841/131.43 = 2.616194 mtrs = 5 RC = 140 F
= 343.841/2044.44 = 0.168183 mtrs = 1 SH = 9 F

NB = 343.841/262.857 = 1.308091 mtrs = 5 LS = 70 F
= 343.841/920 = 0.373740 mtrs = 1 D = 16 F

The design of the Hedjet Crown was a well drawn out study, I referred to many icons that show clear pictures, the first being the Narma Palette and many beautiful sculptures and large statues. It seems to have a slightly different size depending on the region and the Dynasty that had created the artwork. So instead of slavishly copying something that we had no sample of, with only diagrams or sculptured versions, I went with the most direct method, think like an Ancient and design like an artist of the time and build like an engineer of Khemet. As the Royal Cubit was the fundamental rule that all these ancient wonders that were created, I used my perfected measure of 1 RC (523.2365mm) as the foundation of design and engineering, also being 28 fingers (18.687mm), where I could use the finger as the smallest measure.

The large curvature of the circle D3 of the Hedjet is 4 RC, I could have chose 3 RC but the cavity would have been too small and the curve too tight, also if it was 5 RC the crown would have been to tall, 4 RC was the best fit that also matched the edge of D4, which is 12 F or 1 Small Span. The A1 dimension of 2 F was not a hard choice, it lined up to most crowns and was easy to pick, whereas the body had to be dissected to cylinders to get an approximate volume, using a basic form of calculus and the Egyptian measure I achieved a simple design tool that could be used on many semi-organic designs. The inside of the Hedjet could be two chambers or more, in line with the design of the cochlea, when unwound has two basic chambers, this could indicate a slightly modified version of my interpretation, which I will express in another design.

My intuition told me that I would arrive at a tonal resonance around the vocal region, being 95 Hz it was just about right for the low end of a set of large male vocal chords. The measure was the key, whole numbers of Fingers is the how we can design natural machines, like a resonator. The DNA understands these forms, your ears and your vocal chords are the result of this understanding, how can we imagine these were randomly adapted, they were designed by a master architect of the universe, we can only imitate its great design.

Here is is short list of Gems used by the Ancient Egyptians (PZ is the preferred piezo ):

Tourmaline Blue PZ
Amethyst Purple PZ
Sapphire PZ
Emerald PZ
Ruby PZ
Diamond PZ
Garnet Red
Lapis Lazuli Blue
Obsidian grey
Carnelian Orange
Jasper Orange
Turquoise Blue
Carnelian

All the crowns have the basic form of an acoustic device of some sort, this was their unique mastery of this most ancient technology and science, Tourmaline was the first choice for the Piezo crystal, this was one of the regular stones used in Egyptian jewellery and art.

Sound Refraction

The focal length of a spherical lens (measured from the surface of the lens to the focal point) is given by focal length sphere where r is the radius of the sphere, m1 is index of refraction of the surrounding medium and m2 is the index of refraction of the lens material.

r = Radius of Sphere
m1 = Index of refraction of surrounding medium
m2 = Index of refraction of the lens material
v1 = Velocity of Sound of surrounding medium
v2 = Velocity of sound of the lens material
f = Focal length from the surface of sphere to the Focal point

f = r*(2-m2/m1)/2*(m2/m2-1)
f = r*(2-v1/v2)/2*(v1/v2-1)

If the lens material has a greater velocity then it becomes a convergent lens and if it is less that it is a divergent lens.

Zp = Acoustic Impedance Piezo Electric Material
Zl = Acoustic Impedance of Loading Material
Wm = Matching Material Layer Wavelength

Best impedance match:

Wm/4 = Zm

Impedance of matching layer material is:

Zm = (Zp x Zl)^(1/2)

Wide band acoustic impedance:

Zm = (Zp x Zl^2)^(1/3)

Improving acoustic matching:

Zm1 = (Zp^4 x Zl^3)^(1/3)
Zm2 = (Zp x Zl^6)*(1/7)

Mixing powdered piezo materials with hard resins and creating a polymer is one way of fabricating matching layers.

Hedjet Crown

This was the first I had seen that would work acoustically, using the Helmholtz resonator as the basic design to follow. The volumes are best approximated as the chambers are narrow band devices and not just singular tone, The narrow band fits the voice well, my criteria was to use it like a musical instrument, where pure tones resonate distinctly, a vibration from an external source being simple not highly modulated, one from the vibrations of a staff or device that has a limited tonal range. The connections to the circuit and ears are not included, these would be more decorative and need to be adjusted for the head of the user. The main chamber could be split in two, as per the uncoiled cochlea. I chose the size in accordance to the Royal Cubit as the standard, by it having direction relationship to the Longitudinal velocity of light. The original crown was worn by Narmer and he was a giant, so I figured this was the most suitable size, as I noticed the Hedjet sometimes seemed over size when the king was not as big in many wall carving. Later Hedjets could have been smaller, making the frequencies much higher than 95Hz.

acousticrown3c.

