I had spent most of my childhood making observations that I had to verify, by testing if it was reality or some sort of an illusion, where most children do not remember having to apply their mind to the task as this is a natural process in all human beings. Where as I remembered a simplified version of this methodology and applied it to numerous optical and scientific illusions intuitively before I could even codify the process in writing as an adult. Much of what I had learned about what the Scientific Method is, was gleaned from extensive reading of countless journals, books and encyclopedia as I was growing up in my childhood, I cannot quote a professor or institute, only Sir Francis Bacon and my own personal life experience.
Historically Sir Francis Bacon(1561-1626) was the man who had codified the Scientific Method which was known in his time as the Baconian Method. Briefly the Scientific Method are steps that help scientists conduct understanding and clarity in the use of dynamic technology and material sciences, which is made up of seven main steps:
1 – State the problem, 2 – Research the problem. 3 – State your hypothesis, 4 – Do an experiment, 5 – Analyze data, 6 – Conclude the results, 7 – Form a conclusion.
Bacon also had devised what he called the idols of the mind, that could be called delusions or as he describes as false images. These four obstructions must be overcome to have a clear path of correct scientific reasoning. I have added a fifth as my way of addressing the intellectual dishonesty that has been foisted on our education system by the use of symbols.
Idols of the Tribe (Idola tribus) This is humans’ tendency to perceive more order and regularity in systems than truly exists, and is due to people following their preconceived ideas about things.
Idols of the Cave (Idola specus) This is due to individuals’ personal weaknesses in reasoning due to particular personalities, likes and dislikes.
Idols of the Marketplace (Idola fori) This is due to confusion in the use of language and taking some words in science to have a different meaning than their common usage.
Idols of the Theater (Idola theatri) This is the following of uncorrected dogma and not asking questions about the world.
Idols of the Symbol (Idola signo) This is the misunderstanding of visual mnemonics due to uncorrected use of symbols, conflating the symbol with a preconceived negative or positive outcome.
After a lot of thought of Bacon’s ideas, they revealed to me another view of our problematic interaction with our observations and rational framework. There is a way of seeing our limitations of reasoning and finding that they hold our life in a type of prison built from our needs or ideas within our existence.
Prisons of the Mind (Carcer Cogitatio) The imagined truth being our only limitations in our mind.
Prisons of Ideas (Carcer Notio) The ill defined and illogical ideas limiting our perceptions of reality.
Prisons of the Emotions (Carcer Motus) The uncontrolled reflexes within our emotive being.
Prisons of Sustenance (Carcer Victus) The essential and incessant need to maintain regulated nourishment.
Prisons of the Environment (Carcer Ambitu) The real need to have levels of protection from all forms of physical damage.
These prisons I have listed are very real to most people, they are just not aware they are inside them, while we can all agree that Sustenance and Environment are two that we are very intimately connected with but the others are no so obvious. The Mind Prison is simple to understand if you believe the Earth is flat, a limitation that is built from a lack of understanding and verifiable information. The Ideas Prison, is more related to our notions of politics, philosophy and poetry, where ideas have consequences to the passage of life, like the 120 million crucified in the 20th century for the flawed Marxist doctrines. The Emotions Prison, is by no means an easy hurdle to leap over as each one of us has either unfulfilled, exasperated or subjugated emotional issues to some degree, these we will render a mental cage to keep those feelings from destroying our lives.
The following definitions of the Scientific Method can be compared to text book versions and should be much simpler and clearer than most.
I have separated it into nine distinct headings, each can be considered recursive until it satisfies its criteria of application. These are my own versions, in the nine steps of the artists natural scientific method go something like this:
1 Observation of Interest Make an single observation or many observations.
2 Facets of Observation Ask questions about the observations and gather information.
3 Hypothesis Form a hypothesis, a tentative description of what has been observed, and formulate predictions based on that hypothesis.
4 Prediction Build the hypothesis with the predictions into an experiment that can be reproduced. Building a theory.
5 Analysis Analyse the data and draw conclusions; accept or reject the hypothesis or modify the hypothesis if necessary. Adjust theory to fit facts.
6 Experiment Physically reproduce the experiment until there are no discrepancies between observations and theory. Design for Replication of methods and results.
7 Variables Dependent and independent variables are brought to a reduced set and general formula are created. Simplification of formula and universality is the prime reasoning.
8 Conclusion Does it conform to the real world? Does it operate in a different environment or frame of reference?
9 Reality This is now a law of nature as described by man, simplified to its primal state and understood intrinsically by man in all frames of reference. The extended boundary of theory has been overcome, it is considered a fact.
This brings me the words and meanings of “Science”? Science is not a category of study, it is a process of inquiry with deductions. Science is a method not a vocation. When something is Scientific it means it can have the Scientific Method applied to it without difficulty and its conclusions adhere to its methodology. A Scientist is someone who apples the Scientific Method to an observation. A Professor of Science is someone who can apply the Scientific Method with expertise.
The implications of a “Theory”, firstly it must have self consistency, agreement with observations and have universal usefulness, alas, as it is only a theory as it only conforms to the first four of the steps required in the Scientific Method. Much of modern science is now “Theoretical”, they are trapped in the fifth stage and are given special compensation for digging up new “Theories”, creating a branch called “Theoretical Physics”. These are now a protected class defined by Cultural Marxism, as the real scientists who follow the Scientific truth and its complete Scientific Method are under the mercy of authoritarian political correctness and a false religion of “Scientism”.
This Post is short, though I spend quite a lot of time working out this artefact. Please note the two triangles I have outlined in the diagram, one has an angle of 51.913 and the other 42.374, these are significant as they correlates closely to the Great Pyramid and the Senusret II Pyramid, these were the on the opposite sides of the pyramid field in my previous posts. Regards Arto
(This is a draft of part of the Archaeology chapter, so please excuse incomplete data and any errors)
When studied and looked at from one view of the ancient Egyptian measure, it has so many variants, that it makes you wonder, what was reasoning behind the differences? The main stream Archaeologists never delved into any logic or reason and discounted it as just poor standards that had no relevance to an exact science, while only being a measure of ones arm, hand or finger.
After many years of thought I concluded, that the original pyramids and the many fine stone objects inside them were the remnants of the true science of the Kemetians but not fully understood by the Dynastic Egyptians, they seem to have forgotten some parts of the ancient technology, it became a ritual, the remaining shell of its true intentions, it was stylised. In my last volume I elucidated the Royal Cubit as the unit for the measure of the Longitudinal velocity of Light.
This was the start, as we now had a clean beginning with a absolute measure of 900000000 Royal Cubits. As you can see by the diagram, the number of waves are always the same, the type of medium is what causes the measure to change. This methodology can account for the variant sizes, the Illhan sarcophagus measure shows that Ozone was the medium inside the pyramid, as this is the dielectric that will give you the correct Royal Cubit measure for the internals.
The Pyramid complex is a machine that uses stone both as a dielectric in the higher frequencies and as an audio conduit in the mid frequencies through the stone with coupling with the lower Earth frequencies in the cavities filled with a gaseous or liquid medium. The contents of the sarcophagus should be filled with structures that emit frequencies that resonate with the structure , these are materials that could be radiation emitters. Most gem stones are emitters of radiation, with elements like cobalt, boron, uranium, potassium, much of these are in a natural state all around us, these appear as the offerings required to keep the machine running, it was ritualised over time. The atmosphere inside the sarcophagus and the tombs will become ionised, thus changing the permittivity of the gas, also allowing the conductivity to increase, this will drive a differential heat engine, that have audio and plasma acoustics to have two nodes, each will be charged with different polarities , hot = +, cold = -, as per an electrical generator. This now becomes a natural electrical charge accumulator, that drives a cavity shock wave generator that creates a current of electricity. The pyramids cavities reveal a Thermo-Acoustic plasma engine. The mud-brick layer on many Pyramids acted like an energy reservoir and a acoustic baffle, Pyramids acted like motors, generators and accumulators, where some were passive in their functions.
The addition of frequencies inside the sonic wave, due to each material being of different permittivity, permeability, EM refractive index and mass density, impedance to electricity and to the acoustic properties will give you the velocity of energy transfer in, on and through the material. This velocity can be used to dissipate the heat loss through the crystal lattice as you lower the frequency by the impedance, both electrically and with sonics. This will give you a differential of temperature at either extreme interface, thus the sonic created and maintained by heat, can be recoverable back to electricity by a engineered Peltier layer of materials or other means. No moving parts, the initial impulse is an amplified Earth sonic that is always present as 8 hz in the atmosphere and 12 hz in the Earth and its low sub harmonics.
A pyramid is the earth frequency reflector to a focal point, the many rooms and corridors are carefully designed, as a acoustic receiver, in the lower frequencies. The reason they are so big, is that the sound it captures is directed at the correct angle to the acoustic antenna system, where the acoustic channel drive a sound in high resonance and activates the differential heat engine.
The sarcophagus can now be the focal area of transmission or/and reception, as this diagram(next blog) shows the different sound modes inside the sarcophagus. You can articulate these by frequency adjustment by an acoustic lens and other means inside the box, which is inside the tomb and inside the pyramids sub structure. This type of pyramid is of interest as it is easier to understand, we must walk before we run. Pyramids as functioning machines, is not a common subject in any library, so we will start here.
The scheme of measure used by the engineers of Kemet was Royal Cubits, Standard Cubits, Hands. Palms and Fingers. The use of these divisions of metrology will be clear when you work out the sonic of materials and how they work together. The scheme of layout and cross sectional designs were purely a work of the ancient genius that understood vibrational technology and the natural environment. The machines were built from stone connected to the bedrock and only had the smallest components crafted from metals and dielectrics.
Let us look at a few simple but hidden knowledge of the the measures used by the Kemets.
Longitudinal Velocity of Light( light x pi/2) =9000000000 Royal Cubits per Second
600000 PS = 4484.8846840687 mtrs per sec Velocity of Stone
1.715 x 600000^2 = Density x Velocity^2 in Qedets and Palms per sec
6174000000 QPS2 = 6174000000 / 9000000 = 686 M *
So we have the velocity, density, mass, volume and modulus of the stone that we need to use to build or to transmit and receive vibrations. We can use geometry to adjust all the parameters to create acoustic lenses or direct the vibrations to a focus point for interpretation using some form of acoustic technology.
1 Palm = 0.074748078068 mtrs
1 Cubic Finger = 0.0000065255950149 cubic mtrs
1 Qedet = 0.00933 kg (Flinders Petrie)
Density = Mass / Volume
Mass = Density x Volume
Volume = Mass / Density
How I derived some of these values, it will be easier to understand as I show you the data I have accumulated by the study of all the pyramids.
So how do we start to form a communication channels and power generation from geometry, stone, acoustics, plasma and resonant heat channels. We must start with the geometric means, where the stone amplifiers with stone antennas must be built into the bedrock, where sonic vibrations can activate.
There are a few equations that will help in this design process, let us inspect the communication between two pyramids. I discovered the the distance between Senurset II (sewaset)and Giza to be is exactly 160000 royal cubits. This was one of the clues that has led me to this clear knowledge.
Distance = 160000 Royal Cubits = 1120000 Palms
Velocity of Sound in Bedrock = 80000 Palms per second
Time =D / v = 112000/80000 = 14 seconds
Frequency = 1/ time = F = 0.0714285714 hz = D (A= 438.36184192 hz)
Lowest Piano D = F *1024 = 73.142857138 Hz
The wave length inside the tomb = 4 Royal Cubits = 28 palms
So it looks like we could use octaves of “D” to make a communication channel between Senurset II and Giza.
Test case #1
Velocity profile of Limestone 0% porosity = 6813.236733 mtrs per sec
As Royal cubits = 13000 RC per sec
Velocity profile of Limestone 10% porosity = 5109.92755 mtrs per sec
As Royal cubits = 9750 RC per sec
Velocity profile of Limestone 20% porosity = 4087.94204 mtrs per sec
As Royal Cubits = 7800 RC per sec
Velocity profile of Limestone 30% porosity = 3406.61836 mtrs per sec
As Royal Cubits = 6500 RC per sec
In a Test Case above we have 4 different Velocity profiles, this seems innocuous, until you compare it to the 0% porosity, here are the figures:
13000/13000 = 1 = 0 % porosity
13000/9750 = 1 1/3 = 10 % porosity
13000/7800 = 1 2/3 = 20 % porosity
13000/6500 = 2 = 30 % porosity
These are musical and concordant frequencies. When the whole gamut of limestone, red granite and many other stones are put into the correct context, lined up with density, velocity, modulus, porosity, dielectric, permeability and impedance are factored and aligned to resonances with harmonic content, you will not see the true nature of the Pyramids.
This understanding is clear that their intentions was to resonate stone and air, creating communications and energy transfer, this is of a past technology that lay hidden in the Kemetian engineering. When you look at the all the concordant data you will see the science of ancient Egypt, they had a science not just a geomatra of holy numbers , worship of idols and Gods.
The Dynastic Egyptians had lost much of the ancient knowledge after the flood destroyed most of the Ancient world, many of the machines stopped functioning, maybe Giza was still running, it was after all the main trigger for all network of ground longitudinal waves, both electrical and acoustic between all the pyramids. The survivors may have had some technology left, but the link to the priests of that knowledge were gone, they developed a philosophy aligned to the downward spiral of mankind, just as the Yuga cycle was nearing it nadir, all the knowledge to read the language vanished. The Egyptians called it the underworld, the lost dark chasms of mankind, where memory of our past gets destroyed, misaligned and lost.
Measure and Metrology
We need to try and recover what was lost in the engineering of the pyramids, by means of the actual objects and structures left behind. Much of what I have looked at was already found by Petries and he did a wonderful job of recording his findings. I will list my own interpretations along side the what has been found and measured. I will start with the Royal Cubit, as the standard, it this seems to be the most scientifically defined unit that I have been able to decipher, in all of Egypt. Do not forget that this is the unperturbed unit, not the regular measure as noted by my earlier iterations regarding the dielectric as the change in length. So here are the first list to define the length to meters, so we can relate it to modern understanding.
* New Names and Lengths based on conjecture.
So the base length by historic discovery is the Finger, this makes the building of a Metrology system easier. Here are the divisions of lengths according to written and measured discovery, with a few added “ * ” to indicate new sizes. The requirements of building is the volume standard, then the mass and the density considerations. This list is based on 1 Cubic Finger as the smallest usable unit.
Now that we have established a system based of 16 different unit measures, we must now move to weights, mass and density to complete our approach to the transmission and building process.
These volumetrics are already useful in liquid measurement, such as the equivalent in litres or gallons. This will not enough to create a technology, the Density of the materials plays a major role, this can be done with a set of scales and a ruler.
The Qedet is a weight that was used in much of ancient Egypt, this was a found by Petrie to be about 9.33 grams, a size of it was also noted. I simplified the size and cubed the sides to arrive at 1.715 Qedets = 1 Cubic Finger with a Density of about 2452.03 which can be found by making a standard that it can be checked against. Other densities can be found by comparing volumes against the mass using a scale.
Now that we have some clue on how to proceed, I have found many interesting unit values that pop out when crossing over to the ancient units.
Here is a quad set of figures that show some very musical values, when you add a suitable length to create the required fundamental tone in the material.
In Ancient units:
Name – Material – Density – Velocity – Modulus
Set – Stone – Q/CF – P per sec -Den x Vel^2/9000000
Set A – Sands -1429.754678 – 2242.442 – 7189589537.171
Set B – Granite – 2452.03 – 4484.884 – 49320584224.971
Set C – Dolomite – 2859.509 – 4260.64 – 51908836458.377
Set D – Basalt – 3001.2343 – 5979.846 – 107319820496.616
As you can see the ancient units are much more unified and much easier to remember and calculate with.
The rest of the unfinished chapter will include the acoustic map of all the pyramid sonic fields, with frequencies and the inclusion of some of the devices inside the sarcophagus and sonic translator devices. I had to reinvent all the parts from some of the artefacts I have seen in the museums. I will add some schematics of these machines in the next blog, if all goes well I will be able to test these in a small scale, if resources are available. Regards Arto
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The mistakes of understanding the resonant Tesla Transformer has led a lot of engineers into adopting the very equations that deny a workable transmission system. If you build a Tesla coil that creates big sparks, then have only understood a system for spark creation, if you have built it and there is no spark then you have either failed or succeeded in your attempt. This is the conundrum of a true Tesla system, the correctly sized top load will balance out the resonant system and the high voltage transform will not leak and become transformed back into high current by the balanced reactances. The act of the resonance will be dampen by the resistances in the system, only by adding a little more power per cycle you have a continuous resonant structure, which is the heart of a good Tesla Transformer system.
To create large sparks you must allow the streamers to escape, to do this it is essential to do two things first make a sharp breakout point, secondly you must lower the top load capacity gradually until your goal is achieved. However this is not the purpose of a Telsa Transmission system, it is the opposite of sparking, a good system will not have any breakout points, you must maintain a contained and smooth voltage gradient on the surface of your capacitor.
Power factor correction is the term used by all electrical engineers, to Nikola Tesla this was just a normal part of the his system to allow maximum power flow and not have a voltage and amperage out of phase condition, good power flow requires a 90 degree lag and lead situation. This was ok in the first part of a Tesla coil system, Mains step up transformer for the first 2 coils in the ratio of 1:50 = 240-12000, then the high voltage Tesla transformer coils in the ratio of 1:20 = 12000-240000, added magnifier coil 1:4 = 240000-960000 volts. If at each step you ensure a least resistance and the electrostaticaly contained condition is maintained you can guarantee good results. Some of the conditions that need to be met are as follows;
1. No sharp points to cause ionizing
2. Large curvature of surface conductors
3. No large objects nearby to cause inductive capacitive effects
4. Well insulated lead in conductors
5. Magnetically shielded switching system
6. Well sealed and mounted components
I have been working on a number of coil systems over the years, success is always proceeded by learning curves that are the essence of discovery. Much work can be saved by a small number of calculations, guess work is not a road for designers of electronics, this doesn’t mean you cannot experiment on unknown arrangements, its just that your components can only handle what their designed for or you will cook and blow a lot of your hard work away.
I am releasing my basic design of my Tesla Power Transceiver System. The energy that is being transmitted and received is not the of the Electromagnetic Transverse wave variety so a lot of Radio theory stuff is not needed, the Magneto-dielectric Longitudinal wave is what is utilized. I have tested smaller designs with success and have no problem with its conception, I was aware of this type of wave back in the early 70’s when I was building radio circuits and making my own antennas. When I rediscovered Tesla in the 1980’s and found the work of Eric Dollard, I was happy in my understanding of these Longitudinal waves. As I am a musician, I had no trouble in knowing about longitudinal wave harmonics and its analogue in sound waves.
I have Included the two types of Velocity in the design, for success in this process you must utilize the Tesla Velocity wave as the Velocity of light only relates to the Electromagnetic wave. As you can see in all the parameters only the Primary capacitor and the Toroids are of different value when you use the Tesla Velocity wave. All the pipe sizes are standard PVC drain pipe and should be available, remember this is only a preliminarily draft design, not all the parameters have been analyzed for optimal use. Build at your own risk, more info in my book “Talking To The Birds”, now available at Amazon.com, Good luck Regards Arto.
Complete Specifications of a Tesla Wireless Power Transceiver
Now that I have worked out the size of the Kings Chamber in Quantum units, let us see if we can explore the implications of its functions as well, this was one of the most rewarding puzzles I had to solve of recent times. This would become more helpful as I could now scale it to something a lot smaller and useful for experimentation. I have also completed the Quantum Coffer as part of this process, armed with an understanding of quantum arithmetical methods I now could apply my work to just about any Ancient monument that was built to those exacting requirements, this information will surely help give some clarity to date these constructions so we can finally put an end to the time wasting debates that have been festering for the last 200 years.
It occurred to me a few years ago that the Ancient monuments that are of the most interest were those built pre 3000 BC(my reckoning), as the dating of most monuments are not of that early era, something is distinctly wrong is the way Academia view and date the time-lines of civilizations, each new discovery pushes the dates back further than they would like to admit. To attribute many ancient buildings to a later era distorts the history in a way that denies the true origins of cultural fashions and technological beginnings. As we know writing and mathematics were fully developed at the beginning of the accepted historical time line , not at the end, the Greeks learned from the Ancient Egyptians and the Romans learned from the Greeks, this is also true in India where the Vedic texts have a fully developed society , science, art at the oldest time period. The Aztec’s only rehabilitated the more ancient buildings and a culture they discovered. This brings me back to the Great Pyramid and its function, I can only make assumptions based on facts and some evidence that the Great Pyramid was some sort of machine that was designed by a people that were well versed in structural engineering that surpasses the best efforts of today. The Khemitians as I like to call them , had profound understanding of Astronomy, Geometry and Chemistry, these are evident in the materials, methods and designs of what they have left us, this is a profound and obvious fact that no real researcher can deny.
I would like to forward an idea what the possible usage was for at least part of the mechanism of the Great Pyramid, mainly the Kings Chamber acting as a Cavity Resonator . As I was working with the measurements of the Ante-chamber, I could see that the design vaguely resembled an adjustable resonant cavity mechanism. It seemed there has been a lot of conjecture about what was the original function and design layout of the Ante-chamber, the common view was a sealing mechanism of granite portcullis blocks that were strung up with ropes and made to move up and down locking the treasures of the Kings Chamber from greedy grave robbers. This idea seemed plausible if the Kings chamber really had a King with his treasures to hide, sadly there is no proof that it was ever intended for a dead Pharaoh, a simple fact that no hieroglyphs have been found in the great pyramid can attest to its lack of funerary ritual hieroglyphics that dominate the walls of real graves of the well to do Egyptians and Pharaohs. The scribbles that have been found in the sections above the Kings chamber that were attributed to the builders were the result of a rogue Archaeologists idea of getting some credentials and notification, in reality the markings were of nonsense and of the wrong period.
Christopher Dunn describes a possible Hydrogen power-plant that might be the mechanism of the Pyramid, this interested me a great deal, it started to dawn on me that this is a real possibility. The few clues I found was the sooty deposits in the air shaft in the Kings chamber and the green Dolerite ball that was found by Petrie, the unusual cavity in the South air shaft, and the 4 grooves at the end of the Ante Chamber. The early accounts reveal a few more clues, early accounts attest to finding a 6x4ft slab in the antechamber, now gone, also the results that somebody had blasted their way into the kings chamber passageway, gouging a section from the top part, suggesting this small passageway was tightly closed.
Most researchers attribute the grooves in the wall of the rear of the Ante-chamber to rope clearances or such, where I think it would be ideal to create some sort of piezo vibrator or tuned half pipes to transfer a 7.84 hz tone to the inlet of the Kings Chamber, the inlet for the hydrogen gas would also have been part of the pipe mechanism as well. The Grand gallery could have been a gas fractionator unit that was tuned both acoustically and electrically polarised allowing oxygen to stay in the lower portion while hydrogen could rise into the ante chamber and on through to the Kings chamber via 4 pipes and/or resonators. The action could even have water present allowing water to become part of some sluicing gas production process.
All this is just conjecture at present, the Kings Chamber has 2 shafts, one of those has a unusual cavity that looks like some sort of ball valve system, possibly to allow the valve to close or open when pressure was correct and the other shaft is connected to the outside , possibly connected to another mechanism at the outer exit. The only way for us to discover the purpose is to a build scale model of it and test the many conjectures.
I have drawn a overhead scaled version with the sonic inlet being the column of gas that is in the passageway between the Ante-chamber and the Kings Chamber . This is a typical Helmholtz Resonator design, nothing mysterious here, just well engineered for low frequency resonance. The approximate frequency response for Air was a low 2hz, this at first seemed remarkable as a lot of conjecture has been out there in the public for at least 50 years that it resonated at much higher frequencies. If you treat the chamber as a microwave resonator you will have frequencies of about 1.76Mhz, this is a suitable band for communications, but not remarkable in nature.
The most surprising result of looking at the resonant values for the Ante-chamber was a close match of 47Hz, ever though I did not have all the exact measurements for the missing parts. I made an approximate of what has been conjectured by many other researchers, the result was amazing to say the least. I will be working of the Grand Gallery and the Queens chamber as next set of parameters to see if they reveal any evidence of a mufti-chamber pyramidic gasifier that breaks-down water into useful gas energy products such as Hydrogen and Oxygen.
Regards Arto
***Update 22nd October 2016 – I have replaced the drawing, the Helmholtz resonator frequency equation had a typographical error. (bracket was in the wrong place), regards Arto.
Again I am presenting material of importance from my book, one that cannot wait to be presented only revealed. When I first read Bruce Cathies books in the 1980’s Harmonic 33, Harmonic 695 and later The Bridge to Infinity and The Harmonic Conquest of Space, I was amazed and fascinated by Bruces simple facility in bringing all his explorations into the 144 light velocity and all the harmonic frame work as well. I loved reading his material and all his exploits.
I could not at first see why he chose 144 as the numbers as the velocity, Bruce had made some assertions about the ancient metric and a lot of biblical and Geomatra references, this made me question the historical reasoning, only later did I find the real reason. You see this was not a common number when measuring anything linear only area, cubits were the rule in the period Bruce points out, besides the Ancients had no need of a decimal version of PHI and its endless decimal fractions or 143.889, 6.9444 decimals fractions either, they are only used in his methods to justify the use of 144 as light speed, the Ancients built and located to natural prime and whole numbers, this is was gives you the PHI ratio. Who had use of a calculator in 3000BC and surely nature never uses parts of anything only whole quantum units for any process. It seems there is something not quite clear in his explanations and has a possible bogus written on this scheme, let us look at some of those that contain vagueness.
Look at the tables and you will see that Standard Cubits and Fingers become rounded off to whole numbers and surely would become more useful that Bruce Cathie’s numeric web of harmonic decimal fraction values, why create new measures when the Ancient measure of cubits had so much to offer. The use of a light velocity in ancient times did make for great reading, only its use would have been for astronomy and some form of technology, I could see many ancient places that could have used laser cutting such as Sakkara, Machu Pichu and Puma Punka. Why would the ancients complicate the natural whole number science with complex algorithms with multiple decimal places and complex formulas just to put a monument, where a simple whole number solution would explain more and reveal complex ratios that come from its prime quantum nature.
Only by studying the mathematical and geometric works of Euclid, Archimedes and Pythagoras can you see the numeric tricks that Bruce has employed to result in what may seem like almost magical answers. This sort of manipulation has truly some amazing reverse engineering to give you the results you seek.
The methods are not hard or magical, the term used is the intervals of the harmonic discipline, these are named as Sesquitertian ratios, Sesquiquialter comparisons, Multiple Superparticulars and its attendants. Without writing a formal doctorate on the subject, I will just show you the numbers and how they function. You will recognize an abundance of Geomatra numbers and harmonics that a lot of people write about.
As you can see the top row of the Duple table it is pure doubling, nothing very complex, this is how octave work in music, light, radio etc To get the start in next number row you add the first two numbers then place the result in the column under the second number. The process continues for every number pair on the top row, this will now give you the second row, now do the same procedure with this row and this will give the next row, continue with the same process and you will have a table like the one I have made.
As you can see the second table(Triplet) the numbers are tripled, the same process of addition and carry to the next row the sum is the same as the first table, will give you the table the same as I have made.
A careful study of the first and second table will reveal the tripling is also occurring in the first table, only as the diagonal values. This same view has the diagonals of the triple table now creates quadrature. Many more numeric harmonies are present in these tables. An example of this can be shown, if 256 = C1 in music the its octave is 512 = C2, the next octave in now 1024 = C3, this seems logical and simple, now the 5th of diatonic harmony in music is the most concordant next to the tonic, if the tonic 256= C2 then the fifth is 384 = G2, the 2nd is 288, the ratios are 256 x 3/2 for the fifth = 384, 256 x 9/8 for the second = 288. This is how harmonies function numerically, no mystery here, this information dates back at least 5000 years.
The sextuplet table I am including shows you another Geomatra group that are written about, including the Nineveh Constant. This set is in multiples of 6 , the second row, 7nth element is 1959552.
As you can see these are very simple arithmetic calculations, not requiring PI, PHI or Log, this is how nature creates harmonies and natural intervals that exist everywhere not just on your piano. If you require more knowledge to pursue, you must create complete harmonic tables and you must also be willing to understand and make frequency charts covering many octaves.
In the first table and the following table I have created the precise light velocities in:
Meters per second
Miles per second
Feet per second
Nautical Miles per second, Cathie Arc Minutes
Royal Cubits per second
Standard Cubits per second
Fingers per second
Cathie Grid miles per second, Adjusted for maximum
Cathie Grid feet per second, Adjusted for maximum
Art miles per second ( an addition to show how it can be done )
Art feet per second
The Royal Cubit = 525.1816774904 mm
The Standard Cubit = 450.1557235632 mm
The Finger = 18.7564884818 mm
These sizes where chosen as the least rounding error.
I have also created a set of new time scales in seconds, N28, N30 and N34 as N36 is the standard second and N32 is Bruce Cathies Grid second. I could extend this time scales in both directions as required. The Grid , and Art lengths are listed here;
Grid inch = 1.011904379 standard British inch
Grid mile = Grid Inch x 12 x 6000 = 72000 Grid Inches = 72857.1152911442 British Inches
The only problem that Bruce had with these tables is lack of justification on the velocity in a different medium, as he shows that maximum is 144000 minutes of arc per grid second, now for this to be correct he must have either the length of the arc grid mile to be different or the grid second to be slightly different. If he uses the grid second as 8/9 of the normal second as he proposes in all his writing then you will get 143888.868730502 minutes of arc per grid second, to correct this he must change the ratio of the grid second to equal 1.124131787 not the theoretical 1.125 as he suggests. Not to labor the issue we will accept a slight variation that allows the value 144000 to be the speed of lights maximum, this will be the adjustment to the grid mile of 1.1498913398, with the Nautical miles as 1.150779448, on the normal minute arc scale, I will include the maximum values in my tables, to be accurate they should be all equivalent. We know the velocity of light changes with the medium and this is where he can create a variety of values that nobody can question. The absurd idea that PHI reduction is evident is a slight of hand as you can see that 161874.977321814 Nautical miles per sec is very close to PHI (161803.4), this can be used to make fractional values based on this and rounding errors. The values of PHI from the minutes of arc is a result of ratios that are evident in the size of the earth and the number of degrees in s circle, such as;
In these simple equations you can see some of those harmonic numbers and PHI factors appearing at rounding and simplifying.
360 x 27 = 9720
9720 / 6 = 1620
velocity miles per second x multiple ft per mile / length of N mile in ft = Phi
Here is the equations, the way you can fudge these to fit:
186282.397051221 x 5280 / 6076.1154855643 = 161874.977321814
18.63 x 5.28 / 6.08 = 16.18 Simplify
37.26 x 2.64 / 6.08 = 16.18 Halving
36 x 2.7 / 6 = 16.2 Simplify, Halving and Rounding
Just to note 2.64 is the harmonic that Bruce says is inbuilt into the polar grid structure, which is really another factor of 5280/2 ft in a mile. The other harmonics he mentions are 2545.56, which again is 25.4 ratio mm to inches hiding as this value. Two other numbers Bruce quotes regularly are the magnetic field lines crossing in 1257 and 1850 spacing, firstly 12.57 is a half an inch and 1850(6069.5538 ft) is close to meters in a nautical mile(1852 exact), not a coincidence but as designed so he can correlate his data to fit any situation. As Bruce mentions the double cycle of the universe is 360 x 2 = 720 = 1440/2 as you can see he is eluding to the 144 value again. His use of the pentagon and golden triangle geometries are also used to make it appear to be more of the same harmonics of light generated from these shapes when he maps his grid points to fit the angles of 36, 72, 144 degrees.
One of the main points on Bruce’s grid map was his Eltanin Aerial , which was a bogus interpretation as this has been confirmed as a sea sponge(Cladorhiza) that has multiple arms and club like ends , this was revealed by Larry Hatch back in 2006. This and many of Mr Cathie’s findings have been exposed by Peter Brookesmith in an article “The Eltanin Enigma”. I will not elaborate here so please check his site here http://www.forteantimes.com/features/articles/155/the_eltanin_enigma.html
If the link is broken, there is a you-tube video here:
The Art miles and Art feet are also in whole number harmonic structures, very easy to use as these numbers are called perfect,deficient, super-perfect and superabundant numbers, most common in harmonic sequences.
Art ft = 1.1383924264 British Ft
Art Mile = 1.2936277573 British Mile = 7761.7665438009 B ft
So the Grid foot also comprises of 12 grid inches, so instead of using B/ft and B/inch you create a new unit that divides exactly 6000 times 12 = 72000 grid inches, this simplifies your figures and also creates a base 2,3,4,6,12 etc for harmonics as you can see from the tables 972, 144, 6 are all part of the harmonic structures.
One of the alarm bells that I heard when first viewing his work was his acceptance of Einsteins work as valid science, as we all should know his equations were the borrowings of others mainly Ruđer Josip Bošković and the hard work of his first wife and the blatant plagiarism of the work of David Hilbert, perhaps the most brilliant mathematician of the 20th century, and Felix Klein . Albert was a figure head put their by the power hungry establishment to teach us how to believe a metaphysical universe created from a false set of rules and hide the true knowledge and to accept this false dogma for fear of ridicule and banishment so we can serve the elite. He possess no genius that I can find in any of his writing, because it was not his writing that I was reading it was a patchwork of plagiarism from many sources, great men have a core of clear communication that goes beyond stereotypes and speaks to all men, many of the quotes of Einstein were lifted from other people, original thinking was not the premise of this fascist.
We should also be aware of Max Plank as he had reversed engineered his constant so it would fit with the velocity of light, as noted he was quite disturbed by force fitting this by using Boltzmann work and tried to ignore the implications of his earlier work please refer to the work of Charles William Johnson. Together with Einstein they accomplished an early burial to the science of Walter Russell, Nicola Tesla, Victor Schauberger and others like minded Artists, Scientists and Engineers. It seems Bruce was either ignorant of this side show of the establishment or he was just another unwitting puppet that had been used so his work would give credence to the puppet masters agenda, this way the independent researchers started looking in the wrong direction.
Remember it was not Einstein who created the atomic bomb, it was the Engineers who were disciples of Teslas work that made it work, theory had very little to do with its creation only practical men can build such devices. The Tesla rotating brush was the first step, the disintegration of matter by implosion of spherical reflected force was Tesla’s second step, it was this that led men to the atomic era. There are no mysteries on how to create and explode an atomic bomb, only misinformation. The work of Einstein will be long forgotten and relegated to the dust piles of history when the work of Tesla will light the hallways of knowledge for aeons.
As Nikola Tesla quoted in the New York Times (11 July 1935)
“Einstein’s relativity work is a magnificent mathematical garb which fascinates, dazzles and makes people blind to the underlying errors. The theory is like a beggar clothed in purple whom ignorant people take for a king, its exponents are brilliant men but they are meta-physicists rather than scientists. “
Einstein’s formula
Energy = Mass x Velocity of light squared
This simple relationship was obviously borrowed from Newton’s well known equation;
Kinetic Energy = Mass x Velocity squared
The Bruce Cathie Equation is a unique combination trying to include a version of the Fitzgerald contraction, this being the 1/sqrt(C), this would not help those who are in favor of an Etheric understanding of the Universe. The purpose of the Lorentz-Fitzgerald formula was designed to invalidate Michelson- Morley experiment.
Lorentz Factor = 1 / sqrt(1 – v^2/C^2)
Cathie Equation
E = ( C + 1/sqrt(C)) x C^2
This would validate any slight variations due to variable factors, each variable would be unique to the subject he was describing similar to Carl Munck’s manipulations. I suspect the reason the authorities were interested in Bruce’s work is he was using the powers of the velocity of light in his work, which is what they presented in the scientific community as fundamental constants. They did not want the public to know the level of deception the scientific hierarchy had perpetrated on world regarding the nuclear situation along with the complicity of the military industrial complex and the theoreticians to hide the real truth.
I hope this small snippet can elucidate the unwitting attempts by Mr Cathie over the decades in trying to steer you in unwillingly to a cult-e-sac of misinformation, not much different than the establishment has done for the last 100 years. I am an advocate for what Bruce has tried to do, but his efforts have not been realized by many researchers, scientists or engineers and have not resulted in usage that produces any advantages in designs or concepts. Not to deride his work as I have built many Tesla coils using Bruce’s numeric guidance and the results are no different than using, millimeters or inches, as to the advantage I have gained from his work it is primarily by using frequency tables that are clearly of harmonic content. What you gain from Mr Cathie’s work is the truly amazing value in understanding harmonic concepts and musical ratios that the Universe is built from Regards Arto
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Here is the complete numeric code of the Kings Chamber(Resonant Cavity) from the interior of the Great Pyramid(Alnitak), the numbers cannot be fudged and are precise , no allusion to the value PI or the Phi. Using transcendental numbers only gives you approximations, not true values, only Quantum Arithmetic can reveal the underlying order behind these types of structures.
The original ideas were not coded from computers and approximated with calculus, these tools would not have been needed 10000 years ago. The dawning of a new paradigm in understanding of ancient monuments are written in the quantum code that underlies all of these stone artifacts, if they knew how and why, we can also know, this was their legacy to us. The path to the enlightenment of our ancestors does involves many sacrifices, many more than most modern people would want to endure.
The value to translate from Fingers(Digits) to millimeters is to divide by:
1 Finger = 18.6871428571429 mm
The value to translate from Quantum Units to feet is to divide by:
1 Foot = 39.378640776699 QU (Quantum Unit = 338)
By the research I have here it seems the Cubit(Royal) used for the Kings Chamber is:
1 Cubit (CR) = 523.24 mm = 20.6 inches
A quantum unit in not a empirical measure, it is an absolute value that can be derived from number law and prime numbers it does not have a distance measure like meters and feet. This is what the ancient Khemitians (Egyptians) express as divine , sometimes giving it names like Osiris, Horus, Thoth, Atum etc to explain the amazing qualities of pure numbers. I suspect the nine gods of the ennead are also known as the geometers Nine point circle and all the discipline and understanding that comes from its knowledge and deep connections with the absolute and pure numbers of the universe.
As you can see the use of cubits, hands and fingers are very easy to translate from quantum units, the people from Khemit knew that these measures would not be absolute, only as a translational device. This is the reasons our current society cannot pinpoint why cubits had so many variants, we think that our measures are correct and absolute and the ancients were vague and approximate, I agree this is the case, only if you look at it with a narrow idea of what absolute measure really is, meters or feet are just convenient rulers for our utilitarian needs, just as cubits and palms were to the ancients.
There is a another level of hidden measure here, as the Khemitians did not use decimal fractions like we do, we must look at another schema that does not rely on our modern approach. It looks like the unique quantum values have been used again, this time to create another cubit measure that can be used for the height and one of the diagonals(D3). This was has been called the standard cubit:
1 Standard Cubit (CS) = 17.7165385909599 inches
This length reduces the problem required by making the height now 13 CS and the diagonal D3 become double value of 26 CS. These numbers are the first 2 numbers of the Quantum set that I have shown. This alone will tell you the Khemits knew the Quantum code used and that the rediscovery of their methods is complete, no more esoteric geomatra that only confuses the numeric issues by introducing some strange masonic ritual into the understanding of numbers, not that this did not serve the purpose of showing these values as sacred to the hidden code and help perpetuate the use of them through history, thanks to the people who showed their continued reverence and usage in architecture, art and geometry. Here is some more figures that confirm this:
13 x 26 = 169 x 2 = 338
338 X 338 = 114244
A right angled triangle created from a base of 26 CS(D3) and a height of sqrt(33.8) has a hypotenuse that is equal to the floor diagonal(D4), this value is Sqrt(709.8)
7098 = 239912/338 = 1014 x 7 = 338 x 21 = 338 x 7 x 3 = 26 x 13 x 7 x 3 = 169 x 42 = 169 x 7 x 6 = 13 x 13 x 7 x 6
There seems to be some strange idea that the ancient builders used some sort of special ruler to measure and build the structures and maintain the PI/PHI properties, this is just fantasy as you do not need to use these numeric or ruler type devices to measure its proportions, they arrive out of using Quantum numbers as PI/PHI are built from Quantum proportions.
The D4 measure is most interesting it looks like the possibility to translate into whole number measure the Khemits may have used is 26 cubit CS and a didactic fraction 217/338 this is 0.00006015717542851 from being exact, in millimeters this equates to 0.000041959721260mm which is about the thickness of a human hair. This would seem be an acceptable clearance allowing for temperature differentials and seismic activity. As for that number 217, this is another interesting quantity as 216 is 6 cubed, further investigations would seem fruitful in this direction, even though we are only dealing with such a small fractional part, the Khemitians gave us the questions, so we are obliged to answer.
The QA numbers seem almost trivial compared to the modern edifice of mathematics, millions of volumes full of the most complex ideas of mankind, still it seems not to speak as simply and directly as Quantum Arithmetic. The Quantum number set used in the cavity is the part of a series of numbers that have particular properties, such as:
2 x 39 x 13 = 1014 = 39 x 39 – 39 x 13
the common divisor is 13
as 39 = 3 x 13, this only works by multiplying 2 prime numbers and having a common divisor(13).
2ax b = a^2 – ab if b/a is an integer and is a divisor of the other
what if the QA set was 26,12,38,50 then
2 x 38 x 13 = 912 and 38 x 38 – 38 x 12 = 988
38 does not divide by 12 without remainders, this cannot be used in this type of construction, but maybe in another shape or form these numbers are suitable as part of its required building blocks. This particular rectangular cube has harmonic properties just like the Quantum number set has.
My methods are original and the answers speak for themselves. if you doubt the veracity of my approach please by all means find fault with the numbers not me. I am not an Engineer, I am not a Mathematician, I do not hold a degree in any subject; BUT: I am an Artist and this is part of my art, something that I have worked a lifetime to accomplish, I hope what I reveal through my work, we can all gain a better understanding of the world around us.
If you find my work of value please donate via PayPal, as this will afford me to continue in this unique endeavor. Thank you Regards Arto. This and more will also be in my book “Talking to the Birds”.
Having solved many numeric puzzles using Quantum Arithmetic, I decided to attack this interesting artifact with relish. It seems everybody had a go at this including Graham Hancock. I am glad to express my delight in the solution that I have found, revealing the true principles of Ancient Khemitian(Egyptian) geometry and part of the foundation of building and pyramid design and the reason for their construction principles. As I will show on a another blog entry, I have found one of the the final keys to knowledge of the ancient Pyramidic geometric cipher, no weird magic number or symbol required, this is truly exciting and I will notify all interested parties when my blog is published.
The Saqqra OstraKon was found at the excavations in Saqqara in 1925, the writing reveals this object has a geometric value. The inscription is a form of shorthand to a larger idea.
1 Cubit = 7 Palms = 28 Fingers = 525 mm (using this conversion size in millimeters)
1 Palm = 4 Fingers = 75 mm
I Finger = 18.75 mm
The small curved line and a few strokes and the numbers above is all that was needed. The 98 Fingers was the first clue, this would be the Perihelion or in QA the J factor. The plane number 98 didn’t fit with any Quantum Ellipse so a multiplication or conversion number must have been used, after a few attempts it looks like the prime number 5 was the cipher.
G _ H = 490 = 5 x 98
N _ W = 475 = 5 x 95
D _ Z = 420 = 5 x 84
R _ B1 = 340 = 5 x 68
T _ C1 = 205 = 5 x 41
Now that I know J= 98 then as in all QA you can work backwoods to find the roots of the ellipse. These are the original root numbers that I found:
b = 2 e = 3 d = 5 a = 8 , these will give you J = 10 and the eccentricity of 0.6
b = 14 e 21 d = 35 a = 56 , these will give you J = 490 and the eccentricity of 0.6
The prime factor underlying the x 7 is a way of finding the other derived numbers in a simple translation as J=98 is not a Quantum root size it is a derivation from a physical measuring system from a Quantum number set. This diagram should explain the geometry.
The reason I exclaimed the true solution is because of the following hidden variables. The redrawn diagram everybody followed by Battiscombe Gunn is incorrect, looks like his pet theory of 28 fingers between lines was wrong, as you can see by the original carving the lines are not evenly spaced, it was only a crude diagram drawn without a rule, you cannot base the intention of the geometer on a rough sketch, only on the description he gives and the approximate position of all the lines. All QA requires is some real numbers and an approximate shape to define the correct form.
These are exact values with no decimal fractions:
H _ W = sqrt( 23376 )
H _ Z = sqrt( 106624 )
H _ B1 = sqrt( 220800 )
H _ C1 = sqrt( 394896 )
H _ I = Sqrt( 614656 )
These are the values when J=490, they reveal the correctness of the QA precision You will never arrive at this sort of numeric clarity using any mathematical tricks, the Quantum Ellipse is a unperturbed form and non empirical. The values when J=98 re listed below:
H _ W = sqrt( 935.04 )
H _ Z = sqrt( 4264.96 )
H _ B1 = sqrt( 8832 )
H _ C1 = sqrt( 15795.84 )
H _ I = sqrt( 24586.24 )
What we are looking for is the gap sizes, here is J=490
H _ W = sqrt( 23376 )
W _ Z = sqrt( 106624 ) – sqrt( 23376 )
Z _ B1 = sqrt( 220800 ) – sqrt( 106624 )
B1_ C1 = sqrt( 394896 ) – sqrt( 220800 )
C1_ I = Sqrt( 614656 ) – sqrt( 394896 )
Here are the final values decoded and back to empirical finger and metric measure
H _ W = sqrt( 935.04 ) = 30.5784237 Fingers = 573.3454456 mm
W _ Z = sqrt( 4264.96 ) – sqrt( 935.04 ) = 34.7282374 Fingers = 651.1544523 mm
Z _ B1 = sqrt( 8832 ) – sqrt( 4264.96 ) = 28.6720597 Fingers = 537.6011207 mm
B1_ C1 = sqrt(15795.84 ) – sqrt( 8832 ) = 31.7027812 Fingers = 594.4271479 mm
C1_ I = Sqrt(24586.24 ) – sqrt(15795.84 ) = 31.1184877 Fingers = 583.4718333 mm
These sizes were not needed by the Khemitian geometer to their requirements only the right angle edge and the curve was needed, only modern calculus require these values as to plot X * Y curves. The Khemitians had no need of such crude mathematical devices such as calculus, they treated the curve as a different type of measure than the straight line. Now we can extrapolate the Cubit/Finger and metric size of the whole ellipse.
Length of the ellipse is = 2450 = 490 x 5 in Fingers = 490 = 17 Cubits 3 Palms 2 Fingers = 9.1875 mtrs
Width of the ellipse is = 1960 = 392 x 5 in Fingers = 392 = 14 Cubits = 7.35 Mtrs
The values are correct as no extra bit of a finger is required, this one of the reasons the Khemitians used these types of measure. The translation into quantum units were simple and there were no fudge factors that required PI, PHI or Log, no fractional decimals, only whole numbers So the final outcome underlies how truly powerful Quantum Arithmetic is when fully understood and utilized in the right hands, when looking for a accurate solution without errors from empirical measurements and data from approximation using calculus.
These and many more are from my up and coming book “Talking to the Birds”, regards Arto
References
An article by Battiscombe Gunn
Published in Annales du Service des Antiquites de L’Egypte,
Volume 26, 1926, pages 197 – 202
Printed by the Institute of France, Oriental Archaeology,
Le Caire, France
Diagram was created by Arto Heino using GeoGebra
*** New Addition *** 2021
I can see some are not convinced of my odd methodology, here is ample proof that simplicity was the key.
As the diagram illustrates: IH = 784 HF = 1470 IF = 1666
Add together to create the perimeter of the triangle, thus: 784+1470+1666 = 3920
Now return back to Finger measure: 3920 / 5 = 784
Now return back to Royal Cubits: 784/28 = 28
Thus if you have a string 28 RC long and joint it to make a loop, then you make two pegs on the ground at the distance of: 1470/5 = 294 fingers = 10 RC + 14 F
You can now trace this ellipse with a marker at a third point when you stretch the string. Refer to the diagram below using the 3-4-5 triangle giving 12 as the perimeter.
I hope that simplifies my reasoning why I use QA to solve these ancient problems. Regards Arto
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