Artojh's Renderings

Ancient Royal Cubit and How a Pyramid Works

(This is a draft of part of the Archaeology chapter, so please excuse incomplete data and any errors)

When studied and looked at from one view of the ancient Egyptian measure, it has so many variants, that it makes you wonder, what was reasoning behind the differences? The main stream Archaeologists never delved into any logic or reason and discounted it as just poor standards that had no relevance to an exact science, while only being a measure of ones arm, hand or finger.

After many years of thought I concluded, that the original pyramids and the many fine stone objects inside them were the remnants of the true science of the Kemetians but not fully understood by the Dynastic Egyptians, they seem to have forgotten some parts of the ancient technology, it became a ritual, the remaining shell of its true intentions, it was stylised. In my last volume I elucidated the Royal Cubit as the unit for the measure of the Longitudinal velocity of Light.

This was the start, as we now had a clean beginning with a absolute measure of 900000000 Royal Cubits. As you can see by the diagram, the number of waves are always the same, the type of medium is what causes the measure to change. This methodology can account for the variant sizes, the Illhan sarcophagus measure shows that Ozone was the medium inside the pyramid, as this is the dielectric that will give you the correct Royal Cubit measure for the internals.

The Pyramid complex is a machine that uses stone both as a dielectric in the higher frequencies and as an audio conduit in the mid frequencies through the stone with coupling with the lower Earth frequencies in the cavities filled with a gaseous or liquid medium. The contents of the sarcophagus should be filled with structures that emit frequencies that resonate with the structure , these are materials that could be radiation emitters. Most gem stones are emitters of radiation, with elements like cobalt, boron, uranium, potassium, much of these are in a natural state all around us, these appear as the offerings required to keep the machine running, it was ritualised over time. The atmosphere inside the sarcophagus and the tombs will become ionised, thus changing the permittivity of the gas, also allowing the conductivity to increase, this will drive a differential heat engine, that have audio and plasma acoustics to have two nodes, each will be charged with different polarities , hot = +, cold = -, as per an electrical generator. This now becomes a natural electrical charge accumulator, that drives a cavity shock wave generator that creates a current of electricity. The pyramids cavities reveal a Thermo-Acoustic plasma engine. The mud-brick layer on many Pyramids acted like an energy reservoir and a acoustic baffle, Pyramids acted like motors, generators and accumulators, where some were passive in their functions.

The addition of frequencies inside the sonic wave, due to each material being of different permittivity, permeability, EM refractive index and mass density, impedance to electricity and to the acoustic properties will give you the velocity of energy transfer in, on and through the material. This velocity can be used to dissipate the heat loss through the crystal lattice as you lower the frequency by the impedance, both electrically and with sonics. This will give you a differential of temperature at either extreme interface, thus the sonic created and maintained by heat, can be recoverable back to electricity by a engineered Peltier layer of materials or other means. No moving parts, the initial impulse is an amplified Earth sonic that is always present as 8 hz in the atmosphere and 12 hz in the Earth and its low sub harmonics.

A pyramid is the earth frequency reflector to a focal point, the many rooms and corridors are carefully designed, as a acoustic receiver, in the lower frequencies. The reason they are so big, is that the sound it captures is directed at the correct angle to the acoustic antenna system, where the acoustic channel drive a sound in high resonance and activates the differential heat engine.

The sarcophagus can now be the focal area of transmission or/and reception, as this diagram(next blog) shows the different sound modes inside the sarcophagus. You can articulate these by frequency adjustment by an acoustic lens and other means inside the box, which is inside the tomb and inside the pyramids sub structure. This type of pyramid is of interest as it is easier to understand, we must walk before we run. Pyramids as functioning machines, is not a common subject in any library, so we will start here.

The scheme of measure used by the engineers of Kemet was Royal Cubits, Standard Cubits, Hands. Palms and Fingers. The use of these divisions of metrology will be clear when you work out the sonic of materials and how they work together. The scheme of layout and cross sectional designs were purely a work of the ancient genius that understood vibrational technology and the natural environment. The machines were built from stone connected to the bedrock and only had the smallest components crafted from metals and dielectrics.

Let us look at a few simple but hidden knowledge of the the measures used by the Kemets.

