Here is the data for the Sonic Pyramid Field, the first graphic reveals the structure for the first section. The other table is the measure in Ancient Egyptian measure, note the Conversion to meters is 1 RC = 0.5232365464746810 Mtrs. These are my first data sets, excuse any errors, Regards Arto.
This blog will be short, I will upload this picture file only, the transcript will be in part 3.
Thank you for being patient and if you would like to help with all my research endeavours, please donate, regards Arto.
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DonateDonate monthlyDonate yearlyAncient Royal Cubit and How a Pyramid Works
(This is a draft of part of the Archaeology chapter, so please excuse incomplete data and any errors)
When studied and looked at from one view of the ancient Egyptian measure, it has so many variants, that it makes you wonder, what was reasoning behind the differences? The main stream Archaeologists never delved into any logic or reason and discounted it as just poor standards that had no relevance to an exact science, while only being a measure of ones arm, hand or finger.
After many years of thought I concluded, that the original pyramids and the many fine stone objects inside them were the remnants of the true science of the Kemetians but not fully understood by the Dynastic Egyptians, they seem to have forgotten some parts of the ancient technology, it became a ritual, the remaining shell of its true intentions, it was stylised. In my last volume I elucidated the Royal Cubit as the unit for the measure of the Longitudinal velocity of Light.
This was the start, as we now had a clean beginning with a absolute measure of 900000000 Royal Cubits. As you can see by the diagram, the number of waves are always the same, the type of medium is what causes the measure to change. This methodology can account for the variant sizes, the Illhan sarcophagus measure shows that Ozone was the medium inside the pyramid, as this is the dielectric that will give you the correct Royal Cubit measure for the internals.
The Pyramid complex is a machine that uses stone both as a dielectric in the higher frequencies and as an audio conduit in the mid frequencies through the stone with coupling with the lower Earth frequencies in the cavities filled with a gaseous or liquid medium. The contents of the sarcophagus should be filled with structures that emit frequencies that resonate with the structure , these are materials that could be radiation emitters. Most gem stones are emitters of radiation, with elements like cobalt, boron, uranium, potassium, much of these are in a natural state all around us, these appear as the offerings required to keep the machine running, it was ritualised over time. The atmosphere inside the sarcophagus and the tombs will become ionised, thus changing the permittivity of the gas, also allowing the conductivity to increase, this will drive a differential heat engine, that have audio and plasma acoustics to have two nodes, each will be charged with different polarities , hot = +, cold = -, as per an electrical generator. This now becomes a natural electrical charge accumulator, that drives a cavity shock wave generator that creates a current of electricity. The pyramids cavities reveal a Thermo-Acoustic plasma engine. The mud-brick layer on many Pyramids acted like an energy reservoir and a acoustic baffle, Pyramids acted like motors, generators and accumulators, where some were passive in their functions.
The addition of frequencies inside the sonic wave, due to each material being of different permittivity, permeability, EM refractive index and mass density, impedance to electricity and to the acoustic properties will give you the velocity of energy transfer in, on and through the material. This velocity can be used to dissipate the heat loss through the crystal lattice as you lower the frequency by the impedance, both electrically and with sonics. This will give you a differential of temperature at either extreme interface, thus the sonic created and maintained by heat, can be recoverable back to electricity by a engineered Peltier layer of materials or other means. No moving parts, the initial impulse is an amplified Earth sonic that is always present as 8 hz in the atmosphere and 12 hz in the Earth and its low sub harmonics.
A pyramid is the earth frequency reflector to a focal point, the many rooms and corridors are carefully designed, as a acoustic receiver, in the lower frequencies. The reason they are so big, is that the sound it captures is directed at the correct angle to the acoustic antenna system, where the acoustic channel drive a sound in high resonance and activates the differential heat engine.