Deshret Crown

This one was simple once I found the first crowns acoustic design logic. The spiral piece could be a hollow chamber as well, making it look like the cochlea, where adjustments to the tone and frequency could be made or even a direct contact to another acoustic vessel. The Green outlined section is the simplified version of the crown volumes that makes the mathematics much simpler. Tr1 is a golden triangle that was found after I had almost drawn the whole unit, it points to the heart, the size is 471/18 x 818/18 fingers = 488,977mm x 849.221mm. The Uraeus I put on the crown is mainly to show its location and design elements, the scale is not correct, it would be at least 1/2 to 3/4 of the size I have drawn.

AcoustiCrownLN1b.

Hathors Head Gear

This was a simple progression, now using the symbolic shapes of the sun disk and horns to create the necessary configurations. The C2 chamber in green is an approximation of the neck of the horn resonators. The P5, P6 and P7 are other positions the Piezo crystal could be placed and change how the horn chambers worked harmonically. The P6 is also connected to the main chamber, so a feedback will occur. The P7 connection is used when you use both horns, what you will get is one horn in compression while the other horn is in expansion, as opposite phases. P5 will drive the side horn but will also have a short wave of 1/7nth the of the wave length of the horn, thus giving you a complex sound wave. Tr2 is another golden triangle that I discovered after drawing most of the head gear, it points to the mouth, the size is 18.2 x 28 Fingers(1 RC).

AcoustiCrownLT1a.

Other Crowns and Head Gear

After intuitive generating these designs, I could see every crown and head gear designs were connected to the cochlea and other sound chambers. The feathered version of the Hedjet called the Atef Crown makes me consider that the internals as two chambers and the feathers as ticklers for a variety of harmonics. Amun crown has two distinct chambers, and it’s appearance is significantly like a straightened out cochlea. The Shuti Crown has spiral chambers(rams horns) which would be a shorter version than long straight chambers. The blue Khepresh Crown is much shorter and has a chamber as well, while the Cap crown has even a smaller chamber,

Each crown or head gear or combinations seems to indicate a narrow band of frequencies and could possibly be that each has a function of communication at those frequencies, where the deployment of signals were directed to those who wore a specific crowns or hats in a region. What I could gather by the wonderful hieroglyphs is that stock holdings were relayed among the Khemtian empire using false doors as exchanges with a schedule using specific times by officials with certain hats, which were regulated in a religious fashion to keep the communication channels linked up. The pyramids served to create, amplify and relay the complete network of acoustic signals around the empire.

The transmission of signals via a sonic device inside the sarcophagus like I have previously described would be linked to the regular acoustic carrier pyramid frequencies, with the use of a Sistrum as the calling ring when pressed against the walls in certain locations, like the false doors, when done at regular intervals to indicate a transmission signal.

FalseDoor111a

The Uraeus is a 1 1/2 or 3/2 wave system, the locations of the Piezo crystal help with feedback tuning and aerial reception of Sonic frequencies, these would be coupled to the main acoustic chamber and also act like the diode mixer in radio when separating frequencies to be decoded. By the design it looks like a single balanced mixer, where the RF (Radio frequencies) is the Sonic wave and the LO (Low frequencies) is the voice and the IF (intermediate frequencies) are the carrier frequencies.

As this is still a working document, excuse any errors or omissions, but if you found this work of value please donate to keep this and other projects alive. regards Arto

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The Pyramid Sonic Transceiver Technology – Part 2

October 1, 2021

This blog will be short, I will upload this picture file only, the transcript will be in part 3.

Thank you for being patient and if you would like to help with all my research endeavours, please donate, regards Arto.

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Narmer Palette The Other Side

June 14, 2021

Back in 2008 I was studying many types of ancient artefacts and the relevance to star charts that do not appear on the walls or objects from ancient Egypt and was intrigued to find very little to say the least. After much research I later wrote an article “The Hidden Star Charts of the Ancients”, where I found the Narmer palette and some Sumerian seals had hidden star maps within the graphic design, I included it in my last Volume but left out the other side of the Narmer palette.