Longitudinal Velocity of Light( light x pi/2) =9000000000 Royal Cubits per Second

470912789.827213 / 9000000000 = 0.523236546474681 meters

This will give you the Length of a Royal Cubit = 1 Royal Cubit

1 Palm = Royal Cubit / 7 = 4 F = 0.0747480780678116 mtrs

1 Hand = Royal Cubit / 5.6 = 5 F = 0.0934350975847645 mtrs

1 Finger = Royal Cubit / 28 = 0.0186870195169529 mtrs

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Using C = 299301329.866211 ms as Light Velocity(per Illhan)

The velocity of Sound in Air (344 m/s velocity at 22 deg C)

344.40553733326 / 0.0748707073333 =4600 Palms per second

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Using C = 299792458 ms as Light Velocity

The velocity of Sound in Air (343.843 m/s velocity at 21.075 deg C)

343.84342857142 / 0.0747485714285 =4600 Palms per second

The velocity of Sound in the Bedrock (5989.6586 m/s velocity)(Illhan)

5989.658666666 / 0.0748707073333 =80000 Palms per second

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The Wavelength of Hydrogen (EMF from the Universe= 1420405751.768 hz)

Meters = 0.211061140538923

Royal Cubit used = 0.527652851347307

Velocity profile of RC used = 297283280.062913 mtrs/sec

Royal Cubit/ 2.5 = 0.4 RC = 0.211061140538923 mtrs

2.8 Hands = 11.2 Fingers = 1 Elbow to Wrist (EW)

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The Density of a Stone used in a design

2452.02927295 = Mass / Volume = Kilogram/Mtr3

1/1.715 CF = 0.58309038 = Volume of 1 Qedet in Cubic Fingers

1.715 Qedets = 1 Cubic Fingers x Density

1 / (1/1.715) = 1.715 = Density in Q/CF

49320584224.971 = Modulus Of the stone in SI units

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The Modulus in Qedets and Palms per second

600000 PS = 4484.8846840687 mtrs per sec Velocity of Stone

1.715 x 600000^2 = Density x Velocity^2 in Qedets and Palms per sec

6174000000 QPS2 = 6174000000 / 9000000 = 686 M *

So we have the velocity, density, mass, volume and modulus of the stone that we need to use to build or to transmit and receive vibrations. We can use geometry to adjust all the parameters to create acoustic lenses or direct the vibrations to a focus point for interpretation using some form of acoustic technology.

1 Palm = 0.074748078068 mtrs

1 Cubic Finger = 0.0000065255950149 cubic mtrs

1 Qedet = 0.00933 kg (Flinders Petrie)

Density = Mass / Volume

Mass = Density x Volume

Volume = Mass / Density

How I derived some of these values, it will be easier to understand as I show you the data I have accumulated by the study of all the pyramids.

So how do we start to form a communication channels and power generation from geometry, stone, acoustics, plasma and resonant heat channels. We must start with the geometric means, where the stone amplifiers with stone antennas must be built into the bedrock, where sonic vibrations can activate.

There are a few equations that will help in this design process, let us inspect the communication between two pyramids. I discovered the the distance between Senurset II (sewaset)and Giza to be is exactly 160000 royal cubits. This was one of the clues that has led me to this clear knowledge.

Distance = 160000 Royal Cubits = 1120000 Palms

Velocity of Sound in Bedrock = 80000 Palms per second

Time =D / v = 112000/80000 = 14 seconds

Frequency = 1/ time = F = 0.0714285714 hz = D (A= 438.36184192 hz)

Lowest Piano D = F *1024 = 73.142857138 Hz

The wave length inside the tomb = 4 Royal Cubits = 28 palms

So it looks like we could use octaves of “D” to make a communication channel between Senurset II and Giza.

Test case #1

Velocity profile of Limestone 0% porosity = 6813.236733 mtrs per sec

As Royal cubits = 13000 RC per sec

Velocity profile of Limestone 10% porosity = 5109.92755 mtrs per sec

As Royal cubits = 9750 RC per sec

Velocity profile of Limestone 20% porosity = 4087.94204 mtrs per sec

As Royal Cubits = 7800 RC per sec

Velocity profile of Limestone 30% porosity = 3406.61836 mtrs per sec

As Royal Cubits = 6500 RC per sec

In a Test Case above we have 4 different Velocity profiles, this seems innocuous, until you compare it to the 0% porosity, here are the figures:

13000/13000 = 1 = 0 % porosity

13000/9750 = 1 1/3 = 10 % porosity

13000/7800 = 1 2/3 = 20 % porosity

13000/6500 = 2 = 30 % porosity

These are musical and concordant frequencies. When the whole gamut of limestone, red granite and many other stones are put into the correct context, lined up with density, velocity, modulus, porosity, dielectric, permeability and impedance are factored and aligned to resonances with harmonic content, you will not see the true nature of the Pyramids.