The sarcophagus can now be the focal area of transmission or/and reception, as this diagram(next blog) shows the different sound modes inside the sarcophagus. You can articulate these by frequency adjustment by an acoustic lens and other means inside the box, which is inside the tomb and inside the pyramids sub structure. This type of pyramid is of interest as it is easier to understand, we must walk before we run. Pyramids as functioning machines, is not a common subject in any library, so we will start here.
The scheme of measure used by the engineers of Kemet was Royal Cubits, Standard Cubits, Hands. Palms and Fingers. The use of these divisions of metrology will be clear when you work out the sonic of materials and how they work together. The scheme of layout and cross sectional designs were purely a work of the ancient genius that understood vibrational technology and the natural environment. The machines were built from stone connected to the bedrock and only had the smallest components crafted from metals and dielectrics.
Let us look at a few simple but hidden knowledge of the the measures used by the Kemets.
Longitudinal Velocity of Light( light x pi/2) =9000000000 Royal Cubits per Second
470912789.827213 / 9000000000 = 0.523236546474681 meters
This will give you the Length of a Royal Cubit = 1 Royal Cubit
1 Palm = Royal Cubit / 7 = 4 F = 0.0747480780678116 mtrs
1 Hand = Royal Cubit / 5.6 = 5 F = 0.0934350975847645 mtrs
1 Finger = Royal Cubit / 28 = 0.0186870195169529 mtrs
__________________________________________________________
Using C = 299301329.866211 ms as Light Velocity(per Illhan)
The velocity of Sound in Air (344 m/s velocity at 22 deg C)
344.40553733326 / 0.0748707073333 =4600 Palms per second
___________________________________________________________
Using C = 299792458 ms as Light Velocity
The velocity of Sound in Air (343.843 m/s velocity at 21.075 deg C)
343.84342857142 / 0.0747485714285 =4600 Palms per second
The velocity of Sound in the Bedrock (5989.6586 m/s velocity)(Illhan)
5989.658666666 / 0.0748707073333 =80000 Palms per second
____________________________________________________________
The Wavelength of Hydrogen (EMF from the Universe= 1420405751.768 hz)
Meters = 0.211061140538923
Royal Cubit used = 0.527652851347307
Velocity profile of RC used = 297283280.062913 mtrs/sec
Royal Cubit/ 2.5 = 0.4 RC = 0.211061140538923 mtrs
2.8 Hands = 11.2 Fingers = 1 Elbow to Wrist (EW)
_____________________________________________________________
The Density of a Stone used in a design
2452.02927295 = Mass / Volume = Kilogram/Mtr3
1/1.715 CF = 0.58309038 = Volume of 1 Qedet in Cubic Fingers
1.715 Qedets = 1 Cubic Fingers x Density
1 / (1/1.715) = 1.715 = Density in Q/CF
49320584224.971 = Modulus Of the stone in SI units
______________________________________________________________
The Modulus in Qedets and Palms per second
600000 PS = 4484.8846840687 mtrs per sec Velocity of Stone
1.715 x 600000^2 = Density x Velocity^2 in Qedets and Palms per sec
6174000000 QPS2 = 6174000000 / 9000000 = 686 M *
So we have the velocity, density, mass, volume and modulus of the stone that we need to use to build or to transmit and receive vibrations. We can use geometry to adjust all the parameters to create acoustic lenses or direct the vibrations to a focus point for interpretation using some form of acoustic technology.
1 Palm = 0.074748078068 mtrs
1 Cubic Finger = 0.0000065255950149 cubic mtrs
1 Qedet = 0.00933 kg (Flinders Petrie)
Density = Mass / Volume
Mass = Density x Volume
Volume = Mass / Density
How I derived some of these values, it will be easier to understand as I show you the data I have accumulated by the study of all the pyramids.
So how do we start to form a communication channels and power generation from geometry, stone, acoustics, plasma and resonant heat channels. We must start with the geometric means, where the stone amplifiers with stone antennas must be built into the bedrock, where sonic vibrations can activate.