Here is the file that I didn’t include, I have also included a simple composite of the first side as well, which I had elucidated with much more details in my first volume. The details included the pictorial relevance to actual stars, galaxies and nebulae as they visually appear by modern powerful telescopes, an amazing revelation of this work. Regards Arto.

Below is the original side I studied.

Below is the Other Side.

If you want to read my original documents from 2011, Scribed has a copy you can down load, I have updated in 2013, here is the earlier version here:

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A Test Case for the Trinary Gate

June 5, 2021

Rather than try to instigate the trinary action directly from the positive, neutral and negative charges, I have simplified it by setting the switches using only the positive rail and neutral before I have set the Unary Gates, using a ADG5236 Analog switch chip. This is only a testing measure to get all the gates ready for integration into combinatory sets like Tand and Tnor. You can say combinatory only in Ternary because each two input gate is made up of three Unary gates from a pool of 27, while each Unary gates is made up of three switched sets, sometimes as two pairs of DPDT while one is redundant, due to the lack of physical trinary switches available on the market.

I have tried not to compromise on either side of the switched in/out design, still we need to move these ideas forward so we can find interesting and valuable Ternary circuits that can accomplish much and more of what its little Binary brother has done in the last 80 years. The use of CMOS, PMOS, NMOS have been used successfully by many inventors to create Trinary circuits but have never been popularised due to the logical tangle of the unknown element “0”. This by philosophical terms is the “unknown”, “undefined” or “undecided” element, as binary has either Yes or No to which there is an easy determinate path to follow, no questions about a vague unknown.

This dilemma of the neutral place where indecision is its home, is merely an illusion that has been created by a physiological inability of our mind to see it any other way. I offer a simpler approach where S. C. Kleene, Post, Lukasiewicz and others has written much on the mathematics and semantics of this, where as I see it as a natural condition of our physical universe. The Earth is the simple model I follow, where the positive charges are above us and the negative charges are below us, while we stand on the neutral ground. This simple model also works for water and any other boundary situation where “0” is now the path of all connections made by its very nature, a skin if you like. (as above a mirror as it is below). Indecision is not unknown, it can be weighed just as gravity can be defined by units being weighed, a heavy object as opposed to a light one.

Much has been written about mathematics of ternary and it has its advantages over binary for sure, here is some simple arithmetic. Again I follow my simple model:

There is a simple and enduring beauty using trinary logistics, you never end up in a lock up situation, due to the neutral line where it can always carry its logic to a complete solution. The binary has the problem of only having a “true” and “false” narrative, where that is not how nature works at all.

The early Atomic physicists had to resort to phantoms of matter such as “Electrons”, “Neutrons” and “Protons”, these are mere conventions of usage not a reality of our universe. They used these mnemonic devices to solve abstractions they did not fully comprehend. Charge is all we really know, sadly the Ether was incorrectly dismissed in the 20th Century as the carrier of all the physical universe, not so, as we should simply state that charge is one of the different conditions of the Ether. This also makes the Ether as a neutral state, thus making it the default condition of everything that is not moving, or charged in any way, while Gravity is the Pressure of the Ether on all Mass.

Once Trinary thought is used in all circumstances, War, Famine, Invention and Mans ailing conditions will improve beyond mere Utopian dreams. False narratives and political agendas will be nothing but illusions we will all see through and will serve no purpose in our pursuit of our quality of life and living. The Us and Them syndrome are but Marxist drivel used to divide our sensibilities against the true knowledge of our existence.

Trinary thinking no longer separates us into “Right” and “Wrong”, “True” and False”, “Yes” and “No” but introduces gradations of wisdom and experience. I ask is it wrong that a bird can walk while it is only known to fly in the minds of many. Is the colour of the sky Blue when we see it as Red, Orange and Yellow at other times. Binary thinking divides our perceptions along a boundary, this boundary is the “Undecided” or Neutral line which we will now understand in Trinary thought, as the connector of everything. In electrical engineering it has always been called “Earth”, “Common” or “Neutral”.

Art precedes science just as culture precedes politics, this is why “reductio ad absurdum” of modern philosophy is a regressive step with the binary decision trees built from notions of “Left” and “Right” factions are nonsense and are a danger to our own survival. The Quantum arguments currently exploited by “Modern Science” are but Binary semantics made into a religion, called “Scientism”. The rulers of our lives only require serfs not thinking individuals, who have, graduations of thought and experience where true diversity only exists when we are allowed to think freely.

