Archive for the ‘Art’ Category

Book Release – Talking to the Birds

November 15, 2013
Talking to the Birds

Talking to the Birds

“Talking to the Birds”, by Arto Juhani Heino, Volume I, is now available on Amazon.com, 12 Chapters, 356 pages over 250 illustrations and over 70 charts. A diverse compilation of essays, studies and illustrations in the underlying designs and principles behind some of the Arts, Sciences and with some social commentary, taken from an Artists perspective on the world he studies. A book where Art, Engineering and the ancient world meet. Highly illustrated , with artwork, numeric tables, geometries, designs and schematics. It has sections on Tesla, Hendershot, Don Smith, Moray, Sixto Ramos and Ucros. This is Volume I, Volume II is being complied at present.

Here is a pictures that shows some of the backlog in hand written books waiting to be converted to material for next couple of volumes.

IMG_4111

I would like to thank all my readers and those who have helped me to bring my work to the public, I am working hard on the next couple of volumes. Watch my blog for some interesting new articles. Regards Arto.

PressResleaseTalkingBrd1a

Synthonyms IV

June 20, 2013

Here are some new Synthonyms with a few well known companies that are run by crooks. Some who love to feed us genetic poison, some who would love us to ruin our health with junk food and others who pay their employee next to poverty rates while importing slave labor made goods from 3rd world countries. Enjoy regards Arto.

Monstero1b

NastieKidRot1

Forgets2

Kmart1n

Rhodes Chalk Art Day 2

February 10, 2013

I was very keen to start my other design for the Sunday session, I was ready for the boiling tar and the beating sun. I finally defeated the elements by the afternoon and had plenty of people, children, bike-riders, passers-bys and residence enjoying the chalk art, I would say a great day for all, even the Deputy Mayor Cr Pauline Tyrrell came and had a visit.  A big thank you to Stephanie for organizing the whole event, also a thank you for all the new fans that followed my progress in the last two days.

Here are a few shots of the new snake, this guy had teeth…Regards Arto

Head of Viper

Head of Viper

Body of Viper

Body of Viper

Long view of viper

Long view of viper

 

 

Side view of viper

Side view of viper

 

 

Rhodes Chalk Art

February 9, 2013

What a great day at the Foreshore park foot-way at Rhodes, it started out great meeting with the council organizer Helen and fellow chalker Adam Celeban. The footpath was tar, which is OK until the temperature started hitting 32 dergrees, with the sun beating down with no shade, whew, a grueling task to say the least. We pressed on and had a great time meeting the locals, families, bike riders and passers-by, greeting them with a reminder that this was about the new Chinese year celebrations which happen to be of the year of the snake.  Here are some pics from the day.

This is me patting the snake on the head/

This is me patting the snake on the head

Before I had a chance for another photo a lovely little whippet come out of nowhere and wanted to see what I was doing.

This is me and the whippet.

This is me and the whippet.

This was Adams effort at the end of the day, great work as usual, I just love his characters.

This is Adam Celeban and his happy smiling snake.

This is Adam Celeban and his happy smiling snake.

Here are some far shots of my composition, I left the center blank, my original intent was to make the snake weave under the path, just too ambitious , the size was a lot bigger than anticipated and the heat slowed me down, no problems I will make up for it on my next snake on Sunday…keep watching this spot, regards Arto

A long shot

A long shot.

Some details.

The guts of the snake- the writing says SNAKE in Chinese.

The guts of the snake- the writing says SNAKE in Chinese.

IMG_3885

One of our sponsors.

One of our sponsors.

The tail-end of the giant snake.

The tail-end of the giant snake.

The Kings Chamber

December 14, 2012

Here is the complete numeric code of the Kings Chamber(Resonant Cavity) from the interior of the Great Pyramid(Alnitak), the numbers cannot be fudged and are precise , no allusion to the value PI or the Phi. Using transcendental numbers only gives you approximations, not true values, only Quantum Arithmetic can reveal the underlying order behind these types of structures.

Kings Chamber1f

The original ideas were not coded from computers and approximated with calculus, these tools would not have been needed 10000 years ago. The dawning of a new paradigm in understanding of ancient monuments are written in the quantum code that underlies all of these stone artifacts, if they knew how and why, we can also know, this was their legacy to us. The path to the enlightenment of our ancestors does involves many sacrifices, many more than most modern people would want to endure.