There are a few equations that will help in this design process, let us inspect the communication between two pyramids. I discovered the the distance between Senurset II (sewaset)and Giza to be is exactly 160000 royal cubits. This was one of the clues that has led me to this clear knowledge.
Distance = 160000 Royal Cubits = 1120000 Palms
Velocity of Sound in Bedrock = 80000 Palms per second
Time =D / v = 112000/80000 = 14 seconds
Frequency = 1/ time = F = 0.0714285714 hz = D (A= 438.36184192 hz)
Lowest Piano D = F *1024 = 73.142857138 Hz
The wave length inside the tomb = 4 Royal Cubits = 28 palms
So it looks like we could use octaves of “D” to make a communication channel between Senurset II and Giza.
Test case #1
Velocity profile of Limestone 0% porosity = 6813.236733 mtrs per sec
As Royal cubits = 13000 RC per sec
Velocity profile of Limestone 10% porosity = 5109.92755 mtrs per sec
As Royal cubits = 9750 RC per sec
Velocity profile of Limestone 20% porosity = 4087.94204 mtrs per sec
As Royal Cubits = 7800 RC per sec
Velocity profile of Limestone 30% porosity = 3406.61836 mtrs per sec
As Royal Cubits = 6500 RC per sec
In a Test Case above we have 4 different Velocity profiles, this seems innocuous, until you compare it to the 0% porosity, here are the figures:
13000/13000 = 1 = 0 % porosity
13000/9750 = 1 1/3 = 10 % porosity
13000/7800 = 1 2/3 = 20 % porosity
13000/6500 = 2 = 30 % porosity
These are musical and concordant frequencies. When the whole gamut of limestone, red granite and many other stones are put into the correct context, lined up with density, velocity, modulus, porosity, dielectric, permeability and impedance are factored and aligned to resonances with harmonic content, you will not see the true nature of the Pyramids.
This understanding is clear that their intentions was to resonate stone and air, creating communications and energy transfer, this is of a past technology that lay hidden in the Kemetian engineering. When you look at the all the concordant data you will see the science of ancient Egypt, they had a science not just a geomatra of holy numbers , worship of idols and Gods.
The Dynastic Egyptians had lost much of the ancient knowledge after the flood destroyed most of the Ancient world, many of the machines stopped functioning, maybe Giza was still running, it was after all the main trigger for all network of ground longitudinal waves, both electrical and acoustic between all the pyramids. The survivors may have had some technology left, but the link to the priests of that knowledge were gone, they developed a philosophy aligned to the downward spiral of mankind, just as the Yuga cycle was nearing it nadir, all the knowledge to read the language vanished. The Egyptians called it the underworld, the lost dark chasms of mankind, where memory of our past gets destroyed, misaligned and lost.
Measure and Metrology
We need to try and recover what was lost in the engineering of the pyramids, by means of the actual objects and structures left behind. Much of what I have looked at was already found by Petries and he did a wonderful job of recording his findings. I will list my own interpretations along side the what has been found and measured. I will start with the Royal Cubit, as the standard, it this seems to be the most scientifically defined unit that I have been able to decipher, in all of Egypt. Do not forget that this is the unperturbed unit, not the regular measure as noted by my earlier iterations regarding the dielectric as the change in length. So here are the first list to define the length to meters, so we can relate it to modern understanding.
* New Names and Lengths based on conjecture.
So the base length by historic discovery is the Finger, this makes the building of a Metrology system easier. Here are the divisions of lengths according to written and measured discovery, with a few added “ * ” to indicate new sizes. The requirements of building is the volume standard, then the mass and the density considerations. This list is based on 1 Cubic Finger as the smallest usable unit.
Now that we have established a system based of 16 different unit measures, we must now move to weights, mass and density to complete our approach to the transmission and building process.