Addition of Trinary

+ add + = +-

which is

1 + 1 = 2

+- add +- = ++

which is

2 + 2 = 4

so if “-” = -1

then

– add – = -+

which is

-1 + -1 = -2

Try

-1 + 1 = 0 or 1 – 1 = 0

which is

– add + = 0

So a balanced ternary system is similar to the way we use electrical charge as well.

Here are the diagrams from my work, it will be included in my next volume “Talking To The Birds, Volume II”, coming soon, regards Arto.

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The Hectic Memetic and the Poetic Noetic

September 15, 2018

The Hectic Memetic and the Poetic Noetic

by Arto Juhani Heino (c) 2018

As an Artist, I have given my best to simplify very complex human perceptions about the world around us, using a pencil or brush. The use of language lends itself to the same simplification where brevity and the use of poignant word choice can shorten a paragraph of verbosity to a sentence.

The “Meme” as it is understood by the current usage is just another tool for communication, something that requires a creative effort to master, thus becoming an Art-form. Whether the words and the picture compliment or contrast is one of those creative decisions, the words alone can carry the weight of the expression, saying this, it does require the creator to weigh the truth along with both sides of the argument, bias is easy to pick out also where the clarity of truth shines like a beacon.

There are success qualities of “Memes”, whether they can be understood by those who do not grasp the question, the statement or the argument is one of those qualifiers that must be tested by the anonymous reader of a Meme. Quite often a quote written by a historic figure is used to qualify its weight of a truth, not withstanding not all historic figures were correct or accurate in their line of argument.

Those who are affronted by a “Meme” have generally misunderstood the breath of its implication, where there seems to be an element of low IQ, lack of broad mindfulness, less life experience and a vested ideology to this misunderstanding. There are placards that espouse a rhetoric that are not memetic but rather a trope from an echo chamber of Marcuse/Alinsky type buzz words, all which have weak arguments that are generally biased towards an ethnic, tribal or ideological cause. Examples of poor understanding of created “Memes” are found in the slogans written by many political protesters in the Democratic or Socialist side.

One word or a name can be enough, peppered with poetic intent, to qualify. This is where I started my own journey of word play, which I called “Synthonyms”. Even a Meme has its own sets of Genre, by that we can begin to classify Memes just as we have every other art-form.

Let us see where this brings us in comparison to other art-forms, with examples of genre:

Art-form         Elements                      Genre

Painting          Figure                           Portrait

                         Landscape                   Historic scene

                         Portrait + Landscape Famous Figures and Battles

Writing           Fiction                          Novel

                         Non-Fiction                 Journalism

                         Historic Fiction           Fictionalized Journalism

Music              Vocal                            Folk

                         Instrumental               Quartet

                        Vocal + Instrument    Pop Song

Meme             Word                            Ambigram, Logo

                         Statement                    Placard, Slogan, Quote

                         Picture                         Cartoon

                         Word + Picture          Word Art

                         Statement + Picture                     Advertising

                         Word + Statement + Picture       Info graphic

My own explorations:

Synthonyms    Word meanings synthetically mixed with onomatopoeic words sounds – refer to my previous blogs.

Artext                 Conformed design rule base picture words as a synthetic hieroglyph. – refer to my previous blogs.

These were just a few general ideas on the validity of a well worn art-form.

Historic Meme

Artists as far back as Da Vinci have created Cartoons that express particular attire when describing those they wish to either be a target of satire or to a complimentary stature.

The caricature of prominent figures were the first form of cartoonish statement, that could be considered a basic Meme. Where the Artist would mimic an elephant or a pig for a rotund politician, or portray a weasel, rat or snake as those who bore ill will to the public good.

The newspaper page three cartoon was a very popular icon for at least 100 years and has only recently been retracted from most news print, leaving many of those Artists now without a platform of expression. They were allowed freedom of political scope as long as they were pinning a truth of some sort. Whereas now the cartoonist must tow the political left leaning byline or they are ostracized and without a job. Many cartoonists have decided to expand there audience and internet presence due to the politically correct climate.

So a meme is a collaboration and coordination of a few artistic, expressive and intellectual gravitas with a good dose of historic wisdom. The question remains, why is the EU trying to eliminate an Art-Form from our palette of human expressions? Regards Arto

Here are some different Meme types I have been working on recently.