This understanding is clear that their intentions was to resonate stone and air, creating communications and energy transfer, this is of a past technology that lay hidden in the Kemetian engineering. When you look at the all the concordant data you will see the science of ancient Egypt, they had a science not just a geomatra of holy numbers , worship of idols and Gods.

The Dynastic Egyptians had lost much of the ancient knowledge after the flood destroyed most of the Ancient world, many of the machines stopped functioning, maybe Giza was still running, it was after all the main trigger for all network of ground longitudinal waves, both electrical and acoustic between all the pyramids. The survivors may have had some technology left, but the link to the priests of that knowledge were gone, they developed a philosophy aligned to the downward spiral of mankind, just as the Yuga cycle was nearing it nadir, all the knowledge to read the language vanished. The Egyptians called it the underworld, the lost dark chasms of mankind, where memory of our past gets destroyed, misaligned and lost.

Measure and Metrology

We need to try and recover what was lost in the engineering of the pyramids, by means of the actual objects and structures left behind. Much of what I have looked at was already found by Petries and he did a wonderful job of recording his findings. I will list my own interpretations along side the what has been found and measured. I will start with the Royal Cubit, as the standard, it this seems to be the most scientifically defined unit that I have been able to decipher, in all of Egypt. Do not forget that this is the unperturbed unit, not the regular measure as noted by my earlier iterations regarding the dielectric as the change in length. So here are the first list to define the length to meters, so we can relate it to modern understanding.

* New Names and Lengths based on conjecture.

So the base length by historic discovery is the Finger, this makes the building of a Metrology system easier. Here are the divisions of lengths according to written and measured discovery, with a few added “ * ” to indicate new sizes. The requirements of building is the volume standard, then the mass and the density considerations. This list is based on 1 Cubic Finger as the smallest usable unit.

Now that we have established a system based of 16 different unit measures, we must now move to weights, mass and density to complete our approach to the transmission and building process.

These volumetrics are already useful in liquid measurement, such as the equivalent in litres or gallons. This will not enough to create a technology, the Density of the materials plays a major role, this can be done with a set of scales and a ruler.

The Qedet is a weight that was used in much of ancient Egypt, this was a found by Petrie to be about 9.33 grams, a size of it was also noted. I simplified the size and cubed the sides to arrive at 1.715 Qedets = 1 Cubic Finger with a Density of about 2452.03 which can be found by making a standard that it can be checked against. Other densities can be found by comparing volumes against the mass using a scale.

Now that we have some clue on how to proceed, I have found many interesting unit values that pop out when crossing over to the ancient units.

Here is a quad set of figures that show some very musical values, when you add a suitable length to create the required fundamental tone in the material.

In Ancient units:

Name – Material – Density – Velocity – Modulus

Set – Stone – Q/CF – P per sec -Den x Vel^2/9000000

Set A – Sand – 1 – 30000 -100

Set B – Granite -1 143/200 – 57000 – 686

Set C – Dolerite – 2 – 60000 – 722

Set D – Basalt – 2 34/343 – 80000 – 1492 244/343

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Now in SI units:

Name – Material – Density – Velocity – Modulus

Set – Stone -Kg/m3 – mtr per sec – Den x Vel^2

Set A – Sands -1429.754678 – 2242.442 – 7189589537.171

Set B – Granite – 2452.03 – 4484.884 – 49320584224.971

Set C – Dolomite – 2859.509 – 4260.64 – 51908836458.377

Set D – Basalt – 3001.2343 – 5979.846 – 107319820496.616

As you can see the ancient units are much more unified and much easier to remember and calculate with.

The rest of the unfinished chapter will include the acoustic map of all the pyramid sonic fields, with frequencies and the inclusion of some of the devices inside the sarcophagus and sonic translator devices. I had to reinvent all the parts from some of the artefacts I have seen in the museums. I will add some schematics of these machines in the next blog, if all goes well I will be able to test these in a small scale, if resources are available. Regards Arto