These volumetrics are already useful in liquid measurement, such as the equivalent in litres or gallons. This will not enough to create a technology, the Density of the materials plays a major role, this can be done with a set of scales and a ruler.
The Qedet is a weight that was used in much of ancient Egypt, this was a found by Petrie to be about 9.33 grams, a size of it was also noted. I simplified the size and cubed the sides to arrive at 1.715 Qedets = 1 Cubic Finger with a Density of about 2452.03 which can be found by making a standard that it can be checked against. Other densities can be found by comparing volumes against the mass using a scale.
Now that we have some clue on how to proceed, I have found many interesting unit values that pop out when crossing over to the ancient units.
Here is a quad set of figures that show some very musical values, when you add a suitable length to create the required fundamental tone in the material.
In Ancient units:
Name – Material – Density – Velocity – Modulus
Set – Stone – Q/CF – P per sec -Den x Vel^2/9000000
Set A – Sand – 1 – 30000 -100
Set B – Granite -1 143/200 – 57000 – 686
Set C – Dolerite – 2 – 60000 – 722
Set D – Basalt – 2 34/343 – 80000 – 1492 244/343
_________________________________________________________
Now in SI units:
Name – Material – Density – Velocity – Modulus
Set – Stone -Kg/m3 – mtr per sec – Den x Vel^2
Set A – Sands -1429.754678 – 2242.442 – 7189589537.171
Set B – Granite – 2452.03 – 4484.884 – 49320584224.971
Set C – Dolomite – 2859.509 – 4260.64 – 51908836458.377
Set D – Basalt – 3001.2343 – 5979.846 – 107319820496.616
As you can see the ancient units are much more unified and much easier to remember and calculate with.
The rest of the unfinished chapter will include the acoustic map of all the pyramid sonic fields, with frequencies and the inclusion of some of the devices inside the sarcophagus and sonic translator devices. I had to reinvent all the parts from some of the artefacts I have seen in the museums. I will add some schematics of these machines in the next blog, if all goes well I will be able to test these in a small scale, if resources are available. Regards Arto
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DonateDonate monthlyDonate yearlyby Arto Juhani Heino (c) 2018
I was preparing to write an article about “Rusty Ryan and the Boyville Brigadiers” and the similarities with “Captain America” and its history, but was side tracked by the current online war called “comicsgate”, which is really a battle between an ideology of some narcissistic comic professionals and SJW comic shops against common sense fans and independent creators. It is where an independent creator Richard C Meyers and his “Jaw Breakers” graphic novel, somehow is flipping the lids on a industry full of SJW’s and their leftists ideologues. I can see that the success of his efforts is trouncing many titles by the corporate efforts of Marvel, DC and others, where sales have been dropping due to the unpalatable content. Whether it is professional jealousy or an ideologically fueled hate campaign smearing Mr Meyers efforts, who knows but with evidence of Torturous Interference by comic shops and some comic professionals, it might become a legal problem as well.
I gave up comic reading/collecting sometime in the late 1970’s, when the stories and characters were becoming a strange admixture of fake experiences, fantasy that was less rooted in real life events, while it also becoming political. It was apparent even back then, that the writers were spinning political narratives. Steve Ditko was the only comic creator and proud independent who was creating in this vein of ideologies and different philosophies, with his well defined and unusual characters (Static, Mr A, The Mocker), much to the surprise of many, he is still creating today at 90.
I picked up and read a small amount during the 80’s, 90’s, 00’s and was not surprised to watch it morph into a full propaganda machine for leftist ideas. Comics were always fighting a good fight against the powerful and the demented individuals who did nasty things, now this was extended into a strange minefield of Marxists identity politics and political correctness while also attacking a sitting President in a nasty but veiled manner, Anti-Americanism at the core.