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Ethical Artistic Codes

June 6, 2018

Ethical Artistic Codes

by Arto Juhani Heino (c) 2018

I was preparing to write an article about “Rusty Ryan and the Boyville Brigadiers” and the similarities with “Captain America” and its history, but was side tracked by the current online war called “comicsgate”, which is really a battle between an ideology of some narcissistic comic professionals and SJW comic shops against common sense fans and independent creators. It is where an independent creator Richard C Meyers and his “Jaw Breakers” graphic novel, somehow is flipping the lids on a industry full of SJW’s and their leftists ideologues. I can see that the success of his efforts is trouncing many titles by the corporate efforts of Marvel, DC and others, where sales have been dropping due to the unpalatable content. Whether it is professional jealousy or an ideologically fueled hate campaign smearing Mr Meyers efforts, who knows but with evidence of Torturous Interference by comic shops and some comic professionals, it might become a legal problem as well.

I gave up comic reading/collecting sometime in the late 1970’s, when the stories and characters were becoming a strange admixture of fake experiences, fantasy that was less rooted in real life events, while it also becoming political. It was apparent even back then, that the writers were spinning political narratives. Steve Ditko was the only comic creator and proud independent who was creating in this vein of ideologies and different philosophies, with his well defined and unusual characters (Static, Mr A, The Mocker), much to the surprise of many, he is still creating today at 90.

I picked up and read a small amount during the 80’s, 90’s, 00’s and was not surprised to watch it morph into a full propaganda machine for leftist ideas. Comics were always fighting a good fight against the powerful and the demented individuals who did nasty things, now this was extended into a strange minefield of Marxists identity politics and political correctness while also attacking a sitting President in a nasty but veiled manner, Anti-Americanism at the core.

During my investigations in those years I found many interesting titles, and lots of independent Artists and writers, it was starting to look like Silver age was moving towards Platinum status, with the promotion of movies from comics and such. To my expectations some of the sicker undergrowth that was still attached to comics from the “Underground” of the 50’s and 60’s was resurfacing into the main stream comics, where is the comics code when you need it. As a science fiction underground and Fanzine artist myself in those days, I was not surprised to see it actually happen, the culture precedes the politics.

Promoting New Standards

As I am still editing my current book “Talking to the Birds” Volume II, I have extracted my writing about the “Ethical Artistic Codes” (EAC), a new set of codes I deemed necessary for Illustrated works to apply, so the public are not misguided by the fake and inappropriate illustrations and works created by artists of lean conscience that are motivated by political, narcissistic, psychopathic and some destructive identity politics, SJW and Cultural Marxist agendas. It was an interesting idea that I thought I would explore after seeing too much propaganda from the Leftist ideologues in print and screen.

So here is a set of codes that could be placed in a back corner of each comic to indicate where we are.

IF – Illustrated Fiction

This is by far the most popular category that Artists work in. It covers:

Murals, Comics, Graphic Novels, Books, Magazines, Cartoons

IN – Illustrated Non-Fiction

This is the essential art used by Academia to understand the past and present.

History, Journalism, Archaeology, News, Biographies

IT – Illustrated Technical

The mainstay of Architecture and used by Engineers to design their machines, electronics and chemistry models.

Instructions, Manuals, Engineering, Architecture, Chemistry, Electronics, Labeling, Road Signs

IP – Illustrated Propaganda

Most graphic artists make a reasonable and pedestrian living from creating advertising.

Fliers, Pamphlets, Advertising, Political Logo, Company Logo, Manifesto, Politics, Ideological

The Illustration Codes

Refer to the News Codes, the problems only arise when NP or NF is disguised as NN. This has been duly noted in the election of 2017, where CNN and many other News outlets used their Media over reach to create Fake Propaganda News.

You could change the first letter I to other form:

I = Illustrated Art, Drawing, Painting, Computer Graphics

V = Video CGI, Movies, Cartoon, TV Opinion

S = Three dimensional solid Sculpture, Object, Furniture, Building, Machine

Through my years of reductio ad absurdum, I have found you only need to use four categories to keep a simple graphical order that will be of great benefit to the massive visual chaos that modern society has flung us into.

Imaginary, Witnessed, Measured, Opinion

These four I figured can be written in forms such as:

Fiction, Non-Fiction, Technical, Propaganda

Emotion, Intellect, Experiential, Imaginary

To use another set of four for food production:

Industrial, Traditional, Organic, Non-Organic

Many things in the Arts can be labelled in at least a couple of categories, but not all four. The main reason is that there will have a conflict of perceptions, if you cannot differentiate these four with your material, it will most likely be only “opinion” or best known as “propaganda”. This might seem simplistic, but the greatest wrongs in history have been carried out by mistaking witnessed reality from destructive opinions when they are taken to their bitter and sick finality.

Here are other codes of vital differences that can assure a complete system that will be easy to recognize and can be put into practice without much effort.

The News Codes

The Music Codes

The Food Codes

 

 

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