The value to translate from Fingers(Digits) to millimeters is to divide by:

1  Finger     =    18.6871428571429 mm

The value to translate from Quantum Units to feet is to divide by:

1  Foot         =    39.378640776699 QU (Quantum Unit  = 338)

By the research I have here it seems the Cubit(Royal) used for the Kings Chamber is:

1 Cubit (CR)    =    523.24 mm     = 20.6 inches

A quantum unit in not a empirical measure, it is an absolute value that can be derived from number law and prime numbers it does not have a distance measure like meters and feet. This is what the ancient Khemitians (Egyptians)  express as divine , sometimes giving it names like Osiris, Horus, Thoth, Atum etc to explain the amazing qualities of pure numbers. I suspect the nine gods of the ennead are also known as the geometers Nine point circle and all the discipline and understanding that comes from its knowledge and deep connections with the absolute and pure numbers of the universe.

As you can see the use of cubits, hands and fingers are very easy to translate from quantum units, the people from Khemit knew that these measures would not be absolute, only as a translational device. This is the reasons our current society cannot pinpoint why cubits had so many variants, we think that our measures are correct and absolute and the ancients were vague and approximate, I agree this is the case, only if you look at it with a narrow idea of what absolute measure really is, meters or feet are just convenient rulers for our utilitarian needs, just as cubits and palms were to the ancients.

There is a another level of hidden measure here, as the Khemitians did not use  decimal fractions like we do, we must look at another schema that does not rely on our modern approach. It looks like the unique quantum values have been used again, this time to create another cubit measure that can be used for the height and one of the diagonals(D3). This was has been called the standard cubit:

1  Standard Cubit (CS)        =    17.7165385909599 inches

This length reduces the problem required by making the height now 13 CS and the diagonal D3 become double value of 26 CS. These numbers are the first 2 numbers of the Quantum set that I have shown. This alone will tell you the Khemits knew the Quantum code used and that the rediscovery of their methods is complete, no more esoteric geomatra that only confuses the numeric issues by introducing some strange masonic ritual into the understanding of numbers, not that this did not serve the purpose of showing these values as sacred to the hidden code and help perpetuate the use of them through history, thanks to the people who showed their continued reverence and usage in architecture, art and geometry. Here is some more figures that confirm this:

13 x 26 = 169 x 2 = 338

338 X 338 = 114244

A right angled triangle created from a base of 26 CS(D3) and a height of sqrt(33.8) has a hypotenuse that is equal to the floor diagonal(D4), this value is Sqrt(709.8)

7098 = 239912/338 = 1014 x 7 = 338 x 21 = 338 x 7 x 3 = 26 x 13 x 7 x 3 = 169 x 42 = 169 x 7 x 6 = 13 x 13 x 7 x 6

There seems to be some strange idea that the ancient builders used some sort of special ruler to measure and build the structures and maintain the PI/PHI properties, this is just fantasy as you do not need to use these numeric or ruler type devices to measure its proportions, they arrive out of using Quantum numbers as PI/PHI are built from Quantum proportions.

The D4 measure is most interesting it looks like the possibility to translate into whole number measure the Khemits may have used is 26 cubit CS and a didactic fraction 217/338 this is 0.00006015717542851 from being exact, in millimeters this equates to 0.000041959721260mm which is about the thickness of a human hair. This would seem be an acceptable clearance allowing for temperature differentials and seismic activity. As for that number 217, this is another interesting quantity as 216 is 6 cubed, further investigations would seem fruitful in this direction, even though we are only dealing with such a small fractional part, the Khemitians gave us the questions, so we are obliged to answer.

The QA numbers seem almost trivial compared to the modern edifice of mathematics, millions of volumes full of the most complex ideas of mankind, still it seems not to speak as simply and directly as Quantum Arithmetic. The Quantum number set used in the cavity is the part of a series of numbers that have particular properties, such as:

2 x 39 x 13 = 1014 = 39 x 39 – 39 x 13

the common divisor is 13

as 39 = 3 x 13, this only works by multiplying 2 prime numbers and having a common divisor(13).

2ax b = a^2 – ab if b/a is an integer and is a divisor of the other

what if the QA set was 26,12,38,50  then

2 x 38 x 13 = 912 and 38 x 38 – 38 x 12 = 988

38 does not divide by 12 without remainders, this cannot be used in this type of construction, but maybe in another shape or form these numbers are suitable as part of its required building blocks. This particular rectangular cube has harmonic properties just like the Quantum number set has.

My methods are original and the answers speak for themselves. if you doubt the veracity of my approach please by all means find fault with the numbers not me. I am not an Engineer, I am not a Mathematician, I do not hold a degree in any subject; BUT: I am an Artist and this is part of my art, something that I have worked a lifetime to accomplish, I hope what I reveal through my work, we can all gain a better understanding of the world around us.

If you find my work of value please donate via PayPal, as this will afford me to continue in this unique endeavor. Thank you Regards Arto. This and more will also be in my book “Talking to the Birds”.

The Adams Motor

September 13, 2012

In 1986 I was designing some unique colour-music art (Synesthesia) and looking at ways to put this into electronics using leds, lasers, cathode ray tubes or computer programs, this led me to designing a colour organ that was fully integrated with audio correlation to the harmonic contents of the sound as well. I decided to apply for a patent and went to the patent office to do a search for similar devices.

During the search I listed a few names and previous attempts, which went all the way back to 1890’s, while I was their I also looked for new developments in electric motors, this was the moment I found the Adams motor and noted the inventor was from New Zealand and he had patented his invention in 1969. I immediately concluded this simple design would be very efficient and unique as all the poles were of the same polarity, this was duly noted and I pressed on with other matters at the patent office. Amazingly enough I did end up the the Edison Electric offices where I explained the basic tenants and principles of this colour-organ to a few very attentive engineers.  Later in that month I met with one of the patent holders for one of the colour-organs who just happen to be an artist as well and lived in Sydney.  Before the month was out I wrote to the Sharp corporation and presented my findings and possible applications on my invention, they wrote back to me with a generous tone and kept me in mind for any future developments in this direction.

A brief description of my colour organ – Frequency correlated harmonic fourier separation to colour chroma addition translated to voltage steps controlling electron charge amplifiers  creating a proportional light intensity and equated colour area and location in the visual field, the resultant beam or electric display (Tesla coils with or without  gas enveloped top loads, closed electron tube/ phosphor display, optical wall/3D display, Holographic multi- projectors, laser projectors) would modulate with sensitive modes that equated to the overall mood and flowing structure of the music based on translating electronics. Some of these ideas have been used by others in recent years, due to the advent of readily available electronic component modules.

This chance study of the Adams motor at the patent office was originally prompted by a childhood dream of a free running motor that collected the energy from the universe to power it. This reoccurring dream was in the late 60’s when I was building crystal radio’s, high voltage coils, transistor circuits and single valve circuits.  This was the time I listened to Short and Long wave radio with my home made aerials picking up whistlers and other radio noise that I found by pointing my wire dishes at different portions of the sky and at different times of the day and night. I was about 12 at the time when a lot of these ideas about how these things operated occurred to me.

In early 1990’s I started compiling my various work on many subjects including motor design, when I was pleasantly surprised that Robert Adams published a ground breaking article in the Nexus magazine on his motor design. This was an exiting time as a lot of the backyard and professional engineers were collaborating and working on many new devices. At this time in Sydney there were group meetings and we were showing our current builds and exchanging information between members, the only problem was the new paradigm of over-unity engineering was not developed enough to handle the questions many members had. As always, I was the outsider who didn’t put faith in the current techno-babble of electrical engineering, being self taught in these matters, I relied on basic tenants of creating the equations from the evidence, not forcing the build to comply with the equations. This is what I gleaned from most of  the Scientists and Inventors of history mainly  Leonardo Da Vinci, Nicola Tesla and Victor Schauberger. In a desperate attempt to help my fellow builders I met with Robert Adams at the Sydney Nexus conference, from that moment on I  corresponded with Mr Adams a few times and sent him a few of my design sketches. I will include a copy of one of the letters I received from him, below.

Letter from Robert Adams to Arto Heino

The testing process of my build of the Adams motor was arduous and drawn out over a least 2-3 years, I had to learn many new skills and I developed an intuitive insight into this simple motor that goes beyond equations and engineering. The great help came from the generous group I was involved with at the time, I was loaned a oscilloscope, that is when the next phase of my journey began. I tried to convey the results to my fellow researchers and found they were closed minded about developing new equations that included open systems, I met with many and explained the tenants of true free energy, they turned to their university books and denounced anything that was not written in the science bibles. As I was not brainwashed in these matters, I could see their distress when I confronted their most hallowed beliefs of the system of modern science they were taught as sacrosanct, alas Einstein ruled. I am not a scientist or an engineer, I am an Artist from the school(mind set) of  Leonardo da Vinci and Walter Russel , therefore I am a natural scientist and observer of phenomenon, please allow me at least this modesty for my years of study and practical application .

I moved away from trying to convince others of the errors hidden in the equations and I allowed the natural curiosity and time for them to realize and discover it in there own time, the greatest teacher is ones own experience. This has been the legacy of Robert Adams, a man who spent a lifetime serving the system only to confront it head-on with its own  fallacies. Robert had been attacked on many occasions by the agents of a flawed science, only to be praised by those who have already awakened to the same dilemma  such as the notable scientist Harold Aspen. Their written legacy still exists for other to learn from.

I will not include in this blog the 400 odd tests that I performed as this would prove nothing, the tests were for me to understand the operations of the motor circuitry and look for environmental correlations. I have seen many people approach the design of the Adams motor with a sledge hammer, with stronger magnets, faster speeds, larger disks, bigger coils etc, this has always been to no avail as the basic understanding has been missed. This motor will run in a resonant fashion, to itself and the environment. This is the key, do not underestimate what Robert Adams tried to convey with his descriptions and explanations. Look at the  wave functions  of the whole solar system, day/night,  altitude,  atmospherics, terrulian currents, temperature, EM fog and geographic location before you make conclusions about how this simple motor operates. Energy is everywhere, tapping into this resource takes patience, observation, curiosity, creativity and sound scientific principles. Do not be led into a blind alley of dogmatic procedures that  avoid the hidden truth that we live in an OPEN system and energy is always available to be used through the correct gating mechanisms that we discover.

Here is a schematic of the Adams motor design as I have come to understand, I have not included all the equations required to build such a motor/gen, just the basic schematic I have revealed. The complete transcriptions and equations will be in my book “Talking to the Birds”, Regards Arto

The Adams Motor

The Adams Motor

 

 

Synthonyms III

September 12, 2012

Just adding and creatively changing a few things of interest.

Oxford Falls Art Day

January 29, 2012

A great day at Oxford Falls, Adam and I painted the local scenery and captured the feel of the day. I was a little sick from some bad yogurt the day before, but I was happy to keep the day positive till the end.

Urban Chalk Art – great time

October 10, 2011

The rain came down on Saturday and most of the artists moved their work into Parramatta Town Hall, thanks for a generous and understanding council. I know the interior lighting changes your colour perceptions, we all tried to compensate for the slight change. We battled on until about 6.00pm. Here is my work at the end of the day.

Time 5.54 Saturday

Now the BIG day Sunday, here is my work at the 1.00pm deadline.

Final Chalk

The judging was straight forward, the presentation in the theater was great, they showed all the winners artwork on the main screen. I was pleasantly surprised by getting the ISS Security Guards choice award (Yay!!!), all the details of the event I will refer to the official website –

http://www.chalkurbanart.com/chalk-art-competition/index.html

Urban Chalk Festival

October 7, 2011

I am chalking in Parramatta 6-9 Oct 2011, in Church st, numbered 19.

Here is the results of day 1

Wash out day

Day 2 turned out a lot better, sunny and cool.

Time 12.12

Here is me pumping the chalk.

This is Arto Chalking the canvas 2011 - day 2

Time 3.24

Getting more done…

Time 4.26

Look at them thar clouds..mmmm

Cloudy at 5.00

Packing up, last picture before rain came down.

Time 5.17

I ran out of my dark colour(special colour mix- no name as yet), I finally made 11 sticks.

First 3 chalk sticks drying

Chalk Mix