During my investigations in those years I found many interesting titles, and lots of independent Artists and writers, it was starting to look like Silver age was moving towards Platinum status, with the promotion of movies from comics and such. To my expectations some of the sicker undergrowth that was still attached to comics from the “Underground” of the 50’s and 60’s was resurfacing into the main stream comics, where is the comics code when you need it. As a science fiction underground and Fanzine artist myself in those days, I was not surprised to see it actually happen, the culture precedes the politics.
Promoting New Standards
As I am still editing my current book “Talking to the Birds” Volume II, I have extracted my writing about the “Ethical Artistic Codes” (EAC), a new set of codes I deemed necessary for Illustrated works to apply, so the public are not misguided by the fake and inappropriate illustrations and works created by artists of lean conscience that are motivated by political, narcissistic, psychopathic and some destructive identity politics, SJW and Cultural Marxist agendas. It was an interesting idea that I thought I would explore after seeing too much propaganda from the Leftist ideologues in print and screen.
So here is a set of codes that could be placed in a back corner of each comic to indicate where we are.
IF – Illustrated Fiction
This is by far the most popular category that Artists work in. It covers:
Murals, Comics, Graphic Novels, Books, Magazines, Cartoons
IN – Illustrated Non-Fiction
This is the essential art used by Academia to understand the past and present.
History, Journalism, Archaeology, News, Biographies
IT – Illustrated Technical
The mainstay of Architecture and used by Engineers to design their machines, electronics and chemistry models.
Instructions, Manuals, Engineering, Architecture, Chemistry, Electronics, Labeling, Road Signs
IP – Illustrated Propaganda
Most graphic artists make a reasonable and pedestrian living from creating advertising.
Fliers, Pamphlets, Advertising, Political Logo, Company Logo, Manifesto, Politics, Ideological
The Illustration Codes
Refer to the News Codes, the problems only arise when NP or NF is disguised as NN. This has been duly noted in the election of 2017, where CNN and many other News outlets used their Media over reach to create Fake Propaganda News.
You could change the first letter I to other form:
I = Illustrated Art, Drawing, Painting, Computer Graphics
V = Video CGI, Movies, Cartoon, TV Opinion
S = Three dimensional solid Sculpture, Object, Furniture, Building, Machine
Through my years of reductio ad absurdum, I have found you only need to use four categories to keep a simple graphical order that will be of great benefit to the massive visual chaos that modern society has flung us into.
Imaginary, Witnessed, Measured, Opinion
These four I figured can be written in forms such as:
Fiction, Non-Fiction, Technical, Propaganda
Emotion, Intellect, Experiential, Imaginary
To use another set of four for food production:
Industrial, Traditional, Organic, Non-Organic
Many things in the Arts can be labelled in at least a couple of categories, but not all four. The main reason is that there will have a conflict of perceptions, if you cannot differentiate these four with your material, it will most likely be only “opinion” or best known as “propaganda”. This might seem simplistic, but the greatest wrongs in history have been carried out by mistaking witnessed reality from destructive opinions when they are taken to their bitter and sick finality.
Here are other codes of vital differences that can assure a complete system that will be easy to recognize and can be put into practice without much effort.
The News Codes
The Music Codes
The Food Codes
Promo –
“Art On The Walk, at the Henry Deane Plaza Monday 10th – Friday 14th October between 8.00am-7.00pm. Over the week follow each work of art on facebook.com/henrydeaneplaza and get a chance to vote for your favourite artist at henrydeaneplaza.com.”
Day 5
The day was fine and slightly windy, my drawing was bombed with bird dropping at least 6 times, much cleaning and adjustment was needed to fix those wounds. I mainly focused on tonal rendering and added a small frog(kek) to the drawing, many small areas of focus to clarify the multi-level story that was unfolding.
I was asked many things by the audience, one thing I did say more than once, “If Rembrandt was working on a drawing in his studio for a number of weeks before he started to paint, this would be the equivalent drawing. The difference would be, I am in the middle of Sydney, drawing on the ground, in a plaza with thousands of passers by, chatting and taking photos, working for only 5 days, I am sure Rembrandt would find the 21st century an undesirable place, noisy, full of distractions and not a place to contemplate deep and meaningful ideas on a drawing board, let alone a master work. ”
I talked to many while I defined the artistic vision, getting ever closer to the end. A few more small things and all was done.
Day 6
I arrived at 9.20, I had missed an earlier train. I just added 4 leaves on the main tree and cleaned someones absent minded foot prints from 2 parts of the drawing. Minor adjustments to some needed areas, signed it and all was done. In those 5 and a bit days I spent at least 7 hours a day standing with my legs apart drawing with the end of the pencil, enjoying every painful lunge, with a great desire to render my deep ideas , I never felt tired or listless, only pure CHI, as I had only honor and love to drive all my inspirations, not monetary gain.
The photo is not quite the best, I had a problem with the lighting, I will re-post a better picture in the future.
Uncovered Folklore
I hope you enjoyed my creative journey, I will write a 20 page essay on the meaning and my considerations that took place while I dug deep into what has occurred in the history of the 20th century and what we have forgotten about from our ancient past, something I contemplated in those 5 days, where many others I know would take years for same outcome, as a masterwork does not fall out of an empty shelf.
Many decades of drawing have taught me to simplify the subject, harmonize the composition and let the viewer become involved in the process of piecing the story together, without too many complex thematic images or jarring abstracted ideas, each which can take away the underlying beauty and truth of artistic expression.
Modern art (or Post Modern Art) has no longer a place in the life of man in the 21st century, it has completely failed in communicating a balance of the deep emotional needs, spiritual and intellectual wants of a complex world that has incoherent images thrust into every aspect of our daily life. As a working Artist I have passed though the fire and brimstone of every modern art genre and found that our survival as intelligent, self reliant humans have been sorely compromised by the fake “isms” that has its only goal of supplying a never ending stream of “junk art” to fill the Modern/Post Modern Art Industry, enriching the Galleries and destroying the Artists. I have made it my goal to restore the faith in the ability of our Artists to present beauty, truth and a deep dialog with those who want to become enlightened in our population. My art has a tradition that is thousands of years old and it will survive many more, the deconstruction of art in the 20th century was but an aberration doomed to destroy itself and finally become something to be scorned.
Thanks for following my work, Regards Arto.
Promo –
“Art On The Walk, at the Henry Deane Plaza Monday 10th – Friday 14th October between 8.00am-7.00pm. Over the week follow each work of art on facebook.com/henrydeaneplaza and get a chance to vote for your favourite artist at henrydeaneplaza.com.”
The passers by can watch the compositions grow from a few sketchy lines to the completed artwork, I am very excited to be drawing at the very hub of the Sydney commuters. I am looking forward to putting many hours of creativity for the public to enjoy, please come and visit, if not then follow our progress on Facebook. If you do not know me, do not be afraid to have a small chat while I work, I do enjoy entertaining a large crowd while dancing on the end of a pencil, LOL, Arto.
My running commentary:
Day 1
A nice warm day, perfect to attack the paper with some quick pencil sketches. The other Artists are a terrific bunch of hard working crafters, good enough to scare the pants out of the average sketcher.
They day went well and I completed the initial sketch in record time, I worked like lightening, without hardley a break, I hope my crowd pleasing pencil dance inspired all in attendance, LOL.
Day 2
It was failing light near 6.30pm, I was struggling to get a clear photo of drawing. My leg muscles ached all day but I still carried on, just too much fun for this old dude LOL. I have 3 more days and all I will be doing is increasing detail and I will not add any colour, as the overwhelming response from the public was keep it as a pencil drawing. I agree, the paper that we are using is not suitable for my classical approach to pastel/watercolour/gouache, yet I could just smudge my way through and ruin a very comprehensive pencil drawing, which this paper is an excellent choice.
The cotton paper of choice would have cost over $100 a sheet, not economical for a live venue, where problems can occur with wind and weather. My only choice is to use this as a drawing in its own right rather than sully it with an unsuitable medium. The crowds have been fantastic and very responsive to our live drawing, all the Artists involved are absolutely the nicest folks around, not to forget the quality organizers.
Day 3
I forgot to take photos on day 3, my legs muscles were wrecked LOL, try lunges for 9 hours and you’ll understand ouch !! I did a lot of detailed work that day, arriving home at 9.15, a very tired Art soldier.
Day 4
My legs muscles improved overnight but the weather didn’t. The day was filled with strong gusts and threats of rain, to offset that, the drawing went smoothly and crowds were fantastic!!! 🙂 Some extremely interesting visits from members of the public, I am definitely a fan of those that pass through Henry Dean Plaza LOL. The sprinkling of rain come late in the afternoon, while all the Artists acted as a highly co-ordinates team of well trained professionals picking up all the artwork in less than a minute!! You just got to love all the Artists in the group.
Some of us worked in the storage room from sometime, until the rain abated, then another burst of rain came, then back out again. It was a fun day for all with many laughs while birds bombed our artwork with their droppings LOL We are looking forward to the last day for everybody to put their finishing touches on each work.
See you Tomorrow with the picture file when its completed, Regards Arto.
I arrived at the Five Dock lane-way with great enthusiasm, laid down my chalking gear and began adding to the previous days work, only bits were worn from the very busy foot traffic. I was greeted by many return visitors who have watched my progress over the last days, again they were enamored with the art as it transformed the dull pavement into my daily diary of chalk. I knew the time was limited so I concentrated on improving the form and the design I had begun with.
I was engaged in numerous conversations with many that passed by, asking about today’s event, all while enjoying the band and singer “Lolo” that Canada Bay Council also hired for the days event. Angela Pasqua also had an art installation near the Post Office where the band played, while across the road were the council members busily engaging the public about the beautification exhibit for Five Dock. I would say a very exciting day for the residence of Five Dock, with a free sausage sizzle and coffee for all.
Such a great vibe from all the residence, I felt I was welcomed with great enthusiasm, I definitely would be happy to come any time to create any artworks at five Dock in the future. Many more wonderful stories about these last few days than I could ever hope to fit in this blog, Regards Arto.
Arto at the end of day 3
Here are some selected pictures.
Lane Art 1 – Day 3
Lane art 2 – Day 3
Five Dock Lane-way pictures Day 3
The morning was damp and foreboding, anticipating a wash out from yesterdays efforts. Arriving to wet streets didn’t deter me, as I approached the lane-way, I could not see anything from the day before. Rather than worry about having to draw it all over again, I surveyed the pavement and I could see that there were still stains from my previous work, this gave me encouragement, so I tentatively started drawing on any dry section I could find.
The concrete was finally dry by about midday. This fired me up to complete as much as I could, even though the clouds were lingering at the days end. I was so hoping to get many more flowers and birds into the scene, but, who knows what sort of miracle comes from your work when the residence are cheering you along. I must say, I have been very much appreciated by the locals at Five Dock, they have made me very welcome.
I was greeted by one gentleman who was 89, he gave me much praise, he has been a residence for most of his life, I thank him for his kind words. The many words of encouragement, kept the chalk scratching hard and progress was swift, I am looking forward to tomorrow to finalize to what has become a very great experience from a very positive community. Regards Arto.
This picture was just before packing up.
Lane Progress Day 2
The other view drawn an hour earlier.
Lane way Day 2
I am working towards a lecture and live show with live Painting,Tesla Coils, Poetry, Songs, Sacred Geometry and Free form Jazz….. what more can a man do without exploding on stage.
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Here is a link to my PDF file for my first draft of Tesla’s Art of Individualization. Please consider a small donation so I can keep writing these types of articles, Regards Arto